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QKZ Audio QKZ x HBB
- Added by Ceeluh7
- Create date
Latest reviews
Darkkiso
New Head-Fier
Pros: - The overall bass can satisfy bassheads
- decent overall looks
- warm V-shape sound
- decent noteweight
- decent overall looks
- warm V-shape sound
- decent noteweight
Cons: - decent technicalities
- recessed mids
- famillar design
- recessed mids
- famillar design
𝐃𝐢𝐬𝐜𝐥𝐚𝐢𝐦𝐞𝐫𝐬
I would like to thank Linsoul Audio and Mr. Eiji Romero for organizing the tour of the QKZ x HBB and for providing me with the opportunity to take part in it. Thank you very much.
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𝐎𝐩𝐞𝐧𝐢𝐧𝐠
In my experience, this is my first exposure to a collaborative tuning done by one of the most popular audio reviewers on YouTube, who is known as HBB or HawaiiBadboy. It is my first time hearing this. the brand QKZ was known for its budget sets, such as the AK6 and others, but recently they decided to step up and make this set and I will tell you that this is a decent start for Qkz, which I will discuss later on. In other words, buckle up and get ready for this heavy ride, and start your engines.
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𝐏𝐚𝐜𝐤𝐚𝐠𝐢𝐧𝐠 𝐚𝐧𝐝 𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬
It includes the drivers and the cable itself, which is equipped with a 2-pin QDC connector and the default plug of the cable is 3.5 mm. The drivers are provided in the box together with a variety of eartips and the cable itself. For me, this cable is a very common one since I always encounter it, especially in this price range. The packaging in gatcha is not bad as far as looks go, it is on a common tier. That's basically all, so that's it for me
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𝐒𝐨𝐮𝐧𝐝 𝐒𝐢𝐠𝐧𝐚𝐭𝐮𝐫𝐞/𝐓𝐨𝐧𝐚𝐥𝐢𝐭𝐲
Firstly, I don't think the sound suits my personal preferences because it has that warm-v shape sound that is very targeted at bass lovers and in shoert bass-heads, but if you're someone who likes the bass you may like the sound. Male vocals will benefit from the bass since its really emphasize on the overall track.
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𝐁𝐚𝐬𝐬
It has a strong punch and thrump and this type of bass is usually favored by bass lovers because it has a lot of impact, but I consider this bass right at the borderline between bad and good since it has this punch and impact that makes it very appealing to me. Subbass also has that heavy penetration because it has that impact and punch. Midbass has some bleed, but it is fine, since it is aimed at bass lovers. However, I am not a fan of it.
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𝐌𝐢𝐝𝐬
Since it is a warm sound that has a V-shape, I would consider this acceptable, but in my opinion, this would not fit me as my preference is for mids in my music. However, in spite of the fact that the overall mids presentation is recessed and the violin sounds weak to no emotion at all, the overall sound is acceptable for an overall warm, V shape sound. This bass will have a heavy noteweight and will benefit male vocals, whereas the female vocals might sound weak because of the bass.
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𝐓𝐫𝐞𝐛𝐥𝐞
As a matter of fact, it is on average pretty good. It has that brillance, but not enough for my tastes, but it may do the trick for some people. However, for me, it was not a song that impressed me at all. While it does have a bit of detail, it also lacks for me. However, for casual listeners, it will be enough for you to enjoy. Sibilance factor is almost to none which is i like. Peak factor is usually depends on the track and volume of your audio source i only encounter it when i accidentally increased my volume and when the track is more on energetic side.
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𝐃𝐫𝐢𝐯𝐞 𝐓𝐲𝐩𝐞 𝐓𝐞𝐜𝐡
Firstly, the soundstage is a little disappointing as the width and layering are small and need more refinement, the stage is extremely congested, and other instruments have a hard time being heard due to the cluttered space. The imaging of the HBB x Qkz is average as it cannot handle too many busy tracks since it is not capable of that. In general, the technical aspect of the HBB x Qkz is passable for casual listeners, but if you wish for technical performance, this is not for you.
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𝐃𝐫𝐢𝐯𝐞 𝐓𝐲𝐩𝐞 𝐏𝐨𝐰𝐞𝐫
Its very easy to unleash its true sound potential even your typical smartphone can juice it up but with a better dac/dongle it can improved more.
