I want to see someone graphing both and comparing both.this would be a killer package... at 599. 650 if we are getting a little fancy.
Excited to see full on impressions comparing the two.
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The discovery thread!
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Per their instagram:
The PILGRIM: NOIR upgrades:
The PILGRIM: NOIR upgrades:
So I guess there is more to it but 2x the price just irks me for some reason.1. Co-tuned by Mr Lee and Suyang.
2. Same number of hybrid drivers, upgraded Effect Audio internal wiring and a new tuning; richer sound with stronger emphasis on the lows and mids.
3. Increased crossovers from 3 to 4 in the NOIR for better sonic control.
4. Custom coloured Effect Audio Eros S cable, with proprietary ConX and TermX interchangeable connector/plug system.
5. Includes new suede leather carrying case, and Spinfit-W1 premium eartips.
Ferdinando1968
1000+ Head-Fier
Lucky you have more than one IEM to enjoy.
I have more IEM than hair on my head.
I don't know if it's lucky or not
This graph does look like something I could get behind. To stop myself from considering it too seriously, at this price, I really don't like to read about any BA timbre, though..The Fiio FA19 is a 10 KNOWLES BA IEM.
Very comfortable, easy to drive, with no amplification requirements.
Accessories are fit for a king.
It has 1 tuning switch. In stock form (with the bass switch turned off), the FA19 sounds warm neutral. Very studio monitor-like, in furnishing a pleasant soundscape. Extremely technical, massive soundstage beyond the ears, with pinpoint imaging. And this is without needing to resort to a steroid boosted treble to garner "fake clarity".
Bass is nicely textured and clean with no bleed. Upper mids are only 6 dB - ie no shout - which was a complaint of the previous FX15 predecessor. Smooth treble, with minimal sibilance, but still very resolving.
Interestingly, the FA19 has a vented sub-woofer, so the bass sounds quite close to a DD bass. It isn't exactly 100% similar to a DD bass as there's just a slight lack of decay in the final tail of bass notes, but this improves on the vast majority of unvented BA bass drivers that sound unnatural in terms of movement of air.
For folks that want a bit more "fun" in the signature, toggling the switch converts the FA19 to a bass boost mode, as seen from the graphs. This is a bit warmer than the stock tuning, but the bass is more impactful. Sub-bass extension is even better with the switch on.
The FA19 does have a tinge of BA timbre, but isn't the worst offender in multi BA sets I've tried. Note weight is just right.
The FA19 uses MMCX but the MMCX seem of high quality and snap on and off without issues. BTW I spoke to a custom maker before, and MMCX comes in a variety of grades, from cheap ones seen in ultra budget CHIFI that give a bad rep to the connector type due to being too tight or spinning like a wind-vane, whereas we have higher quality ones that are rated for thousands of swaps.
I bought the FA19 at a discounted price from Fiio, but I think the full retail price is around $1K USD. This pure BA set is well suited for stage monitoring in view of the solid ergonomics and technical chops, and I do think it competes with other TOTL multi driver transducers. Think of something that has good layering and soundstage but not being overly fatiguing.
Will do some A/B testing against other pure BA sets like the Sony M9 etc and report back. Will also test out the QC of the MMCX.
Ridiculous marketing if you ask me. Releasing two of the same thing at the same time and topping it off by saying one has 'further refined treble' ...Here's what Jude had to say about the differences with the Noir in the Canjam Singapore video.
Elysian Pilgrim Noir
- Upgraded version
- 1DD+3BA (4-way crossover instead of 3-way on regular Pilgrim)
- More full bodied tonality
- Further refined treble
- Comes with an Effect Audio Eros S cable in new colorway
So with the Noir, you get different tuning, an upgraded cable, and a different color.
The Fiio FA19 is a 10 KNOWLES BA IEM.
Very comfortable, easy to drive, with no amplification requirements.
Accessories are fit for a king.
It has 1 tuning switch. In stock form (with the bass switch turned off), the FA19 sounds warm neutral. Very studio monitor-like, in furnishing a pleasant soundscape. Extremely technical, massive soundstage beyond the ears, with pinpoint imaging. And this is without needing to resort to a steroid boosted treble to garner "fake clarity".
Bass is nicely textured and clean with no bleed. Upper mids are only 6 dB - ie no shout - which was a complaint of the previous FX15 predecessor. Smooth treble, with minimal sibilance, but still very resolving.
Interestingly, the FA19 has a vented sub-woofer, so the bass sounds quite close to a DD bass. It isn't exactly 100% similar to a DD bass as there's just a slight lack of decay in the final tail of bass notes, but this improves on the vast majority of unvented BA bass drivers that sound unnatural in terms of movement of air.
For folks that want a bit more "fun" in the signature, toggling the switch converts the FA19 to a bass boost mode, as seen from the graphs. This is a bit warmer than the stock tuning, but the bass is more impactful. Sub-bass extension is even better with the switch on.
The FA19 does have a tinge of BA timbre, but isn't the worst offender in multi BA sets I've tried. Note weight is just right.
