CanadianMaestro
Headphoneus Supremus
Hell he didn't: he could've written the motherf***ers for the harpsichord.
I'll echo Quinto that not all fortepianos are created equal. For instance, the one Staier used for his Diabelli Vars. didn't bother me at all. The one Levin used for his WAM concertos, on the other hand, was just a bit too plunky for me. Though I must say the same kind of instrument works well for his recording of the first 3 WAM sonatas, since it just kinda works with the source material.
Well, the trick for the buyer (us) is to figure out which fp's sound more modern and not like f--- harpies.