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𝐂𝐥𝐨𝐬𝐢𝐧𝐠
The set itself is not bad at all, but given that QKZ is trying to step up, which I commend them for doing, and the sound is passable for casual listeners, I know my closing will be short versus in my past reviews where I would have made it longer, but the set just isn't for me, and that's that.
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𝐓𝐫𝐚𝐜𝐤𝐬 𝐚𝐧𝐝 𝐬𝐨𝐮𝐫𝐜𝐞𝐬 𝐭𝐡𝐚𝐭 𝐰𝐚𝐬 𝐮𝐬𝐞𝐝 𝐟𝐨𝐫 𝐭𝐡𝐞𝐬𝐞 𝐫𝐞𝐯𝐢𝐞𝐰
- Euterpe-EGOIST
- Departures-Anata ni Okuru Ai no Uta-EGOIST
- Fake Off- Merm4id X Rondo ( D4DJ DOUBLE MIX)
- Gravity Wall- Gemie, SawanoHiroyuki[nZk], and Tielle
- Shout- Gemie, SawanoHiroyuki[nZk], and Tielle
- Seisyun complex- Kessoku Band
- 4 challenges- Photon Maiden
- OPPO A95
- 4.4mm balance cable
- Tempotec E44
- KBEAR 07 size M+
vandung2510
100+ Head-Fier
Pros: Price
Deep, rumble subbass
Punchy midbass
Non-fatiguing
Asthetic
Suitable for gym session
Deep, rumble subbass
Punchy midbass
Non-fatiguing
Asthetic
Suitable for gym session
Cons: Midbass bleed
Slightly recessed mids
Slightly lacks of treble sparkle
Average technicalities
Suitable for some genres, not for others
Stock cable+tips
Slightly recessed mids
Slightly lacks of treble sparkle
Average technicalities
Suitable for some genres, not for others
Stock cable+tips
Disclaimer: I bought this with my own expense on Shopee. Also, my reviews are based on aftermarket tips due to the poor fit of the stock eartips, but i'll talk about it later
Packaging
Similar to many other cheap iem, the packaging for the QKZxHBB is quite... minimal. Bare bone as i'd say. Inside the box are the iem itself, a cable, a package of spare tips.
Design/Build quality/Comfort
The QKZ HBB feature a dark, semi-translucent resin shells with a clear faceplate that shows the QKZ logo on the left and HBB logo on the right. Surrounding the faceplate is a gun metal colored frame that's part of the aesthetic. The nozzle itself is made from metal with gold coloring and a lip to hold the tips in place. I'd say the overall build quality is quite good for a 20$ set
As i mention above, the stock eartips didn't do justice for these iem. I can't manage to get a seal with those tips, both the black and white ones. With its nozzle on a longer side, i found these iem quite compatible with after market short nozzle, wide bore tips.
The stock cable was not that good either. I find the cable to be flimsy with the earhook having too big of a curve, which tend to yank the iem out of my ear. At least it was usable for the testing period.
To me, the shells are on the medium size which fit me perfecly. Its smooth shell didn't give my ears any painful spot even after several hours of wearing them
Sound impression
Test gear:
- Source: Poco F3 with Hiby Music
- Dongle: 7hz 71, Hiby FC4
- Eartips: Whizzer SS20, Springtips
Sound signature: Warm, V-shaped
Drivability: I found my 7hz 71 with the stock cable to be more than enough the reach enjoyable volume.
Bass
This is definitely the highlight of the iem. It’s the first thing you’ll notice when you put on this iem. “Powerful” is what I would describe it. When I listen to “Naruto Main Theme” from Naruto OST, the drums and the bass guitar was *chef kiss*. Like holy smokes, I still get goose bump listening to it when I wrote these review. Same case for “Sweet Leaf” by Black Sabbath. EDM track overall are quite enjoyable too, as you would expect from a bass-heavy set
That being said, as much as I enjoy the bass from these, I find myself sometime getting a headache if I listen to a fast paced pure drum+bass guitar track, or rock/J-pop songs that feature a lot of those. It was that much bass. It’s just borderline boomy. Or perhaps it was just me being weak
Fun fact, because the driver itself actually move the air in my ear canals, so much so that sometimes I even go to tone generator website, generate the sound from 30hz to 150hz just to have the driver “scratch” my itchy eardrums by vibrating it lol.
