Wow, I missed a lot that happened in this thread while I took some time off to refresh my ears and listen more intently. Tested lossless files my Shanling M0, and Apple Model A2049 Dongle, as well as SDAC/789. To be clear, I've spent a few days, on and off, swapping tips, sources, A/B'ing, falling asleep with them in, etc. This is about as far as I can take it without a measurement rig.
The conclusion I've finally come to, is that the IO is a decently resolving, competent IEM. It's bright, and midrange is slightly forward. Bass is crisp and clear but lacking real impact. Honestly, the whole of the sound is clearer than the Massdrop Plus. But, the mids on the IO
do sound slightly hollow to me with Dekoni Bulletz. It sounded a bit boxy with JVC Spiral Dots. However, the Bulletz fixed the timbre issues mostly. Imaging and head stage are pretty good. It's wide enough, tall enough, and sounds like to mix together in your head. With electric guitars, such as from Manowar's
Gods of War album, and Guns 'n Roses, the IO sounds really good. Snares and hi-hats are tight and, I do have to agree with Jay, they have really good decay.
However, to my ears, the Massdrop Plus has more enjoyable sound. It does have a slight graininess compared to the IO, but, and this is probably my ears only, the sound field effect on the Plus is done
so much better. You're enveloped by the sound, you're
in it. The IO sounds, less full, less thick. But definitely has more sizzle, more energy in the high end. Maybe it's just that my ears and brain prefer the diffuse field.
If I had to guess, I'd say the lower treble, and lower mids had a slight boost to them. Bass, I guess would be rolled in the subbass region.
They can be a charming IEM, and the clarity and resolution is good. It really is, even compared to the similarly priced Plus. The build seems solid, and it's pretty AF. But personally, and these are my final thoughts on it, if I could only take one, I'd have the Plus.
As an addendum, I am going back to make my final edits to my initial impressions/comparisons post for the sake of having the info all in the same place and easily accessible to new readers.
Song List: Edited/Added 5/7/19 (19:30 EST)
- This Little Light of Mine - NY Spiritual Choir (Chesky's Binaural Sound Show)
- Don't You - Amber Rubarth (The Ultimate Headphone Demonstration Disk)
- Sleipnir - Manowar (Gods of War)
- Indian Summer - Kenny Baron & Mike Sherman (Interplay)
- Overture - Martin O'Donnell & Michael Salvatori (Halo 3: ODST Original Soundtrack)
- A Walk in the Woods - Martin O'Donnell & Michael Salvatori (Halo Original Soundtrack)
- Letter - Yosi Horikawa (Wandering)
- Acknowledge - Masta Ace (Disposable Arts)
- Call Ticketron - Run the Jewels (Run the Jewels 3)
- Lose Yourself to Dance - Daft Punk (Random Access Memories)
- Born And Raised (Reprise) - John Mayer (Born And Raised)
- Sweet Child o' Mine - Guns n Roses (Appetite for Destruction)
- Pork Soda - Glass Animals (How to be a Human Being)
- Doll's Polyphony - Geinoh Yamashirogumi (Akira! Original Soundtrack)
- Virtual Barber Shop - Princeton University (?)
- Shoot Down the Stars - Gym Class Heroes (As Cruel as School Children)
- Spanish Harlem - Rebecca Pidgeon (The Ultimate Demonstration Disk)
Listening Notes: I generally listen at several volumes. Low-Med to Med-High Volumes. On my M0, anywhere from 30-60 on the volume gauge, low-gain. With UAPP on my Pixel + A2049 Dongle, it's -6.5 dB, with Bitperfect Mode enabled. The THX 789 is used in Low Gain (Position 1) at roughly 10:30 on the volume knob while fed by an SDAC. Windows Master Volume set at 85%.
Generally, I use Letter & Doll's Polyphony for my imaging tests, Virtual Barber Shop, and Indian Summer to determine soundstage dimensions, Run the Jewels and Masta Ace to test bass, the ODST OST, and Glass Animals to test resolution, and coherence. I use Gym Class Heroes and Blue Scholars to test whether there's any treble spikes. Binaural tracks, and Spanish Harlem are mostly for testing soundstage and resolution. My general preferences are towards orchestrated soundtracks, but I also enjoy a bit of jazz, R&B, classic rock, college rock, and some dalliances with hard rock.
It's taken me a long time to get to where I trust my test tracks, but at this point, I've heard them on everything I've ever owned. I really enjoy my music.