- Joined
- Oct 6, 2013
- Posts
- 15,513
- Likes
- 49,529
Just had a few minutes to run a quick test. Using ATH-R70x, open back, 99dB sensitivity, 470ohm impedance, 3.5mm SE termination, my hardest to drive pair of cans. Using N6ii w/E02 as my source and switching between C9, BX2, and Broadway S amps. With C9 and BX2 I was using 4.4mm interconnect to N6ii, while with Broadway S which has RCA inputs I'm using AQ RCA split to 3.5mm cable and ddhifi single ended to 4.4mm adapter (the one which uses only L+/R+/GND side) to connect to E02.
Didn't spent too much time analyzing the sound, though I can hear BX2 being a little more transparent and colder while C9 (SS) and Broadway S being warmer with fuller body. Switching C9 to Tube changes timbre to sound more analog, smoother. Also, you can clearly hear the difference when switching C9 between Class A and Class AB where AB sounds tighter and faster with notes having cleaner edges, while A is smoother, more relaxed, with notes having longer decay.
Now, regarding the volume since it was a hot topic of previous discussion. I have all three amps in low gain and approximating the volume % by looking at the volume knob. So, under all these conditions and with ATH-R70x approximately volume matched, BX2 is at about 20%, C9 is at about 50%, and Broadways S is at about 75% volume. Like I said before, BX2 is a power monster for full size headphones, while Broadway S (Single ended) was optimized for IEMs. This puts C9 to be somewhere in the middle optimized for both IEMs and headphones.
Didn't spent too much time analyzing the sound, though I can hear BX2 being a little more transparent and colder while C9 (SS) and Broadway S being warmer with fuller body. Switching C9 to Tube changes timbre to sound more analog, smoother. Also, you can clearly hear the difference when switching C9 between Class A and Class AB where AB sounds tighter and faster with notes having cleaner edges, while A is smoother, more relaxed, with notes having longer decay.
Now, regarding the volume since it was a hot topic of previous discussion. I have all three amps in low gain and approximating the volume % by looking at the volume knob. So, under all these conditions and with ATH-R70x approximately volume matched, BX2 is at about 20%, C9 is at about 50%, and Broadways S is at about 75% volume. Like I said before, BX2 is a power monster for full size headphones, while Broadway S (Single ended) was optimized for IEMs. This puts C9 to be somewhere in the middle optimized for both IEMs and headphones.