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I have compared bowls vs the comfies quite a few times on a few different models. The high frequencies are definitely muted with the comfies (which I personally prefer), but I couldn't really hear any difference in the lows between them. But this might have to do with how well the bowls and comfies seal with your ears, which could be different because ears are different.
Comfies are the smallest pads Grado makes but they're midway between the flats and the bowls. The flats ride lower and are stiffer, muting treble and providing the best bass. With comfies, you lose some of that bass but still get plenty of it while getting a little more treble. By the time you get to bowls, the soundstage is a little larger and the treble is a little more prominent. It's not like the bass disappears but there's some loss of it. This is why the FR charts at Headroom give better bass numbers to the SR60. In those charts, which were largely generated before the "i" update, the SR60 was the only Grado using the comfies. It's really an odd situation when you think of it - the lowest-priced Grado having the most pronounced bass, especially when even Grado admits (in writing) that the SR60 and SR80 have "use the same driver."
It's the pads.
See what's happening here? The SR60 has the most bass but the least HF. How does that happen on a driver that's identical to the one on the SR80? There are only two variables: the pads and the grill cloth.
I thought this graph literally dissected a while back, general consensus being graphs don't mean anything except for the general sound and in this case, not an accurate representation
With all due respect to the general consensus, that "graphs are meaningless" talk is just lazyheaded dismissal. That the map is not the territory goes without saying, but to write graphs off completely as "not an accurate representation" is just too easy.
A graph, by itself, won't tell you what a headphone "sounds" like, let alone which headphones sounds "best," but graphs do say something. While the "general consensus" you refer to - which, for all I know is you and three other buddies - dismisses the graphs as inaccurate, there is simply no evidence behind such a statement. It's not skepticism. It's cynicism. It's not an argument or a rebuttal. It's a refusal to look.
I went to a certain amount of trouble to make my case. If you're going to reply to it, the least you could do is reply to it, not throw up your hands and say, "Dude, we just don't know." Skepticism, as a demand for more information, is a worthy stance, but dismissal of data for the sake of dismissing it is just intellectual bankruptcy disguised as a stance.
If those graphs are so inaccurate, it's funny that they they aren't completely random. If I threw darts behind my back or handed paint brushes to monkeys on crack, I'd expect something free of any pattern, at least free of any pattern relating to the sound itself. Isn't it funny how this "inaccurate" FR graph shows the general weakness of 40mm mylar Grado drivers (no low bass), with Grado's best shot at it coming around 100 Hz? Notice how these "inaccurate" patterns tend to show all of the Grados emphasizing the 100 Hz region and then coalescing to the same spot - flat mids from 500 Hz to just past 1 kHz. Does any of this look random to you?
Yes, the recording of output involving mics fit in dummy heads may well have its own set of biases. Even so, with all of these headphones having the same design, they should all be subject to the same bias. When you have a common bias, you can compensate for it. You don't have to throw your hands up and admit that the universe is just vast and dark and oh so mysterious. We've come a long way since the age of candles and sandles. Maybe we should cut ourselves some slack and at least look at the patterns before we flush the data.
In this FR graph, notwithstanding whatever inaccuracies or incomplete data there may be, it's pretty clear that the SR60 shows a visibly higher bass output, not just when compared to the SR80 (which is supposed to use the same driver) but against the rest of the Prestige line. That's somewhat surprising, isn't it? Who would design a headphone so that the cheapest one of the bunch has better bass than its $300 counterpart? With aluminum over plastic, and better wiring in the voice coils and connecting cable, not to mention a much a larger air chamber to boot, shouldn't the 325 run circles around the SR60? How is it that the $79 bottom-runger is kicking sand in its face and making off with its lunch money?
But wait a minute. You can't say the SR60 has a "darker" presentation. Its mids are the same mids as the rest of the Grados. Where it comes up "darker" is at the right end of the chart, where we get to the HF side of the spectrum. Is it really a surprise that a headphone that would have better bass would also have diminished highs? Should it come as any surprise that the 325, which was trailing the 60 down at the bottom, has the highest spikes at 2 kHz, 5 kHz and 10 kHz?
You can dismiss this chart, which shows predictably similar patterns across a family of headphones, but if it's all just modern art, how do you account for how different the chart looks when examining headphones from Bose, Sennheiser, byerdynamic and Ultrasone? If it were just random chance, the results would be random, but they're not. Instead, there are easily discernible patterns, patterns which merit at least a first look, if not a second one as well.
The magnets are the same. The diaphragm is the same. The driver sizes are identical as well. The plastic inners are identical, even if the lengths and materials are different. At the time these patterns were recorded, the only real differences were (1) pads, (2) grill cloths and (3) wiring. Which of these should produce better bass, at least for the SR60 over all others? I think the answer is obvious. The SR60 has no better wiring, nor would Grado intentionally design a grill cloth to give it an advantage over its more expensive siblings. Its sole advantage, at the time, was the size of the pad. A smaller pad decreased ear/driver distance. It also muted HF dispersion. All of this favors bass over treble. It's that simple.
The point I was making was very simple. I didn't mean to come here and beat you over the head with it. It's just frustrating to make the point and then to have somebody come back and refuse to look at it because "the general consensus" told him not to read an FR graph.