General Information

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3 Hybrid Drivers for a Comprehensive Sound

The Forteza features a hybrid design utilizing 1 High-Mid balanced armature (BA) + 6mm Mid-range dynamic driver (DD) + 10mm Bass DD. This 1BA + 6mm DD + 10mm DD combination fulfills a full sound from 20Hz to 20,000Hz. Furthermore, the utilization of 2 different dynamic drivers in combination with a BA driver provides significant enhancement in the sound texture and timbre.



Hybrid Sound Engineering:

The Forteza boasts a hybrid sound system consisting of a High-Mid balanced armature (BA), 6mm Mid-range dynamic driver (DD), and 10mm Bass DD, delivering a comprehensive sound range from 20Hz to 20,000Hz. This unique 1BA + 6mm DD + 10mm DD configuration enhances sound texture and timbre.


Rich and Lush Sound Signature:

Equipped with a three-way passive crossover system, the Forteza is meticulously tuned to produce a rich and lush sound signature. Its thick and impactful bass response, warm and colored mids, and well-matched treble provide a fuller sound experience, catering to those who prefer a more vibrant audio profile.


In-House Driver Expertise:

The Forteza utilizes in-house drivers known for their high-quality sound output. By combining these proven drivers, including a composite 10mm dynamic driver and a single BA driver, it achieves outstanding efficiency and quality. This driver combination enhances bass response and overall tonal characteristics for an exceptional listening experience.


Detachable Cable Convenience:

The Forteza includes a detachable cable with 0.78mm 2pin connectors, allowing users to customize their experience and extend the lifespan of the in-ear monitors (IEMs) by easily swapping out cables.


SPECIFICATION:

MODEL
: KIWI EARS FORTEZA
IMPEDANCE: ?Ω
SENSITIVITY: ?dB
FREQUENCY RESPONSE: ?Hz - ?KHz
CABLE LENGTH: 1.2M
PIN TYPE: 2-PIN CONNECTOR (0.78MM)
PLUG TYPE: 3.5mm
DRIVER UNIT(S): (2) DYNAMIC DRIVER(s) + (1) BALANCED ARMATURE DRIVER

Latest reviews

K othic

New Head-Fier
Pros: Aesthetically beautiful and anatomically correct design for good isolation
Portable case included, which is appreciated
Visceral and palpable subbass
Noticeable amount of bass
Decent amount of microdetails in the upper midrange and above
More than acceptable soundstage and imaging for the price
Cons: Eartips and cable do not reflect the price increase compared to other models from the brand
Requires moderate amplification to bring out their dynamism
The driver in charge of the bass can feel slow at times
Lower mids are disconnected and overshadowed by the lower frequencies
Upper mids and highs can be harsh with notable sibilance and metallic noise caused by the balanced armature
Abnormal tonal balance in the higher frequencies of the spectrum
Kiwi Ears Forteza: beauty vs sound

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Intro

After putting these IEMs on hold for a long time, I finally had the pleasure of testing and now sharing my thoughts on the Kiwi Ears Forteza, one of the latest hybrid IEMs released by the brand at a price of $59 USD. Let's see if they are all about looks or if their sound complements them accordingly.


If you wish to read this review in Spanish, click here

Check out previous reviews here (or in spanish here)



Disclaimers:
  • Many thanks to the people at Kiwi Ears for sending me this product to give my honest opinion.
  • Analysis over 4 days – sessions of approximately 2 to 4 hours each
  • All music is lossless (Qobuz & Tidal > 16bit – 44.1kHz)
  • Gear used: TempoTec V3


Unboxing, Build & Comfort

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Kiwi Ears Forteza: They are made with a semi-transparent sky-blue resin housing using 3D modeling, designed to fit the contours of the ear properly. The faceplate features blue and green sparkles that make it stand out, along with the “Kiwi Ears” inscription in golden letters.

