EarMen Tradutto

EarMen-Tradutto​

EarMen-Tradutto
INSTAGRAM LINK:

Prelude:
Tradutto is a reasonably priced DAC enriched with Bluetooth and fully sealed architecture. More insightful people are probably wondering how I can write that equipment that initially cost over USD 799 and is currently available for USD 499 is reasonably priced. It’s very simple, I don’t see it through the prism of price, but through the price-quality ratio. If you are curious about this ratio in the case of tradutto, see for yourself later in the article.

Unboxing and execution:
Unpacking EarMena products is a pleasant process, in this case we have a clear feeling of dealing with a premium product. Under the cardboard cover there is protective foam and the DAC itself covered with a polishing cloth. Additionally, we receive a heavy metal remote control loaded on the USC C that allows us to remotely manage the device’s functions. Next, we will find a solid quality USB B cable, but I would prefer it to be slightly longer. Additionally, we will find a classic 12V/2A switching power supply with interchangeable plugs that allow us to adapt the power supply to the standards in our country. The last element we have at our disposal is the Bluetooth antenna. Tradutto is a small DAC in the form of a uniform black block with a matte shade. On the front of the device there is a small screen displaying basic parameters and a switch, a Bluetooth pairing button and two buttons for changing operating modes. On the back we have a balanced 4.4mm output and a single classic RCA. As for the inputs, the rear panel has a coaxial, optical and USB B standard input. The DAC itself is really solidly made and weighs quite a lot, the housing is solid, and on the bottom there is raw sheet metal with a ventilation hole and four rubber feet.



Sound:
Tradutto stands out from other EarMen products because its sound differs significantly from the standard sound house that we are accustomed to from previous products of this manufacturer. In this case, however, I absolutely do not consider such a procedure to be a disadvantage. So what does one of the best DACs based on the SABER chip sound like?


Bass: The low tones are thick and strong, hitting the ear precisely and adding weight to the sound. What impressed me most was the excellent rendering of the mass and weight of the instruments. The tempo and timbre are at the appropriate level, the tradutto retains great naturalness and realism in sound, avoiding either excessive or insufficient speed in the sound of low frequencies. The low tones are strong enough not to be forgotten, and at the same time they are not overwhelming or overly dominant.

Midrange: The mids in the tradutto are astonishing because they sound extremely clean and natural, and the realism and neutrality of the timbre are absolutely beautiful. The midrange is not overly colored, but thanks to the huge stage, dynamics and separation of instruments, it allows us to surround ourselves with music in which we can easily capture every detail and nuance without being overwhelmed or overwhelmed by the sound. Gestures and realistic sound of instruments and vocals are something that puts Tradutto high in the DAC ranking.

Treble: The higher tones are kept in check, but the neutrality and extension of the high frequencies allow you to capture every tiny detail and nuance of the instruments. The high tones are not only resolving, but also extremely clean, and this allows me to understand why the ESS SABER transducer was chosen and not any other. The overall effect is very good and complements the soundstage not only in width, but also in depth.


Comparisons:

EarMen- Tradutto (799/499USD) VS xDuoo MT601 (120USD)
I know that this comparison is not entirely fair, but it allows us to draw attention to a very important aspect. Currently, the audio industry is experiencing a golden era and is developing at the speed of light, and devices are becoming more and more affordable. MT601 is also a DAC based on the Saber chip, but this time on the ESS9018Q2M model. xDuoo plays more warmly, with less resolution, in a more analog way and much slower. However, if I had a larger budget, I would definitely go for Tradutto.

EarMen- Tradutto (USD 799/499) VS EarMen Angel in DAC mode (USD 599)
Angel is an excellent mobile device, but its sound is, above all, brighter and less warm. So if we are looking for an analytical and neutral DAC, this is a good direction, but if we prefer something more resolving with more mass, the Tradutto will be excellent. Of course, both devices are very good and it all comes down to individual preferences. Personally, I cannot imagine my audio system without both Tradutto and mobile Angel.



