thats quite the statement
so you could say it goes something like this
1. Mojo 80% £399
2. Hugo TT 90% £2,995
3. Dave 100% £7,995
I don't think this is a good way to assess a DAC. Only a fool would buy the DAVE based on this kind of a scale. Once you get to a certain level of audio gear, it would be misguided to think that a component exists that is 2x better for half the price. It never works that way. Even though we should assess the performance criteria of a DAC or any other component in objective and quantitative terms, in the end, I think we buy a piece of equipment for its qualitative properties.
As the owner of my medical practice, I am responsible for hiring my employees. For a certain position, I will often get many applicants and of the lot, at least on paper, most appear competent. In fact, they are all technically qualified as far as educational requirements go or they wouldn't be applying. In the end, why does one person get hired and not another? It's generally not because the others made any gross mistakes during the interview, it's usually because one person was just a little better in the areas that were most important. Maybe that person made better eye contact, appeared more confident and self-assured or offered just the right inflection as they answered a certain question. These are little things that are difficult to measure on a number scale but these are the qualitative intangibles that sometimes allow me to better glean the character of that individual. If I am to carry on a long-term professional relationship with this individual and entrust that person with the care of my patients, it often comes down to the little things they do that aren't part of their position's job description that allow me to value that person above the rest.
I have a good friend who is a pretty good artist. In fact, I'm selling her short because she is an excellent artist. Technically speaking, she is amazing and she can probably reproduce the Mona Lisa to within 95% accuracy. From a distance, I bet she could fool most into thinking they were looking at the real thing. Does that mean her version of the Mona Lisa is just as good or good enough? Try telling that to the
Musée du Louvre.
In my younger days, I used to race cars. Specifically, I raced VW GTIs and eventually Mini Coopers. There was a time when I was an excellent race car driver. I was trained well and I knew all the proper driving principles. While it's been years since I've raced competitively, I still enjoy spirited driving. Last year, a good friend who still actively races accompanied me to Germany for some spirited driving. We went to
Nürburgring and drove the Nordschleife in a rented Nissan GT-R. My fastest time was about 10-1/2 minutes. I was pretty proud of myself. We each rode shotgun as the other drove and so I was able to witness my friend's performance. He handily beat my best time and he clocked in at about 8-1/2 minutes. We used the same principles as we drove but he anticipated the turns better than I did. He read the apexes better than I did. He was aggressive at all the right times and backed off at all the right times. He did all the little things a bit better than I did. That's what it came down to. Based on our times, you could say he is a 20% better race car driver than I am but you have to understand that in racing terms, a 2-minute gap is an eternity.
What separates a great DAC from a good DAC? All DACs will make a violin or a trumpet sound like what they are. With even a $30 DAC, no one will mistake Elvis Presley from Elvis Costello. All DACs today are fairly competent and so why should anyone spend even $600 for a Mojo let alone $13k for a DAVE? You guessed it, it's the little things and often, the differences are way smaller than 10-20%. It's often about micro-details and micro-dynamics. Bob Katz, in his book "Mastering audio: the art and the science," defines micro-dynamics as music's rhythmic expression, integrity or bounce. It has also been described as the fine shadings within a dynamic envelope. For example, to hear the wobble of the skin of a tympani after the tympani is struck, when the blat of a muted trumpet has an internal echo, or when you hear the neighboring strings of piano when a key is struck. It doesn't take a golden ear to hear these things, you just have to know what to listen for and your equipment has to be revealing enough but once you hear it, you crave it and you notice it when it's missing. If enough of these things are missing, as small as they are, the presentation quickly starts to feel like an imposter.
I don't consider myself an audiophile because I own a DAC that's 20% better than another person's. I would guess that you didn't buy your HD800 because it's 58.75% better than the stock earbuds that came with your smartphone. For most of us, I would hazard a guess that it's about the music and how experiencing a piece of music that lasts only a few minutes can have an impact that can last so much longer. As a frequent patron of live events, my ears are unfortunately eternally spoiled and consequently, the reference my audio equipment must measure against is one that they will never meet but every so often, you come across a special piece of equipment that takes you that much closer. For me, the DAVE accomplishes this better than any DAC I have experienced thus far, regardless of price. In one area or another, it may be only a few percent better than another DAC but based on how it excels with my most important metric, that quality that tricks your brain into thinking you have been transported to another time and place, I consider the DAVE to be an unqualified bargain.