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They feature three drivers: two 10mm dynamic drivers that separately handle the bass and midrange frequencies, and one balanced armature driver for the upper midrange and treble. All three drivers are connected via a three-way passive crossover. Each IEM has the standard 2-pin 0.78mm connectors on the top of each side.

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Cable: I was surprised that despite being a nearly $60 USD IEM, Kiwi Ears chose to use a cable very similar to that of the Cadenza, which costs almost half as much. It's not a bad cable but is somewhat thin and could be improved, in my opinion. The good news is that it features a straight 3.5mm termination rather than an L-shaped one, which is favorable for those using IEMs with dedicated desktop equipment.

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Eartips: The Forteza comes with three pairs of three colors of eartips (white, gray, and black), though all three are identical, offering a balanced bore.

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Case: A nice addition, it features the typical mesh pocket for storing eartips and a zipper. It's spacious enough to carry the IEMs along with a small dongle.

Comfort: I found the comfort aspect somewhat confusing. While the isolation provided is nearly excellent and one of the strongest points given the IEM's design, I feel it is larger than average and tends to be uncomfortable for long listening sessions. It also protrudes quite a bit from the ear, so I wouldn’t recommend using it while lying on your side.

Driveability: I wouldn't say it's difficult to drive, but clearly, a phone jack can't extract 100% of their potential. I recommend using at least a dongle that provides 2 VRMS or more for optimal performance.



Sound Description

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Credits: Ianfann

Albums/Singles Used:
  • 25 - Adele
  • Dirt Femme - Tove Lo
  • New York - Frank Sinatra
  • No Time To Die - Billie Eilish
  • Paradise Again - Swedish House Mafia
  • Live After Death (2015 Remaster) - Iron Maiden
  • Take Me Back To Eden - Sleep Token
  • Tchaikovsky: Swan Lake, Op.20, TH.12 - Boston Symphony Orchestra, Seiji Ozawa

Bass

The Forteza features a great extension in the subbass, which is where its signature is focused. The bass is plentiful, with average definition, and the driver shows its limitations when reproducing fast bursts of these frequencies. However, the entire range of bass frequencies is the Forteza's strongest point, and these IEMs handle a variety of electronic genres well, offering a fun rather than analytical experience.


Midrange

The mids are muddied by the prominence of the bass spectrum, causing issues with lower pitched voices or any instruments close to the lower midrange (piano, cello, organ, etc.). On the other hand, the signature attempts to correct this with a bold boost in the upper mids, leading to a dominance of female vocal registers and string instruments (violins, electric guitars). However, the mentioned instruments suffer from a metallic timbre that quickly becomes fatiguing to the listener. Wind instruments like clarinets and trumpets also come across with a certain brilliance that can be bothersome and metallic tint in their higher notes. Despite being slightly unnatural (tending to be more strident), I enjoyed the higher pitched female vocals in this range as they added some fullness to the stage and had good body that wasn’t easily overshadowed by the elevated bass.


Treble

The intensity continues to rise in the treble area, and here I noticed the main issue: the balanced armature negatively affects the timbre of the Forteza. Compared to other IEMs I have on hand, certain instruments like triangles and cymbals lose their naturalness. Percussion instruments like these have a sharp attack with a slow decay, which makes them irritating. This can be exemplified with heavy metal albums, where cymbals exhibit an abnormal sound duration compared to what I’m used to.

It goes without saying that the treble is not only peculiar (if I can put it that way) but also sibilant on several occasions and is not recommended for those sensitive to this frequency.

The only point worth noting about the treble is that the Forteza does offer good extraction of microdetails, despite its unnatural tonal quality.


Soundstage and Imaging

The soundstage on the Forteza is decent, with average width and appreciable depth, which is something that many IEMs struggle to achieve. Surprisingly, the instrument separation is above average, allowing for easy distinction of each instrument and its position in the scene. As always, the album “Live After Death” by Iron Maiden helps in distinguishing these aspects (in general, there is noticeable positioning, with the drum kit further from the vocalist and other instruments positioned ahead, along with a good separation between the band’s guitarists).



vs Whizzer HE10 ($70 USD)

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I thought this could be a good comparison before testing the Forteza, as measurements suggested that their V-shaped tuning might be similar. It turns out I was mistaken.

