Overall I found the LCD 2F to be slightly dark with a drier sound and a focus on clarity and precision over naturalness.
With Rebecca Pidgeon's Spanish Harlem I noticed;
- The bass guitar had exceptional clarity but lacked a little power an impact
- There was a slight exaggeration to the echo of Rebecca's voice
- Her voice was very airy and slightly rougher comparatively
- The strums of the guitar's had exceptional clarity
- the leading edge of each individual string was vivid
- how ever the tone of the guitar's and other stringed instruments was a little dry lacking some sweetness
- Each shake of the shaker was exceptionally vibrant
- The unique texture of each individual shake was clear and the instrument it self sounded very natural
- Violins were slightly too dry and had some roughness
- The 2F resolved a lot of micro detail in the guitars
- Especially with regards to the unique fretting of each musician
- Had a slight focus more on the fundamentals over the harmonics
- An overall the presentation was expansive with good precision and cohesiveness
While listening to Monty Alexander's Sweet Georgia Brown the LCD 2F;
- Had slight forwardness in the low & central midrange
- This resulted in a very intimate presentation of the Piano and Horns
- Additionally the tonal balance of the 2F aided in it's impressive dynamic clarity
- An as a whole the 2F was had consistently excellent dynamics especially in the lows and mid range
- Despite being quite dark up top
- The timbre and envelope for drums was excellent as was it's overall dynamics presentation
- But overall the 2F still struggled with resolving some ambient noise
- The bass presentation for both the electric and acoustic bass featured excellent clarity
- But a slight lack of power
- Horns had a nice forwardness and good leading edge
- But a often too much of a metallic bite
Listening to Epica's The Divine Conspiracy with the LCD 2F I found that;
- Good definition in the lows
- Bass guitar had good impact with clearly defined fretting
- Big drums were full, heavy with a slight tinge of their inherent hollowness
- Simone's voice was exceptionally airy and slightly forward
- The stringed instruments placed towards the back of the track were clearly defined
- Though slightly more forward vs the other LCD2s
- The drums were quite powerful and full
- Excellent macro dynamics and impact
- Guitars had a very crunchy presentation
- Her husbands growling vocals were very rough and aggressive
- I actually really enjoyed this slightly drier rough and forward presentation
Again compared to the other LCD 2's the latest Fazor'd LCD 2F was;
- Expansive and airy with good precision & cohesion despite a slightly forward mid range
- Has the least amount of power and slam in the lows
- but exception clarity, definition and texture
- Was slightly drier in the mid range
- slightly aggressive presentation with a slight focus on the attack and decay with a slight de-emphasis sustain & release
- Well extended up top with great definition despite a slightly darker than neutral presentation
- Slightly clearer macro dynamics
Overall I found the LCD 2C to be the darkest with a wet sound and a focus on naturalness, a beautiful timbre and hefty low end
With Rebecca Pidgeon's Spanish Harlem I noticed;
- A thick powerful bass presentation
- The heft and weight of the lows was apparent but texture was slightly smoothed
- Each of the guitars were beautifully voiced, vivid and exceptionally resolved
- Each of the strings had a nice individual weight and force to them
- There was no lack of tactility despite the added wetness
- Vocals were hearty
- But at times lower notes in her register were a little too emphasized
- The echo of her voice is the room was a bit less obvious
- The piano was slightly creamy with an apparent percussiveness
- The weight of each stroke of the keys was clear
- An despite the creamy presentation there was no lack of texture in the piano
- Shaker variation was slightly muffled
- Of all three LCD 2s this one was the darkest and least resolved up top
- Violins were slightly beautiful
- Again the body of the instrument was apparent and there was a nice slightly sweet tinge to the sound
- The 2C resolved a lot of micro detail in the guitars
- Especially with regards to the unique harmonics of each individual instrument
- Clearly resolved micro dynamics or the slight and gradual changes in volume and intensity
- Especially for instruments ranging within the lows and central mid range
- Presentation is fairly intimate, but impressively natural, powerful an engaging
- Despite not being as expansive as the 2F it wasn't ever too congested and had good cohesion in the precision of instruments within the space
- Though it isn't quite as cohesive or precise as the 2F
While listening to Monty Alexander's Sweet Georgia Brown the LCD 2F;
- Has slight forwardness in the low mid-range
- With an excellent timbre and dynamic presentation for the piano
- As a whole the 2C did well with the sudden and constant dynamic shifts within this track
- Is the darkest
- As such the timbre and envelope for drums was slightly subdued
- Ambient noise and macro detail was again slightly out of focus vs transients and micro detail
- Both the electric and double bass had a powerful presentation
- With a lot of impact and slam though also a slight lack of definition
- Horns were quite full with a nice chesty gusto present
- The slight metallic tinge I often hear with horns is gently subdued with the 2C
- Rather horns had a beautiful full bodied timbre with a gentle bite
- The upper mid dip often associated with the LCD 2 family is most evident though it's much less invasive than what I found in previous models in 2014/2016
Listening to Epica's The Divine Conspiracy with the LCD 2F I found that;
- Tons of power in the bass
- Slight lack of definition but with an lot of slam
