Knowledge Zenith (KZ) EDC X

General Information

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SPECIFICATION:

MODEL: KZ EDCX

IMPEDANCE: 20Ω

SENSITIVITY: 102dB

FREQUENCY RESPONSE: 20Hz – 40KHz

CABLE LENGTH: 1.2M

PIN TYPE: NON-DETACHABLE

PLUG TYPE: 3.5mm

DRIVER UNIT(S): (1) DYNAMIC DRIVER

Latest reviews

Zerstorer_GOhren

500+ Head-Fier
KNOWLEDGE ZENITH (KZ) EDCX: Its All About Tonality
Pros: ● Smooth and pleasant tonality.
● Fatigue-free tuning as it pleases most treble sensitives listeners for long listening sessions.
● Neither sibilance nor harshness, it doesn't exhibit these issues.
● An enjoyable, fun-sounding set that is quite versatile of most music genre.
● Organic timbre.
● Affordable price.
Cons: ▽ Non-detachable cable.
▽ Barebones inclusions.
▽ Lack of air and clarity.
▽ Unimpressive technical performance.
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Oi! mates, I have another IEM review article and it is a budget one coming from the well-known audio company, Knowledge Zenith also known as KZ.


What I have here is the KZ EDCX, it is a successor of the previous model from 2021, The KZ EDC. Like its predecessor, it has a single dynamic driver on its internal but EDCX has a newer generation of PET diaphragm which is a type of polyester thermoplastic which has a strong, transparent and flexible to provide a more balanced tuning by controlling the uppermid to high frequency to have smoother response.

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The KZ EDCX's transducer was encased in a high quality polycarbonate plastic shell like its predecessor. It takes a UIEM form factor without the stabilising fin and it really provide a decent fitting to my lug holes without any sort of inconveniences that might cause some discomfort. Like its predecessor, it has a non-detachable cable that might be a problematic one in the future due to wear and tear usage.

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Like all KZ products, KZ EDCX still has a very barebones inclusions packed in small packaging box. Inside the contents are the IEMs itself, extra ear tips of different standard sizes and an instruction manual.

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As for amplification, KZ EDCX needs at least a bit of power output to sound it more dynamics with decent loudness. In most smartphones and tablets, you need the crank up the volume level but devices with good quality Hi-Fi DAC and amp will deliver an enough power to this set.

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KZ EDCX's tuning is rather different compare to its predecessor as it takes a u-shaped sound signature with a more natural tonality compare to a more darker, midcentric tuning of KZ EDC.


Here's my take on KZ EDCX overall sound quality.


LOWS/BASS:

The bass seems to be elevated in the overall frequency range spectrum. It has a sufficient punchiness and decent depth but it will not satisfy the ears of most uber-bassheads out there that looking for more thumpy and bombastic lows.

It has a decent sub bass I still hear some grumble from sub bass-laden tracks either from Hip-hop or Pop genres. Electronic drums and synthesisers has presence on it but not deep. Mid bass appears to have decent body to give a whack on bass instruments like bass kicks, bass guitar and bass-baritones. Bass kicks sounds rather hollow with just sufficient slam while bass guitars are mellow and dull sounding then bass-baritone has broader and darker presentation.

There are some instances of bass bleeds across the midrange that causes a tad of overshadowing and veiled sounding in some tracks.



MIDRANGE:


Midrange is rather warmth with ample texture and smoothness but it is a bit notched in the overall frequency range spectrum. Male vocals seems to be prominent on this set as it has a more texture to give a body on voice and deep, females vocals are neutral and sheeny but does have that lack of energy and sense of airiness but its gives a more luscious and "smoky" quality.


As for instruments, it gives a more "buttery" and bloomy sound on acoustic guitars, a solemn and austere sounding violins, a mellow and sonorous sound on woodwinds like saxophone and flutes. When it comes to brass like trombone and horns, it sounds fuller and somewhat rounded while percussive like snares drum has rattling sound but it does not hit that hard and Celesta sounds rather velvety with hint of softness and lastly the pianos sounds more warmer and richer in tone.