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Credits: Ianfann

The only similarity I could find between the two sets was in the lower frequencies, where both excel. They both offer extremely satisfying subbass rumble and have considerable, albeit somewhat slow, bass. In my experience, the subbass on the Forteza tends to be a bit more visceral. Both are great companions for current electronic genres, and I enjoyed listening to “Paradise Again” with them.

Beyond this, the Whizzer IEMs have the significant advantage of having a very accurate and natural tonal quality in contrast to the Forteza. The mids are not lost despite their V-shaped signature, making them stand out compared to other earphones I own.

Lastly, the presentation of the treble is quite opposite between the two sets. The HE10 reproduce treble in a more subdued manner, which is likely appreciated by many users sensitive to this frequency range. On the other hand, the Kiwi Ears IEMs are the opposite, with treble that can sometimes be overly bright and accompanied by a metallic tinge due to the balanced armature.

I don’t have much to say about the soundstage and imaging; both perform decently in this aspect. I’d give the edge to the Forteza, slightly, in terms of depth, but their width is similar. Both can allow the listener to discern the position of each instrument/voice in the scene.



Conclusion

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I found rating these IEMs to be one of the most challenging tasks I’ve had in a long time. On one hand, I think they would deserve a three-star rating because their tuning caters to a specific niche of EDM and electronic music enthusiasts. However, it wouldn't be fair to give a passing grade to an IEM with so many flaws, especially in something as crucial as tonal quality. Additionally, the use of similar accessories (eartips and cable) to those offered in cheaper models like the Cadenza adds to the drawbacks. Combining these issues led me to settle on a rating of two and a half stars. In the vast sea of IEMs available on the market, the Forteza feels somewhat stagnant.

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BielakP

New Head-Fier
Hard HDR-like audio colorization for those who don't need natural sound
Pros: - good passive insulation
- nice appearance
- comfortable
- energetic sound that can excite some
- ok accessories
- sound background rich in details
Cons: - sibilants: very possible
- too much bass (subjective) and not that great quality of it
- too much energy in treble (subjective, but yes)
- unnatural sounding instruments and vocals
MANDATORY INTRODUCTION

Dear reader, please keep in mind that whenever there is an opinion in a review, it is my opinion, which may differ significantly from yours. We are all different from each other and have different tastes, and something that does not give me an accelerated heartbeat, you can have great fun, so I always recommend listening before buying if there is such an opportunity. I would also like to point out that in the evaluation of individual parameters, as well as the entire headphones, I try to relate to the price level that has been set for them, which simply means that any opinion I give should be followed by the thought “.... for its price”. I believe this is the only fair form of evaluation and best represents the value of the reviewed item.

INTRODUCTION


Today I would like to introduce you to the in-ear monitors from Kiwi Ears, model: FORTEZA. The headphones were given to me for the purpose of describing my true impressions. At no time was the direction of my review given to me and it is a 100% reflection of my feelings

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PRESENTATION


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The packaging of the headphones is quite sizable and looks pretty cool. The headphones can be purchased in three different color versions. The color of the model that was sent to me is “BLUE”, but the dominant color of the packaging is sea green which happens to go very nicely with the color of the package, as it is actually a mix of green and blue. In the package we find, of course, a pair of headphones, some paperwork, a cable, and several sets of tips. The cable is quite thin and rather not sensational, but also not the worst cable I've dealt with - it's kind of average, which, considering the selling price, is rather a bit disappointing, but not a tragedy – at least it doesn’t get tangled. The set also comes with a small, rigid fabric case bearing the manufacturer's logo. As for the appearance of the headphones themselves, it makes a very good impression. The shell of transparent, tinted resin, through which you can see the construction of the headphones themselves (2 DD+1BA), with a two-color front cover that shimmers like glitter and brings the look of it closer to jewelry than headphones, but in a good way.

