Audeze LCD-5 vs Abyss Diana Phi:
Similarities:
- Both headphone focus on neutral character, with balance to mid centric presentation.
- Excel at speed, tight and neat decay through all spectrum. Give them a complex and fast classical song, from deep rumble low bass notes, busy midrange area, and plenty detail on treble, they will play it effortlessly.
- Front row / On stage presentation, we sit very close to the performance. The extreme left and right actually still wide, but the singer is always close to us.
- Soundstage is more about being wide rather depth, but overall still "balance" in soundstage shape.
- None of them give super airy feeling like Hifiman
- All notes feel very dense, packed, and solid. Good impact and bite.
- They are intense. Better to use these headphones for pure music listening rather while doing something else.
- Lightweight on my head, definitely nice achievement from Audeze
- Love both of them for vocal jazz, rock, pop, acoustic (basically my day to day playlist)
Differences:
- Diana Phi seems more solid in build quality due to metal housing. Magnet pad on Diana is simply better than glued pad on Audeze.
- Audeze LCD-5 clamp harder on my head. A bit annoyed me for the first 5 minutes, but after that everything seems fine, until I took the headphone from my head, suddenly the pressure release feels nice. So Diana Phi wins in term of comfort for me.
- Diana Phi is closer to neutral for me even though the differences actually not that much. Audeze has one extra thin layer of warmness through all spectrum.
- Audeze produce bigger bass body (even compared to Diana V2), although I won't either of them suit basshead. Definitely less bass quantity compare something like LCD-4Z.
- Lower midrange has more presence with LCD-5, nice touch here. Audeze remove "the veil" on LCD-4Z, but overall tonality still full, nowhere lack of body.
- LCD-5 actually a little more relax here, perhaps the extra thin of warmness create this effect.
- Diana Phi seems cleaner in black background quality. If Diana Phi is pure black, then LCD-5 has a tint of dark grey.
- What surprise me the most, LCD-5 produce even better micro detail than Diana Phi!
- Diana Phi is more airy between the two, combine with cleaner black background, make overall sound more transparent and "fresh" (imagine fresh water).
- I don't think LCD-5 has deeper bass, but I do agree low sub bass notes has bigger presence.
- LCD5 is more forgiving towards bad recording, or lesser set up.
- I'd slight prefer Diana Phi with good audiophile recording, vocal jazz, acoustic and instrument. Will prefer LCD5 for pop, rock, metal, blues, and surfing random songs on tidal/spotify.
- LCD5 create a little wider imaging, but Diana Phi has a little better depth presentation. It always feels snare drum located closer to the back of singer with LCD5.
- LCD-5 has even more forward midrange presentation.
Tested using Chord TT2 direct from front output.
That is all! Now let me get back to listen LCD5 more![]()
Excellent analysis, I did not expect them to be that close together.
Is it true that in terms of sound signature the LCD-5 creeps towards more the LCD-X series rather than the OG series (ie. 2,3 and 4)?