BLUETOOTH:
Unfortunately, I did not have support for the LDAC codec in wireless mode. Fortunately, I solved this problem using my xDuoo QX50pro receiver, which worked perfectly in this role. However, if someone is not as focused on the LDAC codec as I am, tradutto will provide Bluetooth 5.1 from QUALCOMMA with full support for other codecs, including APTX HD. When it comes to connectivity, it is exemplary, stable connection and no unwanted artifacts. The sound itself was slightly compressed and lost resolution, but not enough for it to be a significant issue. Therefore, for the sake of convenience, I really appreciate the implementation of bluetooth in tradutto.



Summary:
EarmEen is a company that deserves respect and recognition for the competences it has. Tradutto has won many awards in the audiophile community. I completely understand this and I join this group in considering tradutto one of the best DAC converters on the market. Its warm, dense and still resolved and dynamic sound is something that perfectly suits my taste. If I had to complain about something, I would like support for the LDAC codec and a 4.4 to 4.4 aux cable included in the set. I will add at the end that Tradutto fully supports the MQA format, which is currently marginal, but if it ever comes back into favor, Tradutto will easily provide full support. EarMen tradutto is an excellent DAC with all the necessary functions. Maybe you won’t find a million filters or switches in it, on the contrary, it’s a very simple device. But these are only appearances, the technically advanced and well-made tradutto does not need anything else to do what every DAC does best, i.e. generate beautiful and amazing sound. Therefore, this is a very good approach, following the principle that a good one does not need to be improved because it is supposed to be perfect.

TLDR version on YouTube: TDLR - Earmen Tradutto

The Tradutto has been sent to me directly by Earmen for me to share my findings and opinions in this review. There have been no requests (not even a time limit) from Earmen and, as always, I will do my best to be as sincere and unbiased as humanly possible.

The official page for the Tradutto can be found here: https://earmen.com/index.php/products/earmen-tradutto

As with all links that I share, this is a non-affiliate link, meaning that I do not receive anything for clicks or purchases made through this (or any other) link.

To avoid being repetetive in my reviews, you can find all the info about how I create the reviews, equipment used, how I receive the products and how to interpret my reviews by visiting: About my reviews



Intro…

Earmen is a company that I have been curious about for quite some time but I didn’t get my ears on any of their products until a few months ago in Munich. At high end, Earmen actually had two stands, one with their products along with their products also being on show at their parent company's stand, Auris audio.

In show conditions it is very difficult to judge the sound of speakers or headphones (unless there is a very good listening room set up and you are lucky to find it empty), so trying to get a feel for DAC’s or Amps is almost impossible. Therefore, when Earmen said they would send me the Tradutto to incorporate it into my own system and review it, I was very happy to do so.

The Tradutto is a pure DAC, meaning there is no built in amplifier, nor is there a volume control, nor is there much else, but I’ll get to that under functionality in just a moment. Basically it does one job, takes digital signals and transforms them to analog, and it does that job very well.

I have actually been trying out the Tradutto during a time when things have been a little hectic for me and my review set up. I recently picked up some studio space, with the intention of moving all of my test set ups to the studio and being able to test and create my reviews there (as my house seems to have more space occupied by Acho Reviews than my family lately!). Unfortunately the setting up and moving to the studio is taking much longer than expected due to lot’s of other things going on, along with the fact that it’s summer, so who wants to spend time locked in a room setting up stuff rather than spending time in the pool?!

However, due to the hectic nature of me having things everywhere at the moment, it has meant that I have been able to incorporate the Tradutto into various systems that I problably wouldn’t have if I had just focused on my normal procedures. Basically I have had it hooked up to headphone rigs, main speaker rig, small speaker set ups and even a few loose systems that haven’t been used in quite some time. So, if one thing I am sure of, it is that I have tested the Tradutto in a huge amount of scenarios!

As usual with my DAC (and amp) reviews, I end up making them far too long and we haven’t even started talking about the device yet, so let’s get on with it.