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TUNING AND SOUND:

Well, balance it is not :)

To my mind, it's a warm V tuning, especially with boosted bass, but also exposed treble. I was immediately struck by the observation that their shape allows for quite effective passive isolation, placing the listener in a kind of bubble, and cutting him off from external sounds.

A few words about the sound itself: it is dynamic, lively, and energetic. The bass is dominant and at times even overwhelming. Treble tones can draw excessive attention to themselves, by overemphasizing sibilants, for example. The midrange seems a bit withdrawn, maybe not a lot, but enough so that I, unfortunately, more than once encountered a situation where, in the calmer moment of a song, I would turn up the volume to a level that provided clear and pleasing vocals, only to turn it down a moment later, because suddenly the amount of bass, or the harshness of the treble simply began to bother me.

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Well, let's go through the individual regions

Bass:

The bass is nice at times, so bouncy and fat, but unfortunately for the most part it's just too much and can tire you out. It also happens to rumble …. in a bad way. As a plus, I can report that it has texture and a significant portion of sub-bass, but I don't think it's sophisticated enough to consider FORTZA as a basshead set. I believe that a true basshead is not only a lover of the quantity, but also of the quality of the bass emitted, and with that, it is average.

Mids:

The vocals are not the strongest aspect of this set, because, on the one hand, the male vocals are at times drowned out by excessive bass and can grumble (Iggy Pop - Candy), and the female vocals sound quite unnatural, due to the boosted treble. Well, and it is this presentation of the vocals, characterized by a kind of harshness in the sound, that I consider one of the worst aspects of this set.

Treble:

When it comes to vocals, one has to reckon with local sibilants seeping in at the ends of words, especially when dealing with female singing. As for the sound of percussion cymbals, it resembles more the sound of a meshed snare drum tension than a vibrating cymbal. It often sounds like such a hiss, which occurs frequently and can be annoying - it's not the spark that trebleheads love. Although there is a lot of treble, it's not very disturbing, well, unless we choose songs exposing these registers, or if you’re sensitive to them, then we have a festival of crackle, sibilants, and general brightness from which one's eyes squint, but in 80% of songs, it was tolerable. This increased decibels in the high registers does give the illusion of purity of sound. The sense of clarity is being built by the fact that since we are hearing a lot of detail, the sound must be clean, but in fact it’s based on artificial sounds, and unfortunately, this action distorts the sound of instruments and vocals, making them quite significantly different from the natural sound.

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PAIRING

Due to the rather sharp treble, it is recommended to use tips that will tame them a bit for us. Analyzing the EartipGuide database from the AudioReviews.org website, I was able to pull out a few tip models that will help us with this:

- Ostry OS3000 - the only example that significantly reduces treble, but also enhances bass, so if you want less bass, it's worth choosing something else

- Moondrop Spring Tips - as described, they take off some bass and sub-bass, bringing the midrange closer while being fairly neutral for treble

- SpinFit CP145 - by boosting the midrange, and leaving the bass and treble at the initial level, you can bring the sound slightly closer to balance

I just got on with the SpinFit CP145s quite tolerably, but I think the use of foams can also help.

As for pairing with the source, it's not easy, because, for example, pairing with KiwiEars Allegro (ES9028Q2M), is sometimes characterized by a rather dull and sluggish sound presentation, while with Moondrop Dawn Pro (CS43131) is overly energetic. Pairing went well with the SONY A55 DAP (Mr. Walkaman mod), with which the Forteza created the most natural timbre, but also the most spacious sound. Pairing with the MuseHiFi M1, or the TC35c from DDHiFi (ALC5686) admittedly provided improved holography, but also exposed this set's weaknesses in treble presentation.