Mid
As satisfying as the bass region is, there’s a price that it has to pay which lies in the mid. The mids overall are nice, but you get some bass bleed/muddiness due to the strong general bass emphasis. The weird thing is that it’s actually quite track dependent for some reason.
When I listen to the songs “Mighty Down Fall” by One OK Rock, I can’t really focus on Taka’s voice without the bass guitar and the drums keeps blowing in my face. His voice also gets push more to the background. Yet when I listen to “Way Back Home” by Shaun, the bass didn’t affect his voice too much. As for female vocal like Taylor Swift, her voice are very sweet and lush as usual, with a slight sense of being veiled.
Treble
I find the treble on this set to be on a darker, more relaxing side. Cymbal strikes are good enough with an adequate amount of attack and decay. I wish it sounds a little bit more crisp, but I can live with it.
That being said, same as the mids, on some rock/heavy tracks, the bass quantity simply overwhelmed the treble region. You can still hear it if you listen for it, but the bass kinda “masked” it in a way. Whenever I try to focus on the little details, the bass just keeps remind me that it’s there. Treble-head won’t find this set enjoyable.
Technicalities
I'd say the QKZ HBB has below average points in terms of clarity, detail and instrument seperation. The imagine and soundstage is alright, nothing is out of place or weirdly position. You can pin point which instrument is on the right, on the left or get push back to the back ground and that’s it. On some busy orchestrated track, you can feel some of the instrument blended with each other. It’s not a deal breaker, just something to point out.
These set were not built to be an analytical or technical set, but more for a fun, relaxed listening session anyway.
That being said, i find the Whizzer SS20, or many short nozzle wide bore tips in general, help open up the soundstage a little bit. The Springtips somehow helps control the overall bass quantity too.
Example of some short nozzle, wide bore tips that i enjoy for the QKZ HBB: Stock wide bore that comes with Olina SE, Whizzer SS20 and Alza Light Short. All of which are size M.
Comparison
- QKZ HBB vs 7hz Zero
I'd say the 7hz Zero being the exact opposite of the QKZ HBB. The 7hz Zero has a neutral type of tuning. The bass on these are noticably lighter than the QKZ HBB, which makes the overall tonality of it brighter than it seems. The mids are definitely better on the 7hz Zero. It was much cleaner. Part of it was due to its lack of bass which in turns can help me perceive vocals better as well as having a better sense of clarity. The trebles on the Zero are noticably brighter and airier compare to the QKZ HBB. Some may like this, some may not. It’s an iem that I’d normally use for a busier or orchestra-oriented playlist, or whenever I feel like doing an analytical listening session. Many people said these two iem compliments with each other and i agree with them.
- QKZ HBB vs Blon 03
The Blon 03's bass are not as authorative as the QKZ HBB, yet it is noticably cleaner. The bass bleed/muddiness are greatly subdue. The mids are more forward, yet still a bit recessed to my liking. The treble are sparklier but not as smooth. Technicalitie are more or less the same. I enjoy the overall tonallity of the Blon 03 a bit more because it's more balance compare to the QKZ HBB, although it's still on a warmer side.
Bonus
As i mention in the pros, these set was suitable for gym session. Because my gym playlist has mostly EDM or bass heavy music, when using these with a bluetooth adapter, it was like a match made in heaven. It just makes we want to be active. Sure, I may lose some of the smart feature that a dedicated TWS can bring, but that’s the price I’m willing to take.
Conclusion
Overall, I think this is a pretty good set for someone looking for a bass-oriented,fun yet non-fatiguing type of tuning. This may not be my personal favorite iem, but I can see how a lot of people like it. With the price tag of less than 20$, I saw this as a fine and easy way to find out if i was a bass head or not.
Packaging
Similar to many other cheap iem, the packaging for the QKZxHBB is quite... minimal. Bare bone as i'd say. Inside the box are the iem itself, a cable, a package of spare tips.
Design/Build quality/Comfort
The QKZ HBB feature a dark, semi-translucent resin shells with a clear faceplate that shows the QKZ logo on the left and HBB logo on the right. Surrounding the faceplate is a gun metal colored frame that's part of the aesthetic. The nozzle itself is made from metal with gold coloring and a lip to hold the tips in place. I'd say the overall build quality is quite good for a 20$ set
As i mention above, the stock eartips didn't do justice for these iem. I can't manage to get a seal with those tips, both the black and white ones. With its nozzle on a longer side, i found these iem quite compatible with after market short nozzle, wide bore tips.
