Digital Enigma
100+ Head-Fier
Going get stung hard on import fees and tax with something at that price.
I would like to hear those on the TT2 tooHas anyone here from the UK purchased omega speakers from the US and knows whether or not the listed price includes all taxes. Im looking at the super alnico high output monitors listed at around £2850 GBP. These are the top of the range monitors from omega and are easily powered by dave or tt2 direct. Or are they stocked by a UK supplier im slightly confused. Its the holiday season and i want to order these from their website and doubt anyone will be there now in the US if i phone omegas main number. Uber excited...
I might go ahead later today and pull the trigger on these to go with my mscaler//tt2 and JL d110 powered sub. 97dB efficiency speakers direct from tt2. Any last minute guidance from omega speaker owners appreciated. I know many dave owners have had excellent results with dave direct into omegas.
https://omegaloudspeakers.com/colle...lnico-high-output-monitor?variant=32172424908
If you order from a UK supplier, then by law the quoted price must include all applicable taxes.In the US, posted prices do not include taxes.
As these are a once in a 10 year purchase ive gone ahead and purchased the super alnico's as pictured and described above. Im putting my kef ls50 meta and aperta stands up for sale for UK buyers. Please pm if interested.
You asked for BNC cables to link DAVE and MScaler (which are not too expensive). Well I'm in the UK and Chord owners here all swear by Wave High Fidelity cables. They are made by Nick Bacon, who can be contacted via the website. Unfortunately they are expensive, but I thought I's let you know just in case you weren't aware of themIs it worth it to get a Moon Audio Silver Dragon set of double BNC cables for my DAVE? (Or is there is another brand of BNC cables which is not super-expensive or exotic?) I'm still using the stock cables (almost 7 years on now).
edit: To clarify, yes, with MScaler.
Thanks.
He has said cables that are not to expensive. My advice if he was to go the Ferrite Core on BNC cables is to make his own.You asked for BNC cables to link DAVE and MScaler (which are not too expensive). Well I'm in the UK and Chord owners here all swear by Wave High Fidelity cables. They are made by Nick Bacon, who can be contacted via the website. Unfortunately they are expensive, but I thought I's let you know just in case you weren't aware of them
A work-around that might work with a VPN setup: buy Qobuz gift cards. They might work for your own account., rather than having to share an account with someone else. e.g. buy a 3 month gift card to find out whether this work-around works with your VPN setup.Thanks for the reply, Adrian. I could ask my sister in the UK if she could help me out with this, I guess. So she would make an account in her name, then I transfer money to her. I guess that could work if she's up for it.
It's so frustrating not to have Qobuz. Qobuz has a lot of Greek artists - whole libraries of Greek labels, and yet people in Greece can't access it.
This is not a bug if you are using an external headphone amplifier. The user interface is problematic though!The only bug that is still there is crossfeed not deactivating when unplugging headphones. I also have seen a Dave getting instant lock to Dbnc while mine takes a few seconds, don’t know if there was a change regarding this.
The only meaningful firmware update a DAVE could have ever had, in my opinion, would be to re-program the FPGA when DAVE detects a dual-BNC (i.e. M Scaler) source. In this situation the FPGA could be programmed to, for example, improve the WTA 2 stage. I think Rob agreed that this would have been a good feature, when this topic came up, years ago I think it was.Would be nice to see Chord explore firmware updates for its DACs and M Scalers should Rob Watts identify improvements or new features. Given the global economy and interest rates, I‘m sure most DAVE owners would be more likely to pay a modest amount for a compelling firmware upgrade than spend thousands on new hardware. The DAVE platform still has plenty of life in it and room for new ideas. Firmware updates are a win-win for both Chord and retaining customers.
When DAVE 2 appears DAVE's re-sale value will be basically zero. Could happen sooner, of course. Life's too short to spoil the enjoyment of music with worries about gear re-sale value. It's bad enough to spend years trying to learn the art of good hi-fi system setup.For all of my gear, resale value is extremely important to me whether I'm currently intending to sale or not, as the likelihood is that someday I will.
I concur strongly with what you posted.My thinking on this issue has evolved over time
[...]
rather than accurate reproduction of live sound or what’s on the recording.
I discovered recently a philosophy regarding engagement with people's preferences, from the What's Best Forum. The starting point is that there are basically four types of "audiophile" goals:
Once these categories are understood, people can agree or agree to disagree and have fun. Hopefully I've not misrepresented these.
- recreation of the musical event
- transparency and minimal loss in reproduction: warts and all as it were
- tuned to make music sound good
- making the music sound like it's being played live
You're allowed to have more than one category, but they're different enough that each person will have one category as their starting point. I'm a 1 who hopes that 2 magically transpires at least to a small degree. I think it's fair to say there's a lot of 4s and then there are 4s who want 3 too. 1 is arguably problematic because it involves the concept of surround sound, for example, if orchestral music is your thing.
Honestly, I wish I'd seen this philosophy a long time ago. I don't think it's divisive, I think it is a simple-enough way of looking at things so people can accept preferences are natural.
Now playing: Katy Kirby - Portals
What is the difference between 1 and 4? I suggest to blend them together, then I think it makes sense.
- recreation of the musical event
- transparency and minimal loss in reproduction: warts and all as it were
- tuned to make music sound good
- making the music sound like it's being played live
I interpret 4 to mean that albums that aren't recorded at a "concert" have a "live" feel to them, sort of regardless of how much studio processing was performed.What is the difference between 1 and 4? I suggest to blend them together, then I think it makes sense.