Technicalities:

Despite the dark tuning, the presentation of sounds itself on the potential for holography, with a rather rich background, unfortunately often drowned out by over-exposure of low frequencies, or an annoying sound of, for example, a drum cymbal. As for imaging, there is nothing sensational enough going on in this area to mention. The separation of instruments is pretty cool and, for example, in the song Pearl Jam - Even Flow the guitars on overdrive were very clearly separated from each other and from the rest of the instruments. Well, all in all, one other thing that comes to mind is the very pleasant details associated with the dicing sounds on the rhythm guitar strings that the headphones were able to pull out of the tracks, probably by enhancing the treble, but nevertheless, they quite pleasantly enriched the perception of the tracks.

SOUND SUMMARY:

If you're looking for a balanced sound, the Forteza is not for you.

What we have here is V-type tuning, and that with the “corners” of the letter V exposed.

Of course, with this tuning, the Forteza will be suitable mainly for popular music, electronic probably, but also for rock. I think they can also be safely used for watching movies because with their low and substantial bass, they can shake the viewer at the moment of more spectacular scenes, which, by the way, made me think of the sound presentation used by some multiplex cinemas: “lots of basses, let it shake the viewer”. It may even be suitable for jazz, but you have to reckon that, for example, double bass at times may sound too .... majestic :) and thus unnatural. Similarly the sound of the piano, which when covered with so much bass loses its naturalness of sound, especially the keys in the lower registers. About the fact that female vocals sound quite unnatural, I wrote a little earlier.

And what they will work well for: They will work well in dynamic, soaring music, but ..... as long as the amount of bass doesn't tire you out or give you a headache (which, by the way, happened to me a few times), and if the boosted treble doesn't constantly focus your attention on crackling, clanging drum cymbals or sibilant hisses. .

The best solution: EQ

If your music player or phone is Android-based, WAVELET will come to your rescue. A great app for changing the tuning of your headphones by applying various types of corrections, such as those generated on the squiglink website. For those who don't know what it's about, here it is in a nutshell: the squiglink site has several databases of headphone measurements, including FORTEZA and many, many others. After loading a few charts, you can use the EQUALIZER tab and the AUTOEQ function to generate a set of corrections to the base tuning to bring it closer to the target tuning. These corrections can then be exported to a txt file, which can then be imported in WAVELET. WAVELET is not a player, it's an application that captures the audio stream coming out of your device and applies the indicated corrections to it. That's it in a nutshell, as the subject of eq itself is a bit more complex. You can also apply corrections yourself, by adjusting the number of decibels at each frequency. For my part, I can suggest removing the sub-bass (20-60Hz by about 3db and 80-120Hz by about 1.5db), and making the low end from 2kHz - 16kHz also by about 3 db. This should calm the bass a bit and exposing the male vocals but also should make the female vocals more realistic. These are just my suggestions, but I think that if you dedicate some time and commitment, you will be able to adjust the FORTEZA curve to your liking.

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SUMMARY

I think the initial expected price ($59) for these headphones is a bit overpriced compared to what the competition on the market offers. For those looking for a more balanced and natural sound, I recommend looking at the EPZ Q5, QoA Gimlet, or Simgot EW200 - they offer a more balanced and natural sound. Nonetheless, the Kiwi Ears Forteza, while not to my liking, is not unlistenable and also has some pluses, and with the proper application of EQ will easily achieve a rating of 4-4.5 / 5.

Kiwi Ears Forteza is a headphone that doesn't try to sound natural, just entertaining. The implemented tuning, however, even for an entertaining one, carries a number of color changes that may add dynamics, but at the same time they are very far from natural sound and in my opinion, will be suitable only for people for whom this is not an important issue.

