A couple of those would have an audible impact, but if you use the right filter (or just use a default one) it will be audibly transparent. You have to go out of your way to color digital audio. It's designed to be a straight line from file to output.
If your goal is perfect fidelity, DACs are designed to do that. Filters to color the sound are optional features... and not necessary. High end DAC manufacturers add lots of features. Some of them might be useful, some not.
If the “default one” is the original from close to 40 years ago it’s probably not the best choice as filter algorithms have slowly improved, along with the algorithms used with noise shapers and over sampling, once it gets to that level though any differences can be subtle and dependant on the rest of the audio chain,
How far individuals push the limits is up to them and their own little world of “audio nirvana” and how deep their pockets are, and there starts the minefield, rabbit hole or whatever, once the border of accepted scientific tests is left behind we enter a fantasy world where sometimes outlandish claims are misrepresented as “fact”,
As with all measurements to be 100% factual they need parameters,
An amp spec that states “100 watts per channel” is useless, more accurate would be “100 watts per channel into 8 ohms, 20hz-20khz with less than xx% THD”
The speed of light is 186,000 miles per second ?, only when you add the parameter “in a vacuum”.
Nyqvist theory is a digitally encoded signal can be perfectly recovered using 2x the highest frequency ?, only when you add the parameter “ in a perfectly limited bandwidth”
Decimation and reconstruction is the easy part, achieving a perfectly bandwidth limited signal with the filters needed having no effect on the usable bandwidth is the difficult part, and where the most research and improvements have been made in the last 40 years.