Cross-posting my impressions on Trifecta from my
post in the Watercooler thread:
There’s been lots of positive talk about Trifecta this month, and although my impressions of it at SoCal CanJam a few months were really bad, I decided to give it a second shot and listen to for several days at my home. My listening impressions with it now are a bit different from my time with it at CanJam, but the differences are
not necessarily for the better.
I’ll just start with the out of the box impressions when I received Trifecta back on the 23rd. Fresh out of the box, I heard a sound that is
very warm (warmer than XE6) and incredibly bloated bass with everything sounded like it was playing behind a thin blanket with different instrument sounds melding together in the soundstage. So, that’s basically the same as I heard it the first time at CanJam, but a difference that I noticed this time was that the treble was not super peaky and fatiguing, and that’s with using the same setup (N8ii with W1 tips, although I’ve tried other tips as well) as I did at CanJam. So essentially, my out of the box impressions were that my music sounds
downgraded, and not in a subtle way. Since receiving them on the 23rd, I’ve had them on a 24/7 burn-in and listening to them for a few hours each day and have now reached 110 hours of total burn-in as of this writing.
Now, after 110 hours of continuous burn-in, I’ll describe what I’m hearing at this stage and compared to some of the things I’ve read about Trifecta by other owners. First off, these have been touted as being “bombastic”, and while it’s certainly a bass heavy sound, along with that I’m hearing Trifecta as having slow-ish transients and just about average dynamic contrast, which is pretty much par the course for the Campfire Audio IEMs that I’ve either owned or tried in the past (Andromeda, Vega, Atlas, Solaris). So, it’s bass heavy but not really an energetic delivery of bass, and this lack of an energetic delivery can be said for the remaining parts of the frequency spectrum as well. In addition to the bass being slow, it’s also not controlled, and in comparison, I’m hearing my IE 900 as having a quicker and more controlled bass. I’m also hearing the combination of Trifecta’s big, slow, and not well controlled bass as being especially problematic for fast music that has lots of stuff going on in the track.
Moving to the midrange, I’m hearing this area as lacking in clarity and with less resolution when compared to my IE 900. The midrange also sounds muffled (going back to my earlier point of a thin blanket sound), and given that it’s recessed, the combination of all these descriptions for how I’m hearing the midrange make it sound unremarkable. Overall, I’d put the IE 900 as having a superior midrange by a good margin.
Next up is the treble and this area is the least resolving of all 3 areas of the frequency spectrum, and it also has the least presence. Treble is another area where I find the IE 900 to pull ahead very easily: more texture, more sparkle, more air, realism and just generally of a higher quality and I find that more impressive as the IE 900 is doing that while having only a
single DD and pumping out a high-quality bass a well at the other end of the spectrum, whereas Trifecta has 3 DDs and is falling flat when it comes to treble quality while having muddy bass. Listening to
"Enough to Believe" by Bob Moses, the 3:00 - 3:43 section of this track features a washy ride cymbal that’s playing in the background and gets progressively less noticeable as the section gets towards the endpoint. Playing this section of the track on Trifecta has the washy ride cymbal basically disappear as the section get closer to the end…yikes, not good, and this section of the track is better reproduced on the IE 900 again with the cymbal having more presence and with better resolution. Moving on to
"Rhinoceros" by Smashing Pumpkins, the distorted electric guitar crunch in the 3:05 – 3:33 section sounds blunted and dull.
I’ve been reading about the soundstage being “big” and even so-called “holographic” on Trifecta, but in my experience the soundstage size neither big nor small, and instead I’d say it’s just about average and certainly not wrapping around the outside of head. More importantly than soundstage size is the quality of the stage, and basically what I’m hearing is poor separation, leading to different sounds melding together and essentially coming off as wall of sound. For soundstage quality, the IE 900 is again surpassing Trifecta with more noticeable separation and layering.
To start wrapping these impressions up, I’d like to re-emphasize the point that I’ve been trying to make the throughout my impressions, which is that Trifecta isn’t even as technically proficient or resolving as the IE 900, which is just a
single DD IEM that costs $1,499. To me that kept raising the question thought my listening: What’s the point of 3 DDs in Trifecta when it can’t even compete sonically against a single DD IEM? Of course, even more baffling is the price of Trifecta for the sound that it puts out. So, while I do hear an improvement in Trifecta’s sound after 110 hours of burn in versus out of the box, the improvements ultimately weren’t enough, and my music still sounds
downgraded but to a lesser extent when compared to day one
. I’m sure there will be questions about source pairings I used, and of my 2 DAPs (N8ii, WM1ZM2), the WM1ZM2 was worse since it made Trifecta sound even more slow and gooier.
So, with all that said and done, I found Trifecta to be the worst IEM that I’ve heard this year at the multi-kilobuck price level. I found it overhyped and overpriced given its sound quality and since it can’t even compete against my IE 900, the asking price of $3,375 makes Trifecta even more egregious. I’ll be returning Trifecta to Campfire Audio for a full refund.