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BielakP
BielakP

Ichos

Reviewer at hxosplus
An oddity
Pros: + Plenty of sub-bass
+ Punchy and impactful bass
+ Good mid-range clarity and definition
+ Energetic treble
+ Open sounding
+ Lightweight and comfortable
+ Well made and beautiful looking
+ Accessories
Cons: - Polarizing and peculiar tuning
- Bass lacks speed, control and layering
-:Artificial and metallic treble
- Tonally inaccurate
- Paper thin treble texture
- Fragile cable
Kiwi Ears Forteza Review

The Kiwi Ears Forteza is a hybrid, 1BA and 2DD, in-ear monitor that retails for $59. Yes, you have read it right, one balanced armature and two dynamic drivers and not the opposite. The Forteza uses one high-mid balanced armature, one 10mm mid-range dynamic and 10mm bass dynamic drivers. This unique combination fulfills a full sound from 20Hz to 20kHz. The drivers are carefully implemented with the aid of a three-way passive crossover system that is tuned for a rich and lush sound signature. All three drivers are in-house developed by Kiwi Ears.

Non Audio stuff

The ear-shells are 3D printed using a skin friendly resin compound and have a semi-custom anatomical shape. They are lightweight and compact thus very comfortable to wear. This is a clean and beautiful looking earphone that isolates well and is suitable for all day use without causing any discomfort. The Kiwi Ears Forteza is available in blue, black and purple.

The Forteza uses a 2-pin detachable cable with high quality aluminum plugs. It is a soft and lightweight cable without much friction noise but it is also rather thin, it gets easily tangled and looks fragile. The package also includes three types of silicone ear-tips in three sizes each and a very nice carrying case with a side zipper.

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Audio stuff

The Kiwi Ears Forteza (32Ω - 103 dB/mW) is moderately easy to drive, it doesn't need special amplification but a powerful USB DAC dongle is strongly recommended if you want to move these two dynamic drivers. As an example, the FiiO KA1 is sufficient enough but the iBasso DC03PRO and the Shanling UA1 Plus are better and more effective.

The Kiwi Ears Forteza has a deeply “V” shaped tuning which emphasizes bass and treble, pushing mid-range at the background. The low-end is very extended with plenty of punchy sub-bass and emphasized bass. A fun and warm tuning that is very enjoyable with all kinds of modern electronic music as the Forteza has the means to reproduce the deepest bass notes with a hefty and visceral texture. The bass is dynamic, explosive and impactful but not that tight and well controlled, decay time is longer than the ideal, there is an audible cup reverb and it gets a bit challenging for the driver to keep up with timing and definition at busy passages. The bass is emphasized and prominent but it is not annoyingly dominating while bleeding into the mid-range is not that much as to severely affect clarity and transparency.

Despite the upper mid-range getting the lion's share, the overall tonal balance is rather acceptable and the Forteza doesn't sound too shouty or shrill as long as you don't listen too loud. Clarity and separation are good for the category, resolution is above average but while the timbre is not that artificial it sometimes lacks in tonal accuracy and realism. The use of a dynamic rather than a BA driver for the mids helps with textural coherency, the sound is full and weighty just like in the lower frequencies while the Forteza has an open sounding presentation that is not claustrophobic.

This doesn't happen in the treble though which is less weighty and thinner sounding than the mid and lower frequencies thus compromising overall texture integrity. The treble is emphasized in order to counterbalance with the accentuated bass, adding energy, airiness and sparkle to the sound. The Forteza is a bit bright sounding but not that harsh or piercing. The real issue that makes the treble the weakest link of the Kiwi Ears Forteza is its textural and timbral qualities. The quality of the treble is below average, the sound is too artificial and metallic with a paper-thin texture and bad tonal accuracy, as a result most higher pitched instruments sound fake and out of tune. You can still get plenty of enjoyment with several types of music, like electronic but the Forteza doesn't fare well with acoustic music.

Conclusion

The Kiwi Ears Forteza is a very comfortable and lightweight IEM with a polarizing tuning that can be fun and engaging with some kinds of music and rather uninspiring with others. If you don't care much about tonal accuracy and you like plenty of sub-bass that is combined with mid-range clarity and a sparkling treble then the Kiwi Ears Forteza might be the right choice for you.

The Kiwi Ears Forteza was kindly provided free of charge by Linsoul.

The price of the Kiwi Ears Forteza is $59 and is exclusive available by Linsoul
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