if Rob could be kind enough to clear up these two points that would be great or anyone that has the answers cheers mk.
1) going from 16FS to 256FS for the WTA filter i understand the algorithm used here reconstructs the original analogue signal from the digital information. the more taps therefore by the laws of physics we get an ever more accurate representation of the original recorded sound. the filters resembling mojo's tonal balance are set at 16FS and the "dave" filters at 256FS so i assumed the number of taps would increase from "mojo to the dave" filters. however from one of your posts it seems to indicate the number of taps remains fixed at the highest level regardless of filter selected.i.e the number of taps is always 49,152. i would be grateful for clarification here.
2) with the filters that resemble mojo's tonal balance can i assume orange is optimal for 44.1khz files and red for 96/192khz files (so here any high frequency distortion is neutralised) in exactly the same way that we have been advised to use the white and green filters that resemble dave's tonal balance. (FS refers to frequency sample if i'm right?) many thanks mk.
edit: *or the number of maximum taps 49,152 refers to WTA stage 1 only regardless of whether the 16FS or 256 FS WTA filter is employed so it's always the same at 49,152 taps? you also explain the amalgamation and transmission of the combined "signals" (multiplexing) occurs at the output and this is identical for all WTA filters.
1) going from 16FS to 256FS for the WTA filter i understand the algorithm used here reconstructs the original analogue signal from the digital information. the more taps therefore by the laws of physics we get an ever more accurate representation of the original recorded sound. the filters resembling mojo's tonal balance are set at 16FS and the "dave" filters at 256FS so i assumed the number of taps would increase from "mojo to the dave" filters. however from one of your posts it seems to indicate the number of taps remains fixed at the highest level regardless of filter selected.i.e the number of taps is always 49,152. i would be grateful for clarification here.
2) with the filters that resemble mojo's tonal balance can i assume orange is optimal for 44.1khz files and red for 96/192khz files (so here any high frequency distortion is neutralised) in exactly the same way that we have been advised to use the white and green filters that resemble dave's tonal balance. (FS refers to frequency sample if i'm right?) many thanks mk.
edit: *or the number of maximum taps 49,152 refers to WTA stage 1 only regardless of whether the 16FS or 256 FS WTA filter is employed so it's always the same at 49,152 taps? you also explain the amalgamation and transmission of the combined "signals" (multiplexing) occurs at the output and this is identical for all WTA filters.