HIGHS/TREBLE:

Compare to the previous EDC which was a darker sounding, the EDCX is rather balanced and smoother. For sure that we want some shimmer and crisp to add some detail and clarity but KZ decided to sound like this as it eliminates any chances of sibilance and harshness to have fatigue-free listening experience.

It is quite noticeable that its presence to brilliance treble quality are rather underwhelming and mediocre given cymbals strikes sounds somewhat soughing and distant that we want a more shimmer and sizzle. Air and harmonics seems average in range as you wonder if there is a sparkle on it.


SOUNDSTAGE, IMAGING & OTHER TECHNICALITIES:

The overall technical capabilities of KZ EDCX are pretty much average and doesn't standout by any means. Soundstage's width is average, it has a decent height and a daily immersive depth to measure the gap between front and rear placement to give a decent spatial feel within my head room. It has decent imaging, separation and layering performance as I can fairly locate the placement of instruments and vocals in a binaural, stereo manner though not the accurate as I intended. Spacing seems to a decent gap on each element but layering aren't that impressive that both dynamics and frequency of each instrumental tone are rather disorganise and misplaced that affects the sound quality on a complex, multi-instrumental tracks like orchestra.

Meanwhile in coherency, such a single dynamic driver performs cohesively and it has moderate speed able to execute an attack fairly within its transient capability.

Resolution capability are rather norm within its price range as it does have a decent detail retrieval but have up to par macro-dynamics.

The most positive aspect was it timbre quality, which sounds very natural with just an ample warmth on it to sound a more analogueish.



PEER COMPARISON

Check out my review on KZ EDC to compare whether its an improvement or just a mere sidegrade.


KNOWLEDGE ZENITH (KZ) EDC


As I concluded in this review that KZ continues to deliver on such product within the budget range that is quite cheap and very afforable with decent sound quality and a median technical performance. With pleasant tonality that will gives a fatigue-free listening experience, this is one of few KZ's product that will not give you some unpleasant tuning like sibilance and harshness with just simply an enjoyable fun-sounding tuning.

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KZ EDCX is currently available in KZ/CCA official store in Shopee. You can check the link here.

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SPECIFICATION:

MODEL: KZ EDCX
IMPEDANCE: 20Ω
SENSITIVITY: 102dB
FREQUENCY RESPONSE: 20Hz – 40KHz
CABLE LENGTH: 1.2M
PIN TYPE: NON-REMOVABLE
PLUG TYPE: 3.5mm
DRIVER UNIT(S): (1) DYNAMIC DRIVER


Some Tracks Tested: ( * = 16-bit FLAC, ** = 24-bit FLAC, *'* = MQA, '*' = DSD, *'= .WAV)

Alison Krauss -When You Say Nothing At All *
Jade Wiedlin - Blue Kiss**
Led Zeppelin - When The Levee Breaks **
Mountain - Mississippi Queen *
Queen - Killer Queen **
Guns N' Roses - Patience *'*
Eric Clapton - Tears in Heaven '*'
Sergio Mendes- Never Gonna Let You Go '*'
Pearl Jam - Daughter **
Roselia - Hidamari Rhodonite *
Assassin - Fight (To Stop The Tyranny)*
Celtic Frost- Visual Aggression *
New Order - Blue Monday *
The Corrs- What Can I do (unplugged version) *
Jimi Hendrix Experience - Voodoo Child *
The Madness- Buggy Trousers *
Metallica - Motorbreath **
Mariah Carey- Always Be My Baby *
Destiny's Child - Say My Name *
Malice Mizer- Au Revoir *
Mozart - Lacrimosa *
New York Philharmonic Orchestra - Dvorak- Symphony 9 " From the New World." *
Eva Cassidy - Fields of Gold (Sting cover)*
Michael Jackson - Give In To Me *
Exciter - Violence and Force *
Diana Krall - Stop This World **
Debbie Gibson - Foolish Beat *'*
The Sisters of Mercy – Lucretia My Reflection**
Suzanne Vega – Luka **
Lauren Christy – Steep *


P.S.

I am not affiliated to KNOWLEDGE ZENITH nor receive monetary incentives and financial gains as they provide me a review unit for an exchange of factual and sincere feedback from yours truly.


Once again, I would like to thank TYVAN LAM for providing this review unit. I truly appreciate his generosity towards me and other reviewers.