- Simone's voice was a bit stuffy with too much emphasis in the lower notes
- The stringed instruments placed towards the back of the track had beautiful timbre
- But were slightly muffled
- The drums were quite full
- The kick drum in particular had some serious SLAM
- Guitars had a good crunch and edge with a nice touch of sweetness
- Her husbands growling vocals were foreboding and POWERFUL
- A slightly withdrawn mid-range let's the texture of the notes in his lower register shine a little more
- While slightly different in presentation I also really enjoyed it
Again compared to the other LCD 2's the LCD 2C
- Very natural full bodied presentation
- Has excellent power, slam and IMPACT
- But with a slight lack in clarity, definition and texture
- A smidge wetter in the mid range
- Just a bit smoother in presentation with a slight focus on the sustain and release with a slight de-emphasis attack
- I found the overall decay of instruments to be mostly neutral
- Having the least definition up top
- Percussion was still powerful and dynamic, but not quite as vivid nor impressive as on the other 2 models
- Excellent micro detail and micro dynamics!
- With a slightly subdued macro dynamic presentation
Overall I found the 2012 PreFazor LCD 2 to be a step above each of the previous models. Really combing the best of both
With Rebecca Pidgeon's Spanish Harlem I noticed;
- A truly powerful low end
- With no lack of texture or definition
- Each of the guitars were beautifully voiced, vivid and exceptionally resolved
- Each of the strings had a nice individual weight and force to them and vivid tactility despite being sweet and wet
- Vocals were sweet, slightly smooth and well resolved
- The airiness and echo in her voice was presented with exceptional balance
- There was a clear sense of the rooms size without any exaggeration
- The piano was slightly creamy with an apparent percussiveness
- The weight of each stroke of the keys was clear
- An despite the creamy presentation there was no lack of texture in the piano
- Shaker variation was the most vivid
- Of all three LCD 2s this one was the brightest and had the best definition and precision
- I actually noticed that the shaker moves around quite a bit both vertically and horizontally
- The 2012 PreFazor had the most precise and cohesive imaging
- Violins were slightly beautiful
- Again the body of the instrument was apparent and there was a nice sweet tinge to the sound
- The sustain of notes on the violin had the most natural timbre with the 2012 PreFazor
- Excellent resolve of a lot of micro detail across the full spectrum
- With equal focus the unique harmonics of each individual instrument both while notes were sustained and as the gently decay'd and faded into silence upon release
- Clearly defined the unique edge of the fundamental notes present in the attack and interwoven into the sustain
- Clearly resolved micro dynamics or the slight and gradual changes in volume and intensity
- Again with full spectrum coverage
- An overall the presentation was fairly intimate
- But more cohesive, precise and airy than the 2F despite being slightly less expansive
While listening to Monty Alexander's Sweet Georgia Brown the LCD 2F;
- Excellent timbre and dynamic presentation for the piano
- Great dynamics and the most cohesive and precise imaging
- Had the MOST percussive presentation of the bunch
- Excellent dynamics both micro & Macro
- Top end was also the most forward and well extended
- As a whole there was no lack of dynamics any where
- Drums in particular were the most dynamic, resolved and impactful!
- Tactile, Powerful and near perfect low end presentation
- Fret noise, slight sliding present in the fret board for the electric and double bass, really no detail is spared!
- Horns were quite full with a nice chesty gusto present
- slight metallic twinge present but very subtle
- bite was a little more apparent with less of a metallic edge to it
- Nice airiness and warmth overall
Listening to Epica's The Divine Conspiracy with the LCD 2F I found that;
- Again low end was optimal
- Simone's voice was both beautiful and full with a nice airyness
- Really the 2012 PreFazor shined the most with her beautiful vocals, with excellent layering of not only her voice atop the guitars but also the multitude of background vocalists as well
- The stringed instruments placed towards the back of the track had beautiful timbre
- The drums were powerful
- Though the only problem in this track is the overall quality of the high hats, this some what poor texture is most evident on the 2012 PreFazor
- How ever the tom and kick drums were incredibly dynamic and explosive
- Guitars had a good crunch and edge with a nice touch of creamy sweetness
- Husbands growling vocals were foreboding and POWERFUL but also with an aggressive edge
- Dynamics were most vivid on this track with the 2012 PreFazor
Again compared to the other LCD 2's the 2012 PreFazor is;
- Exceptionally Wet & Creamy
- Crazy resolving
- Slightly intimate but with exceptional precision and cohesive imaging
- Hands down the standard for how Bass should be presented at this price point
- Has the most power with no loss of quality, texture or control
- Slightly dark but with good texture and resolve up top
- Slightly slower or rather more romantic than the newer models
- though this added body/decay or sweetness doesn't take away from it's resolve
In this case, I do feel a good quality LCD 2 PreFazor model is a step above the newer models. An as much as I love my model there are issues with ownership of any of these old school LCD2, many of these models have hundreds of hours on them and once they fail there's no option for repair. Only replacement with newer drivers. Additionally assuming you get a good one they are far more difficult to drive and under-amping them will put the overall performance below that of the newer models.
