Figured I could start writing this as sticker shock is slowly setting in...
I've been trying to kick myself in the rear and spend more time producing music. Since this is also my birthday month, I came up with the idea to order a pair of 1990 as an incentive to follow through. Sweetwater had a demo pair that I put on order and should receive them Friday, so I now find myself in that phase of uncomfortable anticipation where I'm trying to set world records on how many times I can hit Refresh on my shipping notifications.
For those who produce/master out there: would it benefit me to run a gamut of stuff similar to what I'd be producing through these to learn how they translate? I want these to be a dedicated pair for production and they'll get powered by a Topping A30 > Magni 3 on the Ableton rig, but can bring either a Fulla 2, E12a, or Total Airhead to work since that's where I have the most free time for listening if it'll benefit me at all. I just have worries that I'll overcompensate a little too much if I'm not used to the 1990's signature and don't have much experience with using monitors (I include studio cans in that description) aside from a pair of Senn HD280 Pro that I've since given to my son since he gets more enjoyment out of them than I did.
I've been trying to kick myself in the rear and spend more time producing music. Since this is also my birthday month, I came up with the idea to order a pair of 1990 as an incentive to follow through. Sweetwater had a demo pair that I put on order and should receive them Friday, so I now find myself in that phase of uncomfortable anticipation where I'm trying to set world records on how many times I can hit Refresh on my shipping notifications.
For those who produce/master out there: would it benefit me to run a gamut of stuff similar to what I'd be producing through these to learn how they translate? I want these to be a dedicated pair for production and they'll get powered by a Topping A30 > Magni 3 on the Ableton rig, but can bring either a Fulla 2, E12a, or Total Airhead to work since that's where I have the most free time for listening if it'll benefit me at all. I just have worries that I'll overcompensate a little too much if I'm not used to the 1990's signature and don't have much experience with using monitors (I include studio cans in that description) aside from a pair of Senn HD280 Pro that I've since given to my son since he gets more enjoyment out of them than I did.