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Last edited:

suicideup

New Head-Fier
KZ EDC-X Review!
Pros: - Fun, all-rounder sound signature.
- Thick, smooth overall sound.
- Inoffensive upper frequencies.
- Thick, fairly controlled bass.
- Decent balance between tonality and technicality under 10USD.
- Sturdy ear guide.
- Finally, a decent pair of stock pairs of eartips!
- Visually pleasing aesthetic (subjective).
Cons: - A bit harder to drive when compared to most KZs (needs to be at least 6/100 in volume at VE Megatron, and 55/100 high gain in my R3 Pro Saber).
- Non-removable cable. I mean, KZ already did an IEM with removable cable under 10 USD before, so this is “unusual”, at least to me.
-A pouch or a case would’ve been a good treat for everybody (subjective).
- Aside from that, nothing really serious flaws under 10USD.
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KZ EDC-X Review!

Good day! After 5 days of casual and critical listening, here’s my written review for the KZ EDC-X. Warm well-done!

Disclaimer/s:
  • This unit was sent to me by KZ themselves in exchange for an honest, unbiased review. Rest assured that this review will be free from any bias/es as much as possible.
  • The following remarks and observations shall be made and owned only by me.
  • No monetary compensation is/was involved before, during, and after the period of creation of this review.
  • Your mileage may (and always, will) vary.

Burn-in time: 4-8 hours per day, 5 days.

Source/s used:
  • Hiby R3 Pro Saber
  • Tempotec Sonata HD V
  • Venture Electronics Megatron
  • Non-HiFi smartphone (Infinix Note 12 G96 Samsung Galaxy A6 (2018))
  • Local Files via Foobar and Roon, YouTube Music, Deezer, and Qobuz with UAPP.
IEM/Earbud/Setup configuration: medium eartips, stock cable, any form of EQ or MSEB off, 40-60% volume, low gain, without extra amplification.

=================================================================Sound signature:
  • The KZ EDC-X for me is the alternative of the KZ EDA Balanced Version as it is the warmer sounding of the two, but still falls within the u-shaped sound signature. It never tried to sound neutral in my tests but presented itself as an all-rounder for casual listening or even conference calls.
Lows:
  • I’d say that this is a bass well-done from a KZ IEM. It is fairly controlled for its price, elevated but not too much and isn’t too rumbly nor too punchy, making it a suitable “bassy” IEM for budget bassheads, by a stretch. There are times that the subbass is dominant over the midbass, particularly on EDM or bass heavy tracks, but it never got softened in attack and decay.
Mids:
  • The mids are mildly recessed and get a bit distant to my liking when it is underpowered, which is quite odd since despite being distant when underpowered, it didn’t sound thin at all. But when powered enough from a 2vrms dongle or DAP, it sounds “natural” in terms of position. Sam Smith and Ed Sheeran’s voices are a bit thicker here due to some warmth in the mids. Upper mids are extended well, with decent clarity, air, and sparkle. It isn’t as clear as what I would prefer, like what I experienced with the KZ EDA Balanced, but this is clear enough for most people who just want to listen to their music casually. With that being said, there is no sibilance or harshness present during my tests, so that itself is good news for most people.
Highs:
  • Moving on to the treble, it is extended but not too bright nor dark at all. Cymbal crashes sound decent most of the time. I would prefer a bit of additional brightness to it but KZ did the right thing here to make the treble sound “closest to natural”, so there are no problems here. Detail retrieval is average and can pick up most of the details you’ll usually hear in your music library.
Soundstage, Imaging, and separation:
  • As for the technicalities, it is average to my ears, but in a good way. The soundstage is wide but not like an out of your head experience. It is just enough for the user not to feel “closed in”, if that makes sense. Separation is also average and will show a bit of congestion on very heavy passages. Imaging is also average and will deliver good rendition of positions for the most part.