Presentation…

After seeing the Tradutto in person and seeing how small it is, I was surprised at both the size and the weight of the box it appeared in. In a rather nice box with a lift up lid, surrounded with a cardboard sleeve showing the device and the specs, we find the device very well protected by multiple layers of foam and cardboard.

Inside we find the DAC, a nice little metal and rechargeable remote control, the bluetooth antenna, a fabric covered USB-A to USC-B cable, the power supply with interchangeable connections (so it will work not matter what country you are in), a micro fiber cloth and the user manual.

I have absolutely nothing negative to say about the presentation or the included contents. Of course a couple of interconnects would have been a nice addition, especially a 4.4mm to XLR as they are still not the easiest (or cheapest) or cables to source but we could always think of more things to include.



Build and Aesthetics…

The Tradutto is a small unit, basically a simple square box, with a small and simple screen on the front, along with 4 buttons. The aesthetics are something that seem to be more aimed at blending in than standing out and the small size does mean that you can fit it just about anywhere. Tradutto is engraved very nicely across the top of the device and is also shown in small white letters on the front panel. Personally I think that they could have skipped the model name on the front as I feel it takes away a little from the aesthetics but it is small and is certainly not shouty about it.

As with the box it came in, I was very surprised with just how much the DAC weighs. There is no issues with interconnect cables pulling the device around, as is the case with some other small units, it will sit where you put it. It also has feet that elevate it off of the surface, with the cooling vents underneath, allowing you to put the Tradutto wherever you prefer without having to worry too much about keeping it cool (you can tell the device is on by touching it but by no means does it get hot, or even warm).

The screen is nothing fancy, just a simple OLED screen that shows the selected input, file format, bit rate and frequency rate when fed by USB, in other modes it shows the selected input. There are no flashy colours but the important info is there at a simple glance and I am glad to say that it is not overly bright, even in a dark room it is easy on the eyes.

While the aesthetics are nothing special, I have no issue with them and I think that it looks quite good with the matching CH-Amp (the amplifier from Earmen) sitting on top, resulting in a simple small stack that doesn’t look out of place but will never be the center of attention.

Speaking of the CH-Amp, the remote included with the Tradutto has two sets of buttons, the top set to control the CH-Amp and the lower set to control the Tradutto. This is nice if you have the stack but is obviously redundant if you don’t. The remote itself is nicely built, small and compact, and features a USB-C port on the bottom to recharge the remote control and not have to worry about batteries, which is another nice touch.

In general, everything is well built and the aesthetics are something that I haven’t received any complaints about no matter where I have placed the Tradutto, even dead center under the TV in the living room



Functionality…

The Tradutto is a very simple, no frills, DAC. There is no volume control, no filter selection, no menus, no anything except for input selection and power. If you are looking for something to spend hours tweaking settings, then you can look elsewhere. The Tradutto focuses on taking your choice of digital input and giving you a choice of balanced or single ended analog output.

On the back of the device we have, from left to right, the following:

- Power supply (12VDC)

- Bluetooth Antenna

- USB input

- Optical input

- Coaxial input

- RCA unbalanced outputs

- 4.4mm balanced output.



Moving around to the front, again from left to right, we get:

- IR receiver (top left)

- Power button

- Bluetooth pairing button

- Screen

- Input selection left

- Input selection right



That is it, a simple selection of 4 buttons that have one single function each, which are also replicated on the remote control (although left and right are labelled + and - on the remote).

I don’t think that there is much need to explain how this works, you plug in cables, turn it on, select your input and enjoy. The left and right buttons (or +/- on the remote) cycle through the inputs (USB/TOS/COAX/BT), yet when you reach the end, you will need to use the other button to cycle back the other way (there is no loop).

When I first hooked up the Tradutto to my PC (windows 10), it worked straight away with the usual windows audio mixer, however, in order to use WASAPI from Foobar, I did need to upgrade the firmware. The firmware is available on the Earmen site and comes with instructions, which are very straight forwards, and takes around 30 seconds.



