systema
New Head-Fier
- Joined
- Feb 7, 2005
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With a silver/grey two-toned half rack plastic casing, the AMP800 actually looked comparatively sleek and classy. Despite the unnecessary resemblance to the Samson C-que, it was the same old story from Behringer beneath the skin, with the "ultra low noise" design, main stream op amps, smd components, heaps of flashing LEDs, manual with the photo of Mr. Uli Behringer and a dirt cheap price tag as part of the deal.
AMP: Behringer MINIAMP AMP800
PIGEONHOLE: Bargain basement
PHILOSOPHY: Loads of LEDs and features to compensate for long-in-the-tooth design.
WHO'S BUYING IT: Home studio owners that need a headphone distributor but don't want to pay the full price
WHY YOU'D BUY IT: Look at the price and the number of LEDs!
WHY YOU WOULDN'T: Look at and listen to the quality!
FEATURES: The AMP800 is lavishly equipped, at least for USD$50. Compared to the spartan user interface in most audiophile headphone amps, the AMP800 managed to fit 30 LEDs, 5 back-lighted buttons and 8 knobs in the 9.5" x 1.9" front panel, which should be more than enough to keep some of the 21st century button-pushers in Head-Fi happy. Cut it short, the AMP800 is burger with the lot feature-wise.
INPUT/OUTPUT: 2 independent stereo channels were handsomely kitted with balanced input, independent gain control & panning for each channel plus a 6 LED level meter, considerably a lot more features compared to other amps even ignoring the price tag. Output includes 8 headphone output (4 front and 4 back), 4 LED level meters and 1 balanced stereo link out, what more can you ask for for $50?
COMPONENTS: Instead of a audiophile-like headphone amp design, seems like what we got under the bonnet was basically a re-hashed version of the headphone output from other Behry equipment. AMP800 was supposed to be built around 4580 opamps, according to the user manual. However, the opamps found in the unit were a number of outdated generic branded 4558s, wouldn't be too surprised that the AMP800 sounds like headphone out of an el cheapo mini stereo.
BUILD: The AMP800 was built to a price, a modest one, and it shows. The actions of switchgears were acceptable but not brilliant. The alignment between the panning knob and the casing was not too accurate and can be made better. However, plastics used in AMP800 feel cheap and flimsy, while the thin lack luster paintwork (in the unit I got, some even flaked off even before the amp left the original packaging) suggests an overdose of accounting zeal. Wall-wart power supply feels cheap.
PRESENTATION: As if the crude build quality of the AMP800 was not a cruel enough joke to the customers, the sound of the AMP800 was pure evil. AMP800 showed a complete lack of detail, if there was any. The presentation was blurry and congested. Not acceptable on an amp that has pro/home studio pretensions. Noise floor and sound stage were okay for the price level.
HIGHS: AMP800 managed to sound excessively bright while lifeless. The plasticky brightness makes consonants like "s" and "z" sound awfully harsh and, sometimes, hurting to my ears. Push it a bit more, violins begin to sound like a chalks rubbing against blackboard - or like a whining sewing machine - depending.
MIDS: The mids are like white bread and water, not exactly inspiring but fool-proof, some may call it bland, sounding. The mids of the AMP800 actually sounded ok if the musical passage was not too complex, though a bit coarse and strained if pushed. Not really the best out there, but certainly not the worst either.
LOWS: If you only listen to music consists of notes above middle c without any percussion, the bass, or the absent of it, of AMP800 will serve you well. For others, drums from the AMP800 sounded like a pair of stick hitting on a few tin cans and bass ranged from skinny to virtually non-existent.
VERDICT
Sound quality is essential, especially on a piece of audio equipment. But, obviously, nobody appeared to tell Mr. Behringer. If your budget obliges you to look at the AMP800, go and have a try before handing over the money. Otherwise, my advice would be to save some more and look further.
AMP: Behringer MINIAMP AMP800

PIGEONHOLE: Bargain basement
PHILOSOPHY: Loads of LEDs and features to compensate for long-in-the-tooth design.
WHO'S BUYING IT: Home studio owners that need a headphone distributor but don't want to pay the full price
WHY YOU'D BUY IT: Look at the price and the number of LEDs!
WHY YOU WOULDN'T: Look at and listen to the quality!
FEATURES: The AMP800 is lavishly equipped, at least for USD$50. Compared to the spartan user interface in most audiophile headphone amps, the AMP800 managed to fit 30 LEDs, 5 back-lighted buttons and 8 knobs in the 9.5" x 1.9" front panel, which should be more than enough to keep some of the 21st century button-pushers in Head-Fi happy. Cut it short, the AMP800 is burger with the lot feature-wise.
INPUT/OUTPUT: 2 independent stereo channels were handsomely kitted with balanced input, independent gain control & panning for each channel plus a 6 LED level meter, considerably a lot more features compared to other amps even ignoring the price tag. Output includes 8 headphone output (4 front and 4 back), 4 LED level meters and 1 balanced stereo link out, what more can you ask for for $50?
COMPONENTS: Instead of a audiophile-like headphone amp design, seems like what we got under the bonnet was basically a re-hashed version of the headphone output from other Behry equipment. AMP800 was supposed to be built around 4580 opamps, according to the user manual. However, the opamps found in the unit were a number of outdated generic branded 4558s, wouldn't be too surprised that the AMP800 sounds like headphone out of an el cheapo mini stereo.
BUILD: The AMP800 was built to a price, a modest one, and it shows. The actions of switchgears were acceptable but not brilliant. The alignment between the panning knob and the casing was not too accurate and can be made better. However, plastics used in AMP800 feel cheap and flimsy, while the thin lack luster paintwork (in the unit I got, some even flaked off even before the amp left the original packaging) suggests an overdose of accounting zeal. Wall-wart power supply feels cheap.
PRESENTATION: As if the crude build quality of the AMP800 was not a cruel enough joke to the customers, the sound of the AMP800 was pure evil. AMP800 showed a complete lack of detail, if there was any. The presentation was blurry and congested. Not acceptable on an amp that has pro/home studio pretensions. Noise floor and sound stage were okay for the price level.
HIGHS: AMP800 managed to sound excessively bright while lifeless. The plasticky brightness makes consonants like "s" and "z" sound awfully harsh and, sometimes, hurting to my ears. Push it a bit more, violins begin to sound like a chalks rubbing against blackboard - or like a whining sewing machine - depending.
MIDS: The mids are like white bread and water, not exactly inspiring but fool-proof, some may call it bland, sounding. The mids of the AMP800 actually sounded ok if the musical passage was not too complex, though a bit coarse and strained if pushed. Not really the best out there, but certainly not the worst either.
LOWS: If you only listen to music consists of notes above middle c without any percussion, the bass, or the absent of it, of AMP800 will serve you well. For others, drums from the AMP800 sounded like a pair of stick hitting on a few tin cans and bass ranged from skinny to virtually non-existent.
VERDICT
Sound quality is essential, especially on a piece of audio equipment. But, obviously, nobody appeared to tell Mr. Behringer. If your budget obliges you to look at the AMP800, go and have a try before handing over the money. Otherwise, my advice would be to save some more and look further.