=================================================================
Pros:
  • Fun, all-rounder sound signature.
  • Thick, smooth overall sound.
  • Inoffensive upper frequencies.
  • Thick, fairly controlled bass.
  • Decent balance between tonality and technicality under 10USD.
  • Sturdy ear guide.
  • Finally, a decent pair of stock pairs of eartips!
  • Visually pleasing aesthetic (subjective).
Cons:
  • A bit harder to drive when compared to most KZs (needs to be at least 6/100 in volume at VE Megatron, and 55/100 high gain in my R3 Pro Saber).
  • Non-removable cable. I mean, KZ already did an IEM with removable cable under 10 USD before, so this is “unusual”, at least to me.
  • A pouch or a case would’ve been a good treat for everybody (subjective).
  • Aside from that, nothing really serious flaws under 10USD.

Verdict

The KZ EDC-X is my top recommendation under 10 USD if you are looking for a well tuned IEM with mostly decent technical performance. It’s all-rounder, warm sound is quite refreshing to hear from KZ because most of the time before they always had their upper frequencies boosted on their older IEMs. By a stretch, this type of sound has a bit of similarity to an IEM I auditioned years ago, the Tanchjim Cora, which cost around 30-60 USD that time. This is good news for most people because KZ finally managed to trickle this type of sound for just under 20 USD. Hopefully soon they’ll release a version of this with a removable cable for longevity, because this really sounds good!


Pairing recommendation/s:
  • Source: I find the KZ EDC-X to be a bit harder to drive than usual when compared to most KZ IEMs before. I suggest using a 2VRMS dongle here or a DAP, preferably neutral, to pair the best.
  • Eartips: It all has the eartips you need included but you can always use your preferred eartips.
Thank you for reading!

Additional Photos here:

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Ceeluh7

500+ Head-Fier
KZ EDCX
Pros: -Price
-Looks
-Impactful low-end, not overdone
-Timbre
-Non fatiguing but decently extended highs
-Again, price
-This set is a no-brainer
Cons: -Non-detachable cable
-There is no other con at this price

KZ EDCX Review


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KZ EDCX ($9)

Today I am reviewing the KZ EDCX. KZ asked if I would like to post a review of this little beast and I of course obliged. To that, I thank Tyvan Lam and KZ very much. KZ never has a shortage of options at all price points and in my opinion, they seem to get better and better as they stretch the dollar further with every new release. KZ also seems to give more for less with bang for buck earphones that seem to eclipse the market standards at price points. Or at least perform very well.

Again, today I am happy to review the KZ EDCX. I received this set a few days ago and upon putting them in my ears and pushing play on my Shanling M6 Ultra, I was actually not quite expecting to hear what I did. For a myriad of reasons actually. Let’s take a look at this ultra-ultra-budget iem shall we.

Full Review of the KZ EDCX Here


Gear Used
-IPad (6th Gen)
Zooaux Dongle Dac
Shanling Ua2
Shanling M6 Ultra

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Left to Right: Zooaux Dongle Dac / Shanling M6 Ultra / Shanling UA2

Packaging

Not much to report here. This set is below $10! Receiving eartips is a bonus at that price. Really all you get is a very small box with some white wide-bore ear-tips. I’m perfectly good with that.

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Design/Build/Fit/Other features

Design

For the price the design is actually quite nice. The shape is very much like any budget KZ, nothing too surprising there. The set that I received has this glassy looking, almost smoky gray coloration on the faceplate area and is very simple but also very cool looking to me. A nice minimalist look in my opinion. KZ states that around that smoky transparent PC cavity and faceplate is stainless steel trim which helps give off an almost glossy look.

Build/Internals

The Shells are once again made with a PC plastic material. The feel is sturdy enough. I’d advise against throwing them across a room but all in all the build is fine. In fact, for the price (we will keep mentioning this) the build is pretty damn nice.

One thing to mention is, the cable is not a detachable cable but really the attached cable is perfectly fine. I know we all prefer a set which gives the option to swap cables if the want arises but, unfortunately the EDCX doesn’t allow for that.