Sound…

As I said in the intro, I am currently moving a lot of stuff about, setting up the studio and redesigning my main listening setups at home, which means I also have a lot of equipment that is usually in storage. This allowed me to try the Tradutto in a lot of scenarios and I have to say that there wasn’t a one where I disliked the outcome.

In general, I would say that the Tradutto has a very detailed yet smooth signature. I know that this is my brain telling me that this is what I am hearing, maybe because I want to hear it, but the feeling that the Tradutto just works well with everything is the impression I have been left with.

Paired with things like the Schiit Asgard 3, I didn’t find the result to be overly warm, just nicely detailed and smooth. It is sort of a dialed back "iFi sound", with a hint of warmth and smoothness but never overly done. The same can be said with the Feliks Audio Echo MK2, where too much warmth can be detrimental, especially if using overly warm headphones, yet I didn’t get that sensation. I used the HD6XX and the Echo fed from 3 different DACs (the three way input selection on the Echo is great by the way!) and I didn’t find that anything was glossed over when selecting the Tradutto. In fact, it is very reminiscent of the R2R Dac in the EF400 as far as presentation with the Echo, yet I get the impression that the details are easier to identify but still not “in your face” as with some other more clinical offerings.

I hooked it up to the THX789, which is an amplifier that I don’t really use for listening to music very often but find it is still very good to evaluate sources (not just DACs but also the tracks themselves) as it’s cold and abrupt presentation quickly highlights any digital and/or harsh factors. With the Tradutto I didn’t find any of these, the presentation was obviously cooler and less smooth than on the other options I just listed, but it was still nice and smooth. In fact, it is possibly the most I have enjoyed listening to the 789 for quite some time.

Something that I did find positive was that there seems to be no difference in the output of the balanced and unbalanced connectors, apart from voltage that is. I have come to realize that, while most of my speaker setups are balanced, for headphones I have gravitated more towards unbalanced, so it is nice to not get the feeling that one output underperforms the other.

I also got a chance to hook the Earmen up to a set of Meyer Sound UPM-1P, a set of speakers that I am very fond of and are very revealing. The only issue was that I needed to control the volume before the DAC due to the Tradutto not having preamp capabilities (no volume control) and the speakers being active. Therefore I fed the Tradutto via coax digital from my DSP and controlled the volume level there. I have to say that the result was nothing short of great. It may be in my mind but I feel that the UPM-1's performed much better than directly from my DSP and the sound was not only detailed but also more musical. I would happily listen to the set up for… well, permanently

With other less revealing speaker set ups, the pairing still performed well, without things getting bloated or overly smoothed (not more than the usual with said speakers of course) and with studio monitors, I found that detail was excellent while still sounding a little less clinical than with other DACs that I use in those situations normally.



Conclusion…

As I always say, the mind is a very powerful thing (for most people at least) and is capable of filling in blanks and adding twists to things that may be dependent on us wanting to like something. While that may be the case here also, I am happy with the result!

I am sure there are reasons that I could come up with to not purchase the Tradutto, as with anything, but I honestly feel that the sound performance is not one of them. I have been enjoying this DAC in all the situations I have put it in and my biggest issue is that, if I hook it up to my speakers, I then want to hook it up to my headphone rigs and vice versa.

There are other alternatives out there at lower price points which perform very well, maybe even better, and there are others at much higher price points that perform better (or maybe worse in some cases), but if we disregard price and aesthetics (which are of course very personal and very important to some), as far as performance, I really can’t find a thing to complain about with the Earmen Tradutto.

____
As with all my reviews, this review is also available in Spanish both on my blog (www.achoreviews.com) and on YouTube (www.youtube.com/achoreviews)

This review was originally published in a slightly longer format incorporating additional general scientific aspects (chip etc.) at www.audioreviews.org​

​

Executive Summary​

The EarMen Tradutto is a natural, quasi-neutral sounding DAC that distinguishes itself from the competition through its minimalistic, artsy design and streamlined functionality. It works with headphone amps and stereo systems alike. A DAC for the demanding purist.

