SharpEars
Head-Fier
- Joined
- Feb 14, 2014
- Posts
- 62
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- 17
So, based on the last several responses it seems that:
I guess all of that makes sense!
- Listening to a 44.1/24 audio file is equivalent to listening to a 44.1/16 audio file, assuming both were properly created from the same master. This is regardless of the quality of DAC, amp and headphones/speakers.
- However, if one wants to change the audio waveform (e.g., DC repair, volume correction, equalization, yada yada) then doing this stuff on an up-sampled 24-bit version of a 16-bit file sounds like a good idea in order to minimize
- Leaving the file in 24-bit mode or downsampling back down to 16-bit is strictly a function of storage overhead and whether or not any additional editing will need to be performed on the file in the future.
I guess all of that makes sense!