As far as the internal driver, KZ made the choice to employ one of the more common and cheap drivers to prove they could tune any iem to a great standard regardless of the driver tech and material. KZ chose a 6-micron thick 10mm PET Driver. KZ says they used four layers of voice coils for better output. In fact, here is KZ’s promotional describing this process and material:
“Hi-Fi should not be defined by price
KZ EDCX is intended to correct two hot and almost useless product gimmicks in the Hi-Fi circle, which some so-called well-known brands respect. KZ EDCX Dynamic Driver Hi-Fi Earphones To popularize real earphone tuning. It alludes to two selling points that are almost useless or deviate from the original design principles of earphones, which are recognized by the so-called high-end brands and high-end products in the circle and are vigorously promoted by the so-called professional public.
A controversial 10mm dynamic driver
Instead of using the so-called fancy diaphragm material, we used the most common 6 microns thick PET diaphragm into the driver on KZ EDCX. At the same time, we use four layers of the voice coil to enhance its output performance. Additionally, we by adjusting the height of the voice coil to accurately adjust the location of the high-frequency formant, by adjusting the damping to control the sensitivity of low frequency, by adjusting the size of the driver’s cover aperture to control the height of the ultra-high frequency formant, by compressing the volume of the internal space of the driver to control the position of the 2-3 kHz formant and assist in controlling the position of the ultra-high frequency formant. We finally completed this driver through the above technical adjustment and compared similar products’ FR curves and distortion data to ensure that KZ EDCX can compete with those high-priced and so-called professional Hi-Fi dynamic lEMs”
There you have it. KZ set out to prove a point with this little gem of an earphone and by my testing… I’d say, point taken.
KZ Promotional above
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Drivability

I have zero issue driving this set. I listened for a while simply using my IPad and I heard nice dynamics, possibly a bit thin timbre but still having plenty of good energy. Moving to the $9 Zooaux Dongle Dac was actually a step up for me sonically. The Zooaux is tuned nicely and has good synergy with the EDCX.

Moving onto more powerful options like the Shanling Ua2 with its ESS onboard dac and then the Shanling M6 Ultra with its quad AK dacs both bumped up the auditory joy to a new level. I don’t think more power helps as much as better gear helps in the sonics department. Really this set is made to be easily driven and KZ has succeeded in this regard.

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Quick Sound Impressions

Overall, I hear a pretty balanced sound out of the KZ EDCX. To be honest I am quite impressed people. This is a mild V-shaped / Harman’ish tuning with emphasis in the bass region as well as the upper-midrange/lower treble, from what I can tell anyways. All in all, I hear a mildly warm replay with decent note weight and nicely rendered timbre for the price of under $10. Overall, a smoother listen with a nice cohesive sound and pretty well resolute for something so cheap.

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Full Review of the KZ EDCX here

Bass

Bass is sonorous enough with enough rumble to carry most genres like hip-hop, EDM etc. Also, the bass is nimble enough to move quickly to keep up with somewhat busy songs. Transient attack is pretty well done with good decay and good timbre without forcing its presence on the midrange too much. I feel the EDCX is a more sub-bass focused set yet still with some slamming mid-bass when needed. This is a bass which can go deep when called upon. I hear good texture to the bass and I hear decent separation between sub and mid-bass. Really the low-end of the EDCX has good body without sounding bloated or muddy without any obvious flaws which would represent a con, at least in my book.

I wouldn’t refer to the EDCX as a basshead iem either. I’m sure with a little EQ you could easily get there. However, I like that KZ did not over emphasize the low-end but instead kept the bass palpable for many different music styles

Midrange

The Mids are recessed in normal V-shape to Harman fashion but there is enough resolute clarity to really not create an issue. The midrange carries some good energy, not perfect but vocals sound well enough presented. Males have beefy undertones with a smoother inflection which is helped by the slight bleed from the low-end into the midrange. Males have a mild warmth to them giving vocals a more organic sound with a robust replay to a man’s voice. Not bad.

Females lack that last little bit of shimmery luster but I’m not complaining at all. “Lack” is probably the wrong word actually. I hear good enough energy to highlight a soprano voice pretty well. Instruments in this region sound closer to natural with enough body and good separation while also forming a pretty darn nice balance with the rest of the mix. Again, I hear nothing to complain about here.

Treble

The treble region is a mostly smooth effort without killing our ears in fatigue. In fact, I don’t hear anything fatiguing at all. I hear pretty good clarity, I hear good body, I hear pretty good extension of the highs. This will not suit treble-heads, but the treble has nice energy to keep the overall balance. This isn’t the airiest set in the world but there is plenty zesty vitality up top to cap off a good overall presentation. Nice job KZ.