Introduction​

Traduttore is Italian for “translator”. Tradutto is obviously a play on this as a digital analog converter translates zeros and ones into sound. And that’s what this $799 unit does: it is a DAC without a (headphone) amp. Its job is to create a quality audio signal that is then amplified by another device.

Across the Adriatic sea from Italy is Serbia, home of EarMen’s production facilities. From here you get “Made in Europe”. The company itself is registered in Chicago, IL. It was established in 2019 as a spinoff of Serbian premium manufacturer Auris Audio.

So far, EarMen have focused on few products of high quality. Their TR-amp is a great $250 portable, battery-operated DAC/amp that does justice to even to 300 ohm cans such as the Sennheiser HD 600. Their $200 Sparrow dongle features two circuits, of which the balanced produces the largest soundstage of my test population. Both devices are currently on our very own Wall of Excellence.

The Tradutto is EarMen’s first true “desktop size” device, although its use is not limited to workspaces and personal stereo, but it can also be deployed with a full size stereo system.

Specifications​

Technology/Architecture​

The Tradutto hosts the XMOS 16-core receiver chip and the ES9038Q2M DAC chip. The XMOS 16-core (XU216) is one of the standards in premium DACs for processing the data received by the USB/S/coaxial inputs. It handles MQA decoding in the Tradutto, for example.

Similarly, the ES9038Q2M is a proven DAC chip that processes digital audio files up to 32bit/768kHz or DSD512. You can find this chip across the board, from the $2150 Burson Conductor 3 (contains two of them), through the $300 DragonFly Cobalt and $200 Khadas T2 Pro, to the $80 Shanling UA2. EarMen’s own $250 TR-Amp also features this chip.

Tradutto’s sound and sound quality are actually determined by the DAC’s analog part, which is the result of a combination of parts and engineering.

After filtering the signal’s jagged edges coming out of the DAC (chip), the output analog stage performs several duties, for example, amplifying, additional filtering, removing distortions and residual DC, buffering, and providing balanced and single-ended outputs.

The Tradutto’s analog output stage feature German WIMA quality capacitors “for high-end audio applications” to minimize THD, audio electrolytes in combination with American MELF low noise resistors, and SoundPlus OPA1642 operational amplifiers (“op-amps”) by Texas Instruments.

But even more important than the parts is the engineering. EarMen claim to have minimized jitter (“packet errors”) through the separation of DAC and analog part by the power supply. The printed circuit board is gold plated for optimal contacts. And the solid metal chassis minimizes external interference.

The Tradutto incorporates the Bluetooth QCC5124 SoC(“System on Chip”) for wireless listening – that follows the Bluetooth 5.1 standard.

Last but not least, the Tradutto features a fully balanced circuit, which will work with your balanced amplifier.

Physical Things​

In the box is way more than stated in the manual. Apart from the DAC, remote control, power supply with adapters for worldwide mains access, Bluetooth antenna, and user manual, further included are a USB cable, a mesh bag for the power supply, and a microfibre cloth.


In the box…

The Tradutto is a very compact but rather heavy device in its sturdy aluminum enclosure. The combination of relatively tall feet and the clean, square shape with sharp corners give it a minimalistic elegance with Italian design charisma.

The designers clearly had optical and haptical appeal in mind down to the smallest detail, which includes the font selected for the name on the front. The Tradutto therefore does not only address our ears, but also our eyes (and fingers)…and therefore all senses.




Aesthetical front panel.

Functionality and Operation​

It does

• create a full, rich, dynamic, natural sound
• connect to balanced and single-ended amplifier circuits
• accepts a variety of sources per Bluetooth (phone, dap), USB (computer), and coaxial/optical (CD player)
• come with a nifty rechargeable remote

It does not

• amplify
• work as pre-amp
• feature selectable filters

Front Panel

Clean operational elements on the front panel: 4 buttons and an OLED display.