Now the question is how do you get an ideally tuned PreFazor LCD 2? Well honestly, there's no guarantee. I only recommend that you purchase from some one whose had it for many years and some one whose impressions your familiar with and trust! These are not headphones you want to buy blind unless your in a position to tolerate a financial loss.
Generally I feel the newer models are a better purchase, or at least a better recommendation for the majority! An for those curious I did these general impressions with my reference system. Which features an amp that can run about 2,000mW+ into the LCD 2 as well as another that can do upwards of 5,000mW+, an while the newer models didn't see a vast improvement on these amps the 2012 PreFazor did. So again given the slightly more difficult amping requirements, the unknown life span and overall difficulty in acquiring one. I highly recommend any one out there skip all of the older models and go with either the 2F or 2C depending on which your preference! With the only exception being those of you with no real budget in mind for buying a headphone or lots of time to wait!
Non the less I do feel overall the 2C does capture that classic PreFazor sweetness and power, while being a bit quicker overall and easier to drive. How ever the 2F is also an excellent option for those that want a little more detail an linearity in exchange for some naturalness and heft.
Next up is how each of the different models changed with amplification! An were going to start with a fully balanced solid state for portable use!
For these impressions I stuck with Spanish Harlem from Rebecca Pidgeon and used my Geek Out v2+ with balanced output. I also used a custom flat braid Copper Cable that's been wired/terminated for balanced use with my Norne Audio 4pin XLR to 3.5mm TRRS Adapter.
Overall it's from this system that I felt the two newer Audeze LCD 2 models caught up with my PreFazor'd edition as while the individual imaging characteristics of each remained the same I do feel that the resolve of all three was more or less on par with this amp.
An in terms of power I'd say even this balanced amp falls a little short at only 1,000w into 16ohms. Give that the LCD 2 is around 70 means were getting maybe around a 4th of that output... maybe! Sadly I don't have the exact numbers for how the GO V2+ handles higher impedance loads, though it will run upwards of 4v into a load!
Speaking of my Geek Out v2+ has a dual ESS Sabre 9018 Dac with a high frequency roll off and Texas Instruments TPA 6120A Output OpAmp, so overall it's fairly natural but leans a little on the drier side.
The filters made a big impact on the sound as well, and I use the Green Filter which features high frequency roll off that helps to add in a slightly more natural sound.
Non the less, resolution and overall imaging aside each headphone did have a slight change in tonal balance with this pairing!
Overall with this portable balanced amp the LCD 2F had;
- Better macro detail
- Slightly more exaggeration in "airy vocals" and room echo
So in the end I wasn't a big fan of this pairing.
However with the LCD 2C I noticed;
- Slightly more top end energy and airiness
- A smidgen drier
In this case, I did like the touch of added clarity and top end energy that running a solid state amp brought to LCD 2C!
As for my 2012 PreFazor LCD 2 it had;
- A little more top end energy
- less bass power/heft/texture
So under driven the 2012 PreFazor losses some of it's texture/heft and power but gains a little top end energy... which it honestly doesn't always need. But it does well enough I suppose!
In conclusion, again, I feel that the newer models do better in this and other portable situations! An the LCD 2C in particular pairs better with brighter solid states than it's siblings.
Next up is my Garage 1217 Project Ember II, this is a single ended hybrid tube that can push upwards of 2w into the LCD 2! This is my reference amp for planars for it's overall clarity and power, and this is the amp where the 2012 PreFazor LCD 2 shined best!
It's creamy, wet and almost honey like mid range are what I like most about it! So with an upgraded 6SN7 I feel the Ember II allows it to be it's best self! The Hybrid Tube amp in this configuration is in my opinion more natural than anything, though I pair it with a rather bright DAC so the slight warmth of the Tube does help balance out the aggressive sound of my DAC.
