My DI-20HE arrived yesterday (Friday) when the DHL driver set the package on my front porch at 11:15 and honked his horn as he pulled out of my driveway. I set the box on a living room table to acclimate to the indoor climate for a few hours before opening to prevent condensation from forming inside the winter cold DDC. At 12:15 the mailman dropped off a box of various cables from Audio Sensibility to add to the many cables I already have from this company. It wasn't until late afternoon that I was able to start rearranging a few shelves in order to fit the DI-20 into my system and finally connected and powered up the unit somewhere between 5 and 6 PM. I told myself that I would wait at least 100 hours (this coming Friday afternoon) before peeking in to have just a little listen. Well, I'm proud of myself to say I actually lasted five hours.
A well broken-in AS Statement USB cable connects my Aurender N100H Server/Player to the DI-20HE. Between the Audio-gd DDC and my Master 7 Singularity are an AES/EBU cable, an RCA-RCA coaxial cable, a BNC-BNC coaxial cable, all Statement OCC silver cables from Audio Sensibility plus a DH Labs 0.5 meter HDMI silver-plated OCC copper cable. All my gear is connected to a Furman IT-20 Reference power conditioner using all Audio Sensibility Statement OCC copper Power cables. The AES/EBU and BNC/BNC coaxial cables are brand new so those may require some burn-in time.
At this point, I can't hear very much difference with the AES/EBU or coaxial cables. The cables may need time to burn-in and I need time to assess the subtle differences of the SQ. It is a much different story for the HDMI I2S connection. Holy Hi-Fi Batman, the difference was immediately obvious. It takes a jazz, blues or rock studio recording and makes it sound like a live performance with the listener sitting in the VIP section. Great imaging and separation. I am now listening to a recording of a concert performance of On The Radio by Cheap Trick and now it is so much more alive than before. I am 72 years old and even when I was young I couldn't dance but earlier a 24/96 remix of Bonnie Raitt's I Will Not be Denied had me moving around in my chair. The MFSL remix of Muddy Waters' Good Morning Little Schoolgirl from the Folk Singer album gave me goosebumps. Brubeck's Blue Rondo a La Turk, Cannonball Adderley's Dancing In The Dark, Art Pepper's Holiday Flight, Holding Back The Years by Little Jimmy Scott, Gerry Mulligan's For An Unfinished Woman, jazz music I have long enjoyed has something new to offer me. I thought orchestral recordings were great already but now that old cliche rears its ugly head, I heard things I never heard before in those great classical concert halls.
It may be a tad rough sounding now waiting for burn-in improvement. The 500-hour mark will be 23 January and the 1,000-hour mark happens 13 February.
Tomorrow I will take the DDC out of the chain and check back in every few days.