The minimalistic design is complemented by very clean operational elements on the front panel: 4 buttons with an audible, rugged quality mechanism and an unobtrusive OLED display that gives you bit/kHz numbers for the USB connection, and “COAX”, “TOS”, or “BT” for the other input options.

No dial knob, no “dancing” colour graphs, no selectable filters — form clearly follows function. The Tradutto is designed to work, to translate zeros and ones into the best possible, natural sound. No amplification, no headphone jack. That’s it.


Back Panel

All inputs and outputs are on the back panel.

The rear panel features all inputs/outputs (from L to R): 12 V SMPS power supply, Bluetooth antenna, optical, and S/PDIF in, and RCA and 4.4 cm balanced out. 4.4 cm balanced is not the most common standard but it saves space compared to an XLR socket. A 12 V SMPS power supply is included.


Remote


The Tradutto’s front panel’s four buttons are mirrored on the included remote.

The remote is made of metal, has a great haptic, and its buttons have the quality spring mechanism experienced at the front panel.

It charges through any 5V power supply/computer socket through its USB-C socket. Charger and cable are not included.

Sound​

One thing I am horrified of in DACs/amps is sonic sterility. I am a child of the pre-digital era going back to the late 1970s, and – with earphones – sacrifice detail resolution for organic sound.

One of the biggest shortcomings of low-quality DACs is a lack of realism and depth of stage, but added sharpness, and a thin, distant midrange. After all, both a $4000 or a $100 DAC do one thing, and one thing only: create sound (quality), that then needs to be amplified. A wow effect does rarely indicate quality: it is the long-term enjoyment that counts.

I tested the Tradutto with headphones in a desktop setting, and also with speakers on my big stereo system. I could not test the 4.4 mm balanced owing to lack of a balanced amplifier.

w. Headphones​

Equipment used: Macbook Air (WiFi off, battery operated) with different USB cables (stock, Belkin Gold, AudioQuest Forest), Questyle QP1R with Lifatec USA optical cable, iPhone SE (1st gen.); AudioQuest Golden Gate RCA interconnects; Burson Funk amp; Sennheiser HD 600 headphones.

It is very difficult to isolate the sound of a single stereo component in a chain so that I arrived at my description through comparison with other DACs.

My general impression is that the Tradutto plays very natural, very maturely, never analytical, never lean, never sharp or aggressive. It has natural dynamics and is well composed across the frequency spectrum.

Bass is tight, lower midrange is rich and full, there is no upper midrange glare, and cymbals at the top decay naturally and are well resolving. Soundstage is wide with great spatial cues.

Dynamics is naturally dosed, never overwhelming or too polite.

A harmonizing combo: EarMen Tradutto with Burson Funkamp (and Sennheiser HD 600 headphones).

When substituting the Macbook/Tradutto source/DAC with the portable Questyle QP1R DAP (its built-in DAC is believed to rival $500-700 desktop DACs), there was quite a sonic difference: the Macbook/Tradutto combo had better dynamics, clarity, and extension.

Substituting the Tradutto with other ES9038Q2M chip devices removed any doubt on the general misconception of the role of a DAC chip for sound.

The $250 EarMen TR-amp (as DAC) sounds slightly warmer than the Tradutto and it lacks the upper extension — but it can compete with the amount of bass. It does not rival the Tradutto’s soundstage, clarity, separation, and detail resolution. But it never sounded sharp or digital, harsh or lean. The Tradutto sounded livelier, better extended, with better defined notes. TR-amp is thinner and less dynamic/energetic.

The Khadas Tone2 Pro sounds flat with an attenuated midrange. It lacks depth in comparison to the other two devices. Voices sound lean and distant, which adds a component of air and a good stage width. But it lacks richness and body.