The stock cable was not that good either. I find the cable to be flimsy with the earhook having too big of a curve, which tend to yank the iem out of my ear. At least it was usable for the testing period.
To me, the shells are on the medium size which fit me perfecly. Its smooth shell didn't give my ears any painful spot even after several hours of wearing them
Sound impression
Test gear:
- Source: Poco F3 with Hiby Music
- Dongle: 7hz 71, Hiby FC4
- Eartips: Whizzer SS20, Springtips
Sound signature: Warm, V-shaped
Drivability: I found my 7hz 71 with the stock cable to be more than enough the reach enjoyable volume.
Bass
This is definitely the highlight of the iem. It’s the first thing you’ll notice when you put on this iem. “Powerful” is what I would describe it. When I listen to “Naruto Main Theme” from Naruto OST, the drums and the bass guitar was *chef kiss*. Like holy smokes, I still get goose bump listening to it when I wrote these review. Same case for “Sweet Leaf” by Black Sabbath. EDM track overall are quite enjoyable too, as you would expect from a bass-heavy set
That being said, as much as I enjoy the bass from these, I find myself sometime getting a headache if I listen to a fast paced pure drum+bass guitar track, or rock/J-pop songs that feature a lot of those. It was that much bass. It’s just borderline boomy. Or perhaps it was just me being weak
Fun fact, because the driver itself actually move the air in my ear canals, so much so that sometimes I even go to tone generator website, generate the sound from 30hz to 150hz just to have the driver “scratch” my itchy eardrums by vibrating it lol.
Mid
As satisfying as the bass region is, there’s a price that it has to pay which lies in the mid. The mids overall are nice, but you get some bass bleed/muddiness due to the strong general bass emphasis. The weird thing is that it’s actually quite track dependent for some reason.
When I listen to the songs “Mighty Down Fall” by One OK Rock, I can’t really focus on Taka’s voice without the bass guitar and the drums keeps blowing in my face. His voice also gets push more to the background. Yet when I listen to “Way Back Home” by Shaun, the bass didn’t affect his voice too much. As for female vocal like Taylor Swift, her voice are very sweet and lush as usual, with a slight sense of being veiled.
Treble
I find the treble on this set to be on a darker, more relaxing side. Cymbal strikes are good enough with an adequate amount of attack and decay. I wish it sounds a little bit more crisp, but I can live with it.
That being said, same as the mids, on some rock/heavy tracks, the bass quantity simply overwhelmed the treble region. You can still hear it if you listen for it, but the bass kinda “masked” it in a way. Whenever I try to focus on the little details, the bass just keeps remind me that it’s there. Treble-head won’t find this set enjoyable.
Technicalities
I'd say the QKZ HBB has below average points in terms of clarity, detail and instrument seperation. The imagine and soundstage is alright, nothing is out of place or weirdly position. You can pin point which instrument is on the right, on the left or get push back to the back ground and that’s it. On some busy orchestrated track, you can feel some of the instrument blended with each other. It’s not a deal breaker, just something to point out.
These set were not built to be an analytical or technical set, but more for a fun, relaxed listening session anyway.
That being said, i find the Whizzer SS20, or many short nozzle wide bore tips in general, help open up the soundstage a little bit. The Springtips somehow helps control the overall bass quantity too.
Example of some short nozzle, wide bore tips that i enjoy for the QKZ HBB: Stock wide bore that comes with Olina SE, Whizzer SS20 and Alza Light Short. All of which are size M.
Comparison
- QKZ HBB vs 7hz Zero
I'd say the 7hz Zero being the exact opposite of the QKZ HBB. The 7hz Zero has a neutral type of tuning. The bass on these are noticably lighter than the QKZ HBB, which makes the overall tonality of it brighter than it seems. The mids are definitely better on the 7hz Zero. It was much cleaner. Part of it was due to its lack of bass which in turns can help me perceive vocals better as well as having a better sense of clarity. The trebles on the Zero are noticably brighter and airier compare to the QKZ HBB. Some may like this, some may not. It’s an iem that I’d normally use for a busier or orchestra-oriented playlist, or whenever I feel like doing an analytical listening session. Many people said these two iem compliments with each other and i agree with them.
