lindrone
King Canaling
- Joined
- Aug 25, 2003
- Posts
- 3,887
- Likes
- 27
Quote:
Well, you've already read the UE-10 and 2X-S review, right? The triple driver doesn't give any significant advantage over dual-driver design, sure.. the UE-10 Pro produces one more bass note, but the overall bass doesn't carry as much reverberation and satisfaction, at least for me, compared to the Sensaphonic 2X-S. 2X-S is also the more "textured" of the two, it has more details in decay and other minor characteristics. UE-10 is the clean, lean, and much more "monitor" like of the two.
Triple driver doesn't automatically lend to supremacy, it's not like the single versus dual driver problem, where a single driver simply can't reproduce the entire sound spectrum all with convincing impact. Dual-driver design can cover the entire sound spectrum, and in fact that I feel that 2X-S already produces a deeper, richer bass than any other headphone that I've ever auditioned/owned.
So yes, UE-10's triple driver design is really good, but it's not anywhere near superiority over all other design. It is just comparable with the 2X-S in overall sound quality. Even though it does seem that the triple driver should do much more than that... but if a dual-driver is already covering 99% of the sound spectrum, the triple driver really only gets you that last %.
The biggest achille's heel to the whole thing, is that most recordings don't even have a bass that's that deep, I have to search hard through my collection of music to find some rap/hip hop with really heavy bass beat to get that note once in a while, maybe 3 times on a really bass heavy track. The rest of the time the warmer, overall bass of the 2X-S is more preferrable to me by far.
So when it comes down to it, the only way that UE-10 can claim that their three-way design is better than anything else out there comes down to that frequency response chart.
It's a little bit like looking at specs of different headphone, like HD650 produces frequency up to 39,000Hz... but I don't know if you can really identify that, or how useful it'll really be? Either way, HD650 doesn't base their marketing material on the fact that they can produce notes up to 39,000Hz, right?
What's even more interesting, so if UE-10 Pro, with its triple driver and claim to have the only usable frequency reproduction at that low range... what the heck did the UE-7 Pro sound like? You would have to guess that triple driver only produced that lowest bass note unconvincingly, not apparently enough... or is that third driver is basically completely useless and unwarranted? From what I know, UE-7 Pro can produce to that frequency, but it produces much less decibels at that frequency, and it should sound like more of a rolled-off bass, even though it's there, it's not really useful.
Anyway, it just doesn't seem that with what they're doing with triple driver now, it's gaining any significant benefit. Unless you're dividing up the sound spectrum even more discreetly and allowing each driver to produce even finer detail in its own range. That is not what's being done now, the UE-10 Pro doesn't produce as much texture and decay detail than the 2X-S, but it stresses more treble and rising note detail.
Originally Posted by raisin Can you expound on that at all, Lindrone? |
Well, you've already read the UE-10 and 2X-S review, right? The triple driver doesn't give any significant advantage over dual-driver design, sure.. the UE-10 Pro produces one more bass note, but the overall bass doesn't carry as much reverberation and satisfaction, at least for me, compared to the Sensaphonic 2X-S. 2X-S is also the more "textured" of the two, it has more details in decay and other minor characteristics. UE-10 is the clean, lean, and much more "monitor" like of the two.
Triple driver doesn't automatically lend to supremacy, it's not like the single versus dual driver problem, where a single driver simply can't reproduce the entire sound spectrum all with convincing impact. Dual-driver design can cover the entire sound spectrum, and in fact that I feel that 2X-S already produces a deeper, richer bass than any other headphone that I've ever auditioned/owned.
So yes, UE-10's triple driver design is really good, but it's not anywhere near superiority over all other design. It is just comparable with the 2X-S in overall sound quality. Even though it does seem that the triple driver should do much more than that... but if a dual-driver is already covering 99% of the sound spectrum, the triple driver really only gets you that last %.
The biggest achille's heel to the whole thing, is that most recordings don't even have a bass that's that deep, I have to search hard through my collection of music to find some rap/hip hop with really heavy bass beat to get that note once in a while, maybe 3 times on a really bass heavy track. The rest of the time the warmer, overall bass of the 2X-S is more preferrable to me by far.
So when it comes down to it, the only way that UE-10 can claim that their three-way design is better than anything else out there comes down to that frequency response chart.
It's a little bit like looking at specs of different headphone, like HD650 produces frequency up to 39,000Hz... but I don't know if you can really identify that, or how useful it'll really be? Either way, HD650 doesn't base their marketing material on the fact that they can produce notes up to 39,000Hz, right?
What's even more interesting, so if UE-10 Pro, with its triple driver and claim to have the only usable frequency reproduction at that low range... what the heck did the UE-7 Pro sound like? You would have to guess that triple driver only produced that lowest bass note unconvincingly, not apparently enough... or is that third driver is basically completely useless and unwarranted? From what I know, UE-7 Pro can produce to that frequency, but it produces much less decibels at that frequency, and it should sound like more of a rolled-off bass, even though it's there, it's not really useful.
Anyway, it just doesn't seem that with what they're doing with triple driver now, it's gaining any significant benefit. Unless you're dividing up the sound spectrum even more discreetly and allowing each driver to produce even finer detail in its own range. That is not what's being done now, the UE-10 Pro doesn't produce as much texture and decay detail than the 2X-S, but it stresses more treble and rising note detail.