AudioQuest DragonFly Cobalt without dedicated line-out needs more of the Burson’s amping power than the other DACs (I only set its output volume to 80% to avoid distortion). It lacks a bit in dynamics but sounds rather organic and natural – and surprisingly full and rich. The Tradutto has more bite, it plays bigger and clearer…
In summary, none of these DACs sound alike.

w. Stereo System​

Equipment used: Marantz SA8005 SACD player with Cirrus CS4398 DAC; Blue Jeans coax cable, Sys Concept 1300 strand optical cable, AudioQuest Evergreen RCA connectors; Luxman L-410 stereo amplifier; Heybrook HB1 speakers & Sennheiser HD 600 headphones.

Using CDs as source, I could easily A/B between the SA8005’s integrated Cirrus 4398 DAC and the Tradutto, and also A/B between the Tradutto’s coax and optical inputs.

The Marantz ($1400 CAD in 2014) is known for its smooth, rich, clean, well balanced tone quality and its natural reproduction. It has a sweet treble but lacks a bit of sparkle. Its integrated DAC is at about the same price level as the Tradutto as the basic version of this player was $550 CAD at the time.


EarMen Tradutto working well with the Marantz SA8005 transport.

When switching between Marantz and Tradutto (coax), the difference is…essentially zero at casual listening…and therefore ignorable for everyday use. But when spending some time and using my analytical ear, the Marantz is a tad bassier and warmer with a lesser controlled, fuzzier low end. This results in a narrower stage and less lower midrange separation and resolution.

The Tradutto has the tighter, faster low end and better note definition up to the lower midrange. It also plays a tad warmer than neutral (but less so than the Marantz) – which appears to be EarMen’s house sound (also found in TR-amp, Sparrow, and Eagle).

Towards the top of the spectrum Tradutto (coax) has a slightly better extension and both offer natural decay of high notes e.g. cymbals. And that’s where mediocre DACs fail — they sound articial.

Both Tradutto and Marantz have no attenuation in the midrange, no lean vocals, they are rich and lush. Vocals are better aligned in 3D space in the Tradutto, which also has the wider stage.

When switching from coax to optical, there is a difference in that the TOSLINK produces slightly slower transients compared to coax. The notes are more rounded and the sonic image is a tad smoother – also compared to the Cirrus DAC. Again, the differences are small.

Overall, the Tradutto is slightly better composed across the frequency spectrum than the Marantz — which plays essentially no role for my system for everyday use.

I re-produced the results with the Sennheiser HD 600 plugged into the Luxman amp.
What we learn is that the Tradutto sounds natural and not analytical or aggressive or lean. It does its job very well.

Bluetooth​

The Qualcomm SoC delivers pretty much a prefab standard sound in a black “box” where the engineer cannot optimize the sound.

I A/B-ed Bluetooth vs. coax with two iPhones (same music), one hardwired into the Marantz, the other wireless per Bluetooth.

Bluetooth plays quieter, it looses some richness and intimacy, and is edgier, but it is still decent, and more than good enough for casual listening.

Connection was great, I walked around the 1000 sq ft floor of my house (with the iPhone) and never had any problems.

Concluding Remarks​

After 2 months of testing, I conclude that the EarMen Tradutto does what it is supposed to do: generate an analog audio signal of the highest quality. And it promptly delivers. It is sonically marginally ahead of my high-end Marantz SA8005 SACD player and beats all other ES9038Q2M devices I compared it to by a mile.

Apart from its sonic capabilities, the Tradutto is aesthetically pleasing (“Italian design”) and handles well, with high-quality button and a rechargeable remote.

The Tradutto is a mature product with Auris Audio’s experience behind it. It is small enough to fit on your desk/stereo system, easy to operate, and it sounds great. What else do we want?

Until next time…keep on listening!

Disclaimer​

The EarMen Tradutto was supplied by EarMen for my review and I thank them for that. You can purchase it at the EarMen Shop. I thank Gordon Rankin of Wavelength Audio and Paul McGowan of PS Audio for discussion.