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Technicalities

Overall, the technical picture of the EDCX is about what one would expect. However, I think the details are above average for an under $20 iem. Obviously, the tuning is not a style which promotes tiny details being illuminated to the forefront, but still… surface level details are easily heard with the cleaner replay of the EDCX.

Soundstage is not the widest, about average for me. There is decent height and decent depth. That being said, the stage gives me enough space to wrap my brain around all of the elements within a stage while easily placing those elements. In fact, Imaging is pretty good for the price, matching iems upwards of $30 in my opinion. The soundstage and imaging and even separation is much better than I thought I’d hear and only benefit my music library. There are some real bangers in this price range with some crazy stiff competition for the EDCX, but in the technical department I think the EDCX holds its own pretty well.

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Left to Right: Kbear Dumpling / KZ EDCX

Comparison


KBear Dumpling ($18)
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I only have one relevant low cost iem hovering around that $10 to $20 mark with a non-detachable cable, and that is the KBear Dumpling. Now, guys and Ladies… this is going to be short. The EDCX is simply better sonically in almost every regard. Listening to the Dumpling after I listen to the EDCX is not enjoyable… sorry KBear. Seriously though the EDCX is much better tuned than the Dumpling and much cleaner throughout the entire spectrum. A veil shadows over the Dumpling while the EDCX is more open, resolute and more dynamic sounding with better clarity.

If the Dumpling bests the EDCX in anything it would be build quality. The materials used are simply better in the Dumpling and they are absolutely dope looking for how small they are. Also, they are so nice for a student to just toss in a bag and not worry about. From my perspective, every other angle you look at (sound quality), the EDCX just mops the floor. I don’t normally make things a competitive battle but this one is pretty obvious thus making it not very competitive at all. Between the two, if music is your passion and you are low on funds… get the EDCX.

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Conclusion

To conclude this review, I want to again thank the people who made it possible… KZ and Tyvan Lam. Thank you for putting this set out there to be tested in full understanding that there are only a couple possible outcomes, either rejection or praise. In this case, from me it is resounding praise of the KZ EDCX. I love that KZ put their money and effort where their mouth is and stepped up to the plate and created such a nice sounding iem using the most common materials and proving that tuning is what matters most… most of the time.

Another absolutely fantastic element to this ultra-ultra-budget iem from KZ is this; this is an iem that anyone can attain. Anyone can come up with the funds necessary to have this well-tuned iem. I love this. KZ could charge more for this set, in fact they could charge quite a bit more for many of their latest iems, but they choose to keep costs low and stay competitive at every price point that they occupy. Some scoff at this company and cast aside KZ because they are always churning out new releases and always staying in the consumer’s view at all times. People, guess what… KZ is only getting better and now… they have a point to prove.

Listen, this set is not world changing and won’t challenge any set at triple digits and it won’t render non-relevancy to your higher priced iems. What the EDCX will do is give you a solid option that will challenge any iem at the price point, perhaps even more. Assuming of course that the sound signature of the EDCX is one you are fond of. I try not to over sensationalize anything I write about, but I love to see products which outperform my expectations, especially at such low cost. There is great value when you factor in that cost and that is something which is easy for me to get behind.

If a dope looking, seriously cheap iem is in your future than I would think the EDCX should be in your sights. The con is the non-removable cable (I know I wish this was different) but the upside is almost everything else. I enjoyed my time with this set, and I think others will too. Now if you are a bass-head or a treble-junkie the EDCX will probably not be to your taste. Yet, if you enjoy a more balanced sound with subtle warmth, a good bass region, decently rendered vocals, energetic but non-fatiguing highs, and decent technicalities and your price is sub $15…the EDCX may be the right choice.

I want to thank anyone who stopped by to read this review. As always, I want to urge you to listen to other perspectives from other reviewers. My likes and dislikes are not the same as the next guy, my gear isn’t the same, my library of music may be different and honestly, my hearing may be different. The point is… take in other thoughts about the EDCX as it’ll help to make an informed decision. Thank you so very much, please take good care and try your best to stay safe.

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T
tubbymuc
I don't get why it has a non detachable cable. Their cheaper 5$ edx has removable cable.

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