I can and have proven to be able to create all aspects of sound in many audio systems. All our clients own an extremely holographic 3-dimensional stage and a very analog-sounding system. Including diversity in height. I learned during a live jazz concert that voices and instruments have their own height. When we play for example Miles Davis in DSD, he plays his trumpet about 30cm higher than the used AMT tweeter. This is what we call; 'diversity in height'. It makes the experience a lot more intense and emotional.
We modify many products. What we did regarding digital audio, is sharing a lot of information with different specialists. We can adapt the sound to create more layers. So you can reveal and perceive a lot more layers. The harmonics have the biggest influence on human emotions when we listen to music. I know this since 2018, and it made me adapt to all choices we make regarding the parts we use for modifications.
When you use and imply only products that can reveal all aspects of sound, the end result is in emotion always a lot better than any incomplete trail&error systems that lacks one or more aspects of sound.
The biggest lie in audio is the fact that music is not subjective but objective. Because when you make a record, voices and instruments own their particular sound which you and I can not even change. They are also very direct and small, we call this intimate sound or intimate stage. Voices and instruments also own a delimitation in space. So it becomes clear that you need an audio system that can reveal as it has been. recorded.
The emotion that the music possesses, can be found in the recording. Each audio system that can reveal all aspects of sound, will be experienced and described as more emotional and intense compared to any incomplete audio system that lacks one or more aspects of sound.
When you would start to read about sound, you will find out that even each individual aspect/parameter of sound can independently influence our emotions when we listen to our beloved music.