- QKZ HBB vs Blon 03
The Blon 03's bass are not as authorative as the QKZ HBB, yet it is noticably cleaner. The bass bleed/muddiness are greatly subdue. The mids are more forward, yet still a bit recessed to my liking. The treble are sparklier but not as smooth. Technicalitie are more or less the same. I enjoy the overall tonallity of the Blon 03 a bit more because it's more balance compare to the QKZ HBB, although it's still on a warmer side.
Bonus
As i mention in the pros, these set was suitable for gym session. Because my gym playlist has mostly EDM or bass heavy music, when using these with a bluetooth adapter, it was like a match made in heaven. It just makes we want to be active. Sure, I may lose some of the smart feature that a dedicated TWS can bring, but that’s the price I’m willing to take.
Conclusion
Overall, I think this is a pretty good set for someone looking for a bass-oriented,fun yet non-fatiguing type of tuning. This may not be my personal favorite iem, but I can see how a lot of people like it. With the price tag of less than 20$, I saw this as a fine and easy way to find out if i was a bass head or not.
nymz
Reviewer at nymzreviews
Pros: Well executed warm tuning from top to bottom, including treble extension
Price
Price
Cons: Might be too bassy/warm for some.
Accessories
Accessories
Disclaimer: This unit was bought with my own money on Linsoul. No incentives of any kind were given and the review you are about to read are my own thoughts and opinions.
Table of Contents
- Introduction and Accessories
- Sound
- Brief Comparisons
- The verdict
Driver Setup: 1DD
Price: $20
Purchase link and info: Linsoul
Included in the box:
- QKZ HBB
- QDC 2-pin cable with a 3.5mm termination
- 6 Pair of silicone tips
Comfort, fit and isolation: Great comfort and fit, isolation is average.
Source used: Topping L70, Xduuo Link2 Bal, Sony ZX300 (Mr. Walkman Firmware)
Tips used: BGVP W01
Measured volume level: 77db @ 440 hz
Test playlist with some of the songs used: Tidal
Introduction and Accessories
By now, neither QKZ or HBB need an introduction, as both are very well established trademarks in this hobby, teaming up to heist the end-of-the-year-sprint towards the gold medal of probably the most competitive bracket of the year (aside from planars, of course): the sub-20$ segment that proves my faith on that good tuning should be free.
As for the accessories, that’s a totally different story. The offered tips are just decent and the cable is actually terrible. A lack of carrying pouch or something of the sorts would be amazing but again, I can see how much every corner has to be trimmed down to achieve such low prices and still apply every penny into the sound related stuff, so no complaints from me personally, as I switched the cable right away.
Now, into the candy store, shall we?
Sound
Now, let’s not get ahead of ourselves and going by “the first things first” moto, comes the sub-bass. The close to 10 db raise in the lower tail brought nothing but joy during the replay of tracks like “Why So Serious?” or “Limit To Your Love”, helping with physicality required.
Given the sub-bass region has nothing for me to point on, I will rather spend my words talking about the mid-bass and its transition into the lower mids, as I have a feeling it will be the most divisive aspect of this set. With that in mind, there’s two aspects I would like to note:
- The bass in on the looser side, à la Blon Bl-03 or Sony N3;
- The elevation and the late self-correction will turn the replay warmer than your average neutral or harman sets.
By calling it looser (or uncontrolled like some people like to call it but I refrain from that as it has a negative connotation rather just a tuning a preference), it means that there is more bounce it it, as opposed to overly tight drivers – like the foster dynamic drivers always come to the table. This effect won’t feel as good for genres like prog metal, where the tightness helps with the clarity on busier parts and smearing is the enemy, but shines on genres like Hip-Hop, R’n’B, classical rock, some EDM, etc etc.
You can easily see the pattern here: the trend follows the tuner’s library. When replaying Kendrick Lamar’s Collard Greens or Backseat Freestyle, the QKZ HBB comes alive in the mid-bass. Its bouncy nature helps with the sense of fullness to the track, allied with the sense of impact and the rest of the tuning, that we will come to in a second.