That aside, with a Hybrid Tube I felt the 2012 PreFazor LCD 2;
- Maintains a good balance of both naturalness in the mid range and power/clarity on the top end bottom end
- Has an even deeper presentation and more spacious imaging
So as you all know, the Ember II is my go to amp for Planar's especially for under $400!
With a Hybrid Tube I felt the LCD 2F;
- Gained some much needed naturalness
- a slight added wetness and body helps to balance out the 2Fs drier sound
- Gains some added heft in the low end
Again for the drier and more expansive sounding Audeze I feel Hybrid Tube amps will be an especially good match!
Finally with the Audeze LCD 2C and my Hybrid Tube Amp;
- Had an even sweeter, lusher and smoother sound
- without much loss of texture in the midrange and top end but vocals still remained a bit too thick
- Gained a little more airiness
- Percussion in particular had a nicer presentation
Finally, with the Audeze LCD 2C I still preffer the sound of my own solid state equipment, but can also see how others may appreciate the added sweetness
Overall in terms of amplification as long as you have enough power, whether you go solid state or tube, fully balanced or single end really depends on your system and preference!
I personally think more aggressive solid state or tube amps pair well with the LCD 2C and slightly more relaxed solid state or tube amps pair nicely with the LCD 2F!
Now as a final point I'd like to talk briefly about cables, my own 2012 PreFazord LCD 2 came with an aftermarket cable copper cable built by it's previous owner. It's fully balanced and terminated to 4pin XLR. Something I did notice is with the stock cable each of the models was noticeably stuffy! So given how resolving the LCD 2 is I do recommend you guys do take a look at upgrading from the stock cable before you look at getting another headphone. Doing so does a couple of things for you;
- Gives you an opportunity to grab a balanced cable + balanced to Single End Adapter
- This way your not limited to just single ended amplification and having more options is always a benefit, especially if your planning use these are your primary headphones
- With the rise of the dual mini 4pin XLRs as a headphone side connector, your able to use your upgraded cable with not only your LCD 2 but what ever else you choose to upgrade to in the future!
- An in my opinion yields a slight but noticeable improvement in sound quality.
An regardless of what you think of cables, I do at least encourage you guys to at least grab a nice copper cable with a balanced termination and adapter. That way you'll always have that option at your hands! An please do stop by my
Cable Matters thread, for mine and others impressions of a variety of different cables over the years!
Finally let's talk about upgrades! Primarily how does the 2012 PreFazor LCD 2 with an upgraded cable compare to something like the Audeze MX4 with just the stock cable?
Well I gave my copy of Hotel California a listen and untimely found;
Simply put even with the stock cable the MX4 clearly shows it's self as being a step above even the best LCD 2 I've heard! Quite literally everything is improved so the MX4 offers;
- Better resolve of both transients and spacial information
- so the position of the strike of that big drum moves around a little more
- Texture in the spectrum as a whole
- So an even more defined tactile edge on each of the guitars individual strings
- giving you an even deeper appreciation for the beauty of a 12 string guitar
- even more precise imaging
- Marginally less bass power,
- But... while the bass is a little drier and not quite as powerful it does have a similar sense of heft and impact
- Overall I feel that maybe the MX4s bass is still a step above all the LCD 2s I've heard
- Even more efficient and easier to drive
- Even lighter and more comfortable
Even better if you add that nice upgraded cable from your LCD 2 as I found with my upgraded Copper Cable;
- There was a bit more power in the bass! Leaving the LCD 2 completely defeated
- Slightly more natural mid range
- Again with the stock cable I felt the MX4 was... kinda both stuffy and dry upgrading helped add in a little more mid-range decay and more clearly resolved some extension on the release making the overall envelope that much more natural
- Improved clarity on the top end
- The bongo drum in the intro suddenly... gains a little more space in and around it. An with that better defined sense of space it's a little more captivating than before! The clarity of each strike and the fullness of the instrument itself really grabbed my attention on the MX4
But even with just the stock cable again the MX4 is in a whole other league from the LCD 2.
That said, I appreciate you guys for reading over this review! I hope that it helped to clarify some questions you had concerning the variation among the different models! An again, overall I felt that in-conclusion the two newer LCD 2 Models to be the more desirable recommendations! As they are;
- Lighter and more comfortable to wear over long periods
- Easier to drive and ultimately need less power overall to reach their max potential
- Have a more established life span and continuous support from Audeze
- An established sound signature and excellent resolve
- And they scale nicely too
Again while I felt overall the older model was better sounding, it's still too much of a gamble to have my full recommendation! As with the newer models you've got 2 slightly different established sound signatures to choose from without any worry about "losing" anything moving forward! That and their just so easy to own and enjoy! Without any of the fuss or stress of having an older model to bother with.
