x RELIC x
Headphoneus Supremus
I am in the group of people who in some occasions happened to enjoy the Hugo 2 better with the addition of an amp, namely my Pathos Aurium.
However you are introducing a very valid point in saying that the source track is a huge factor.
In my experience this is very true and I often find myself switching from one configuration to the other depending on the track.
I am too ignorant on the matter to understand why is this but it is indeed something I clearly feel.
/OT
Much of the issue with many modern source files is what’s called the loudness wars where quiet and soft sounds are elevated in order to sound punchy but that also kills the impact of areas that should be punchy and loud. This compresses the dynamic range and flattens the music. Along with this dynamic compression usually comes distortions that I find absolutely unlistenable. Adele’s albums are an example of distortions heard when she hits the powerful notes. I can’t listen to her albums at all and I find it funny when others refer to her albums as reference music. ; ) Another example is Amy Winehouse’s albums. Terrible dynamic compression and distortion.
The authors who master the albums are on a damned trend that doesn’t seem to be stopping. Pretty much after 1990 it’s been a downward spiral for the quality of album masters due to the loudness wars. It may sound good driving in your car, but for dynamic range and fidelity it’s terrible.
A good read:
https://www.computeraudiophile.com/ca/ca-academy/dynamic-range-no-quiet-no-loud-r643/
/OT