Speaking of the tuning, the second note referred to mid-bass’ elevation and late correction. On an objective note, this means there’s warm coloration to the replay, flushing out the sense of heavy note weight, opposed to the (once again) an harman tuning. A great example for this would the be the jazzy-soul-warmer track I’ve Got a Sousamaphone, by Riot Jazz Brass Band, that turns into a full jam session and I can’t guarantee you that not even critical listening will be done sitting down with on your lazy boy, but rather up and doing those crazy dance moves like none’s watching.
All of this shouldn’t come really as news, as anyone that has followed HBB or knows his tastes will know that this works well with his library, and this late correction has been used before on another collaboration of his (Olina and DQ6s from the top of my head). On a replay level, this translates on emphasized instruments like kick-drums and bass guitars.
This effect can be really perceived during Pomplamoose’s Daft PTX Mashup (2:43m – 2:49m), that once the bassist starts the (really nasty) bass slap, it takes a step more forward that it’s usually considered neutral versus the main vocalists’ voice. But hell yeah if it sounds good, and so does her voice, which segways us into the next section.
When listening to pianos such as Hania Rani’s Glass or Yann Tiersen’s Comptine D’un Autre Ete – L’apres-midi, despite the warmer note weight, all the information is kept, turning the replay more “musical”, as it’s usually referred as. The separation and layering are just enough to not feel like a creamy potato mash and given that, there’s not much I can complain about it given the price range.
Where the QKZ HBB really starts to shine for my library in the frequency is regarding the vocals.
Firstly, the lack of overdone pinna compensation translates into a pretty much untouched timbre accuracy to the vocals, while the ever-so-slight bump around 4.5k helps retrieving back some of the bite and detail to the warm replay, which I can only see as welcome, without ever feeling shouty or sibilant, as more elevation in this or a subjacent zone would have done. From Adele’s replay of Oh My God to the more warm and rounded interpretation of Tainted Love by Karen Souza, there’s nothing but pure joy to write home-about. Lacking some bite and having a hair more huskyness than I’d prefer comes the male vocals on In Hell I’ll Be In Good Company, interpreted by The Death South, which is a sin I’ll allow since I’d rather take this over any recessed or thin male vocals.
The treble region is rather subdue, but just the right amount. I have to say it was the biggest surprise of the set for me and one of the main reasons I really like it. It does a slope down after the pinna gain area, but never falls off or dips too much after that, plateauing across the range, culminating in a very pleasant and rather rare extension among the more budget segments. Live replays like The Fearless Flyers’ album, Live at Madison Square Garden, turns into a joy and never claustrophobic or lacking harmonic extension. The cymbal strikes during The Sleepwalker in that album are just a pure bliss of decay and never fatiguing hits.
Good tuning is free and at the end of the day, we are talking about the ultra budget segment, and just like anything in this world, nothing is perfect. Given the price range, it’s safe to assume this would fall down into the more subjective part: the technicalities.
I would be hard pressed to call this new generation of IEMs bad in the technical bits, but it still is what it is, and won’t touch well established IEMs, costing five times as much, like the tuner’s own Olina, but the QKZ HBB is not dull on its own turf. The imaging chops are actually not that claustrophobic, as seen on other more expensive offerings – yes, I’m looking at you Performer 5 – and the resolving power is actually above average given its tuning and competition. Where it falls short is in the sense of macrodynamics (Polyphia – Playing God) but, again, looking at its tag, the QKZ HBB gets a free pass all day long.
Brief Comparisons
- 7hz Salnotes Zero
Taking a look at the technicalities, they are very close, but Zero has a slight advantage due to the brighter tuning, but overall I would not call one more technical than the other.
- TANGZU Wan’er SG
On bass heavy tracks, the Wan’er does feel more neutral and less warm, thanks to the cleaner cut of the bass-shelf and tighter nature, while the QKZ HBB’s bass is more prominent but also more tactile.
The mid-range (especially pianos and male vocals) does sound cleaner and more correct on the Wan’er, while I find the timbre accuracy of the female vocals better preserved in the QKZ HBB.
Technicalities are again close, but this time I feel I have to give the advantage to the QKZ, especially on the resolving power and imaging accuracy, while the Wan’er has more stage depth.
The verdict
But personal preferences and hair splitting aside, it’s probably a good time to reflect on how good an IEM can sound for so little price nowadays. It’s incredible how much the budget scene has evolved in just a year, and I can’t wait to see what the next one brings us.
Congratulations to QKZ for making a stylish comeback and to HBB for releasing yet another banger. Touché.
Thanks for reading!