TRACKMAN
New Head-Fier
- Joined
- May 20, 2011
- Posts
- 23
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- 10
CAN I USE THAT WITH MY SONY MP3 PLAYER .... I AM ALSO USING SONY MDR EX 1000S
Like you, my basic travel rig was iPod (classic) > (LOD >) Headroom Portable D.A. > IEMs/headphones. The aforementioned setup works well, is reasonably portable, and I was satisfied for several years.
However, the upgrade bug bit and now I am using: iPod Classic > CLAS > TTVJ Slim > IEMs/headphones for travel. I utilize the ALO aftermarket CLAS interconnects, which bumps up the price associated with the CLAS.
Now would be a good time for my Standard Disclaimer: I am not an audiophile as most around here would define that term; I barely know impedance from impudence. However I do enjoy listening critically as I'd assume everybody who takes the time to be here does. I enjoy an eclectic array of music from classical to Jazz to electronic to rock to hip hop to... you get the picture. I listen mostly to Apple Lossless files on the iPod. OK with that out of the way, I will say that my upgraded travel rig blows the prior one out of the water IMO. A few specifics, remembering that I don't really speak audiophile and that these impressions are mine and mine alone:
1. The amps. The Headroom sounds "bigger" in the bass and lower midrange, but the TTVJ Slim is much tighter and seems quicker/more responsive to me. I hear more detail with the Slim. And speaking of slim, the TTVJ is quite a bit smaller than the HR.
2. The CLAS. Waaaay more detail and clarity when used with either amp. Is it worth the price? To me, yes, but only you can answer that one for yourself. I will only say that I was very price-sensitive and therefore did a lot of thinking before upgrading.
3. The ALO interconnects. A lot of controversy surrounds this subject as I'm sure you know. All I can say is that I hear what to me is a big difference. I would go so far as to say that if you aren't going to spring for the cables, don't get the CLAS.
Again, only my opinions.
Thanks, svertel, for your reply and the information. I will probably try the CLAS at some point. I'm not convinced that the ALO interconnects will make a difference because any reasonably well built cable will deliver the same audio signal; there is no real evidence for the audiophile cable being superior to a well-made, less expensive cable. However, I would like to try the ALO cables and test them in an objective double-blind test with a few listeners. I've read many good reviews about ALO and other high-end cables, and have considered them, but I'm skeptical about expensive cables. Which cables are you using specifically?
CAN I USE THAT WITH MY SONY MP3 PLAYER .... I AM ALSO USING SONY MDR EX 1000S
So the SR-71A can drive LCD2's? From what I've read and experienced, they need at least 2W RMS to sound their best.
Does the SR output that kind of power?
Jude, Youtube is blocked in China. I'm back vacationing in Toronto and one of the first things I did was to finally watch this video. Most articulate, sir. And I agree fully with your assessment of the Solo. It's a great component! Synergy is indeed key. I, like many others, am loving the Solo+Stepdance combo. With the ES5 in particular, it is stunning. Actually I just listened to that for much of the trip across the Pacific (where the isolation from engines is really nice). Sick? Oh ya, the combo is sick!.
Great video. I am off to watch the Phonitor episode..
Maybe he should make a download link available to those in China?