bigshot
Headphoneus Supremus
I have about a year and half's worth of music, so even if I played my music 24/7, I'd still have to cut a third of my collection!
I downsampled all my 24bit 96 & 192khz tracks to 24bit 48khz. They all sound exactly the same as before and I saved about 250gb in disk space. I'm going to stick with 16/44 and 24/48 from now on.
They will sound depending on your gears and music genres, if your dap/headphone /speaker can't produce the micro details between 48khz and 192khz , you won't hear them !
I always found 192khz to be more airy with a better separation of instruments and clearer vocals. IMO, anything over 88khz would be hard to compare with 192khz , but you still can do it with 48khz
They will sound depending on your gears and music genres, if your dap/headphone /speaker can't produce the micro details between 48khz and 192khz , you won't hear them !
I always found 192khz to be more airy with a better separation of instruments and clearer vocals. IMO, anything over 88khz would be hard to compare with 192khz , but you still can do it with 48khz
Check to see if better masterings are at high bitrate. Typically dynamically compressed music is at lower bitrate.
They will sound depending on your gears and music genres, if your dap/headphone /speaker can't produce the micro details between 48khz and 192khz , you won't hear them !
I always found 192khz to be more airy with a better separation of instruments and clearer vocals. IMO, anything over 88khz would be hard to compare with 192khz , but you still can do it with 48khz
Do you use Foobar to play music?
Foobar is an excellent free software that works with windows (and Linux via Wine) and has the ability to add plugins. One such plugin is the SoX resampling tool, which is an excellent resampler. Another tool is the ABX plugin which allows you to use double blind test whether you can detect the difference between two sound clips.
I think it would be very helpful to you and to the rest of the community of you can test one of your 192kHz sampled tracks by comparing it to a down-sampled version. You can use the Sox DSP plugin to transcode your full-res track into a 48kHz version, and then perform an ABX test. If there is any detectable difference the two, then you should be able to differentiate between them in a statistically meaningful way. You can post the results from the ABX tool here to demonstrate the audible difference between a 192kHz track and its 48kHz equivalent. You need multiple trials (say 30) for the results to begin to be statistically significant (unless you can nail 20/20 )
Furthermore, if you use <30 second clips, you can share the two tracks here so others can give it a try as well!
Cheers
... if your dap/headphone /speaker can't produce the micro details between 48khz and 192khz , you won't hear them !
bitrate has nothing to do with dynamic range...
They will sound depending on your gears and music genres, if your dap/headphone /speaker can't produce the micro details between 48khz and 192khz , you won't hear them !
I always found 192khz to be more airy with a better separation of instruments and clearer vocals. IMO, anything over 88khz would be hard to compare with 192khz , but you still can do it with 48khz
And you've done proper level-matched double blind tests to verify that you can actually hear the difference, right?
when imagination becomes reality, walt disney would be so proud.
Rarely is there any new information added to the discussion - it's like listening to Atheists debate religion with Christians that believe in a strict interpretation of the Bible.