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Thanks all for your feedback!
Patrick, fine comment. I´ve actually followed your advice right from the start. I went from Metallica to Tori Amos and classical music. So maybe I should simply try look for new artists within this scope. Suggestions are greatly appreciated.
Hi gechu
Thank you for your generosity about my comment.
I think that in general people are tending to demand that their hi fi "performs" in some way, but good hi fi is not a performer at all, it is the exact opposite.
Unfortunately you will often see good hi fi dismissed as "clinical" or "analytical" or "boring"
There is something about the approach to the listening of the music which is skewed, I think, in many.
Please note that I only understand this because I myself was like this for many years.
When you read the reviews etc. of hi fi stuff you will see that people are listening "out -> in" rather than "in -> out".
This difference is subtle but huge at the same time.
Bad hi fi (coloured, distorting stuff that is unfortunately gaining popularity) makes listening "in -> out" more difficult.
Today I listen to classical music almost exclusively. I do not for one moment believe that quality in music is exclusive to classical, goodness no!, but I do think that there is very much quality to be found in classical.
The actual term "classical" covers a vast area and so I think it is good to find some area within classical that you can identify with or which you like, then explore that area.
The area I am most interested in is the impressionist. This includes composers like Debussy, Ravel most famously, but also many others.
The impressionist music is great for listening to with good hi fi because it makes such use of all the subtle combinations of sounds that can be made by an orchestra.
A very famous piece to check out is
Debussy's La Mer, this has been recorded many times and getting hold of one or two recordings of this might be interesting.
It is absolutely a classic impressionist piece, you will find Debussy's exploration of the sea to be fascinating. At first you will hear the marvellous orchestrations, the astonishing sophistication there is in the sonic sculptures. With each listen you will hear more and more of what is in this work. After a while it will start to communicate with you at a much deeper level.
P.S. on the rather more prosaic technical level I think that to hear the K701s at their best means getting a good amp
Avoid coloured stuff (often described as "warm sounding").