I get that if you had to choose between a $3000 DAC and a $300 car DSP, the DSP would make a bigger dent in the audio quality issue in a car. Not arguing that at all... However, there's no reason to pose this as an either/or situation.
There are just too many people these days who think that
explaining something is the same as "arguing."
FYI...I didn't think you were arguing. I was telling you to experiment so you can hear for yourself what the problem can be without a DSP.
Get any cheap DAP, plug it digitally to a HU if install's easy...
This scenario is already a problem. Integrated HU's no longer have digital inputs because they're not like ///////ALPINE receivers that have AiNet interfaces for CD changers. Speaking of AiNet...at some point Alpine released the PXA-H100 DSP that works through AiNet, that way they didn't have to ditch AiNet on newer receivers, they just installed as part of the firmware the software needed for the HU to recognize that the PXA-H100 is connected and can control its functions without hooking up a laptop.
There is no
if as to the easy installation, you literally can't do digital inputs other than USB storage, and in some cases, they only work with Apple devices. Not everyone can or will buy a car based on the stock headunit even if it did have digital inputs either.
Oh wait no lolz. With the exception of the old iRivers, I can't immediately recall one that uses SPDIF Optical, which is what non-AiNet receivers used to use and will likely use if they still had digital inputs. DAPs use SPDIF Coaxial 75ohm, and at minimum, will require a converter that needs DC power...and they tend to come with an AC to DC adapter that takes 110V or 220V, not 12VDC.
...OR directly to a DSP (located out of sight) and skip the head unit thing altogether so your factory AC controls etc all still work, get a little controller for the DSP (like a $70 URC.3 for a Helix, or the little $30 volume knob for a Mosconi) and/or a steering wheel controller for a DAP like a Fiio
Because some might prefer using the interface on a smartphone, which easily connects to the stock headunit to charge the unit as well as interrupt playback when needed. A DAP bypassing the HU will result in having to manually tone down the master audio volume control (which isn't the master anymore, since, well, it only controls music playback) in order to hear a phone's speaker try to go, "exit right to Interstate 5, then stay on the right." And sometimes there's already an effective lag depending on your speed, so now there's even more of a lag as you manually lower the volume and whoops no Waze isn't going to repeat that so you have to take your eyes off the road and look at the phone screen and compare that to what's outside the windshield.
Oh and speaking of I-5...in California distracted driver laws are really, really, really strict, assuming a cop sees you. You can't even touch just fiddle with playback on the stereo while at a stoplight, and using the digital output on a DAP direct to the DSP doesn't give the DAP control over the preamp volume control the same way an AiNet receiver can command the preamp on a PXA-H100 or PXA-H701 or how your phone or built in nav can cut through the audio if the audio goes through the receiver.
Some people got around this by installing a tablet to retain navigation while sending a USB signal to a DSP or a USB to SPDIF converter (that then connects to a DSP), but that comes with its own problems:
1. The tablet conversion kit that maintains knobs for the climate control can still be costly to install even for those that can otherwise replace an old standard DIN size receiver on an older car or still be able to do some speaker mounting fabrication on any car since manufacturers also tend to tie a lot of the electrical system warranties to not removing the stock receiver or rewiring all the other stuff on the dash.
2. You now have a battery on the dashboard baking in the sun in places where it can get really hot and heavy tint isn't allowed, like California, where you can't even put clear reactive, UV-rejection tint on the windshield, while other places/countries are clamping down on these for one reason or another (in the Philippines, that would be crime).
(it's a whopping $25 and is sleek).
It's sleek on the steering wheel but it's not so sleek if it can't cut through the audio or you have to have several devices out, like a phone on the dash plus a DAP in the glovebox or the seat (if not on the dash too).
You're basically ignoring a lot of other ways one thing can be practical while another can be impractical to other people. I'm prioritizing driving and less invasive installations.
I agree that Spotify would sound better through at tuned system than FLAC through a stock stereo. But I don't see a reason to run Spotify either - using CD quality files is not going to break anyone's bank unless they won't pay for the music they "love"
It was just an example contrasting it to FLAC.
On top of which,
if someone was using a smartphone for all the practical reasons above:
1. It only has one SDcard slot (assuming they don't use an iPhone), and not all typically recognize more than 256gb. Some don't even recognize as much as 256gb, assuming they don't beat up their phones and can make do with a battery replacement instead of a whole phone replacement like people lining up outside an Apple or Samsung store.
2. Not even those who actually still spend money on hard copies or FLAC downloads of their music buy
all the music they listen to in those formats. If I did I'd spend 10X the money I already spent on my gear, so my focus is mostly on having the CDs and FLAC of metal bands. If I bought all the 100 albums on my Spotify account that I don't have on FLAC or (SA)CD, that's about $1,500, assuming each disc is $15...but good luck with that when I have to pay for shipping. other people can have more on their streaming services than I do, even if they also have hard copies of the rest.
Again, you're too focused on your use case, without thinking of other things that people might need out of a car system where it's fairly easy to avoid having a completely effed up soundstage without necessarily having it run as a reference rig.
Voila, you skip all the D to A to D to A to D to A junk.
(which would be a bit pathetic for anyone aficionado enough to spend time on this forum, but I digress...).
I'm not sure why this is an either/or conversation - perhaps because we're on headfi and your reaction is toward others (not me) who like to miss the forest for the trees. I'm just saying deal with the overall issues instead of honing in on one item, and in that we're in agreement. You know, keep a reasonably clean signal chain, decent source, and tune the system as well.
You can't claim "I'm not arguing!" and people in this forum are "missing the forest for the trees!" when you:
1. Use terms like "junk" and "pathetic"...
2. ...while ignoring the impracticalities to other people of what you thinks is extremely practical...
3. ....and being an adherent of the GIGO principle in a situation where it is not just the soundstage
but also the freaking tone and resolution being affected by not having a Maclaren F1. Just hearing the output of one tweeter out of sync with the other tweeter if not also the midwoofers can result in sibilance, thereby affecting resolution.
Just to be clear, all parts above this, I'm
explaining. Explaining that there are flaws in your logic, and all I'm doing is making you aware of these.