The FA19 uses MMCX but the MMCX seem of high quality and snap on and off without issues. BTW I spoke to a custom maker before, and MMCX comes in a variety of grades, from cheap ones seen in ultra budget CHIFI that give a bad rep to the connector type due to being too tight or spinning like a wind-vane, whereas we have higher quality ones that are rated for thousands of swaps.
I bought the FA19 at a discounted price from Fiio, but I think the full retail price is around $1K USD. This pure BA set is well suited for stage monitoring in view of the solid ergonomics and technical chops, and I do think it competes with other TOTL multi driver transducers. Think of something that has good layering and soundstage but not being overly fatiguing.
Will do some A/B testing against other pure BA sets like the Sony M9 etc and report back. Will also test out the QC of the MMCX.
Not gonna lie, the tuning on these looks spot-on for me.
Could the FA19 actually turn out to be the first all-BA IEM from FiiO that doesn't suck?!
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theintention
Headphoneus Supremus
dang this does looks pretty sweetThe Fiio FA19 is a 10 KNOWLES BA IEM.
Very comfortable, easy to drive, with no amplification requirements.
Accessories are fit for a king.
It has 1 tuning switch. In stock form (with the bass switch turned off), the FA19 sounds warm neutral. Very studio monitor-like, in furnishing a pleasant soundscape. Extremely technical, massive soundstage beyond the ears, with pinpoint imaging. And this is without needing to resort to a steroid boosted treble to garner "fake clarity".
Bass is nicely textured and clean with no bleed. Upper mids are only 6 dB - ie no shout - which was a complaint of the previous FX15 predecessor. Smooth treble, with minimal sibilance, but still very resolving.
Interestingly, the FA19 has a vented sub-woofer, so the bass sounds quite close to a DD bass. It isn't exactly 100% similar to a DD bass as there's just a slight lack of decay in the final tail of bass notes, but this improves on the vast majority of unvented BA bass drivers that sound unnatural in terms of movement of air.
For folks that want a bit more "fun" in the signature, toggling the switch converts the FA19 to a bass boost mode, as seen from the graphs. This is a bit warmer than the stock tuning, but the bass is more impactful. Sub-bass extension is even better with the switch on.
The FA19 does have a tinge of BA timbre, but isn't the worst offender in multi BA sets I've tried. Note weight is just right.
The FA19 uses MMCX but the MMCX seem of high quality and snap on and off without issues. BTW I spoke to a custom maker before, and MMCX comes in a variety of grades, from cheap ones seen in ultra budget CHIFI that give a bad rep to the connector type due to being too tight or spinning like a wind-vane, whereas we have higher quality ones that are rated for thousands of swaps.
I bought the FA19 at a discounted price from Fiio, but I think the full retail price is around $1K USD. This pure BA set is well suited for stage monitoring in view of the solid ergonomics and technical chops, and I do think it competes with other TOTL multi driver transducers. Think of something that has good layering and soundstage but not being overly fatiguing.
Will do some A/B testing against other pure BA sets like the Sony M9 etc and report back. Will also test out the QC of the MMCX.
also where i lie... would def like to hear thisThis graph does look like something I could get behind. To stop myself from considering it too seriously, at this price, I really don't like to read about any BA timbre, though..
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This graph does look like something I could get behind. To stop myself from considering it too seriously, at this price, I really don't like to read about any BA timbre, though..
Ridiculous marketing if you ask me. Releasing two of the same thing at the same time and topping it off by saying one has 'further refined treble' ...
At the time of the recording of the CanJam Singapore Preview Video, I'd only heard the Pilgrim, not yet the Pilgrim Noir. At CanJam Singapore, I was able to do a direct comparison, and there's no doubt they sounded different. And there's also no doubt I preferred the Noir, as the treble was definitely (to my ears) more refined, the original Pilgrim brighter. The Noir was richer sounding, which (in broad brushstrokes) I tend to favor. For example, between the Focal Utopia and Utopia 2022, I very clearly favor the newer version. Drew from Moon Audio very clearly favors the older version.
There are times I think the names of products have an effect on how we perceive them. For example, I think in this case a different name (more different than adding "Noir") might have made more sense. Same with the variety of Andromeda models Campfire released -- several of those maybe should have had non-Andromeda names. Another example that comes to mind is the Empyrean 2 by Meze. The name makes sense because they replaced the OG Empyrean with it (as did Focal with the 2022 version of the Utopia replacing the OG Utopia). But, for me, given my love of the original Empyrean -- and I do also love the new Empyrean (but it's very different from the OG) -- I wish they'd kept the OG Empyrean in the line and named what is the Empyrean 2 as the Empyrean Studio or Empyrean Pro, as the new one definitely has a studio-monitor-type sound signature (whereas the OG Empyrean definitely didn't).
Anyway, I digress.... Long story short, the Pilgrim and Pilgrim Noir are not the same (despite what their names suggest), and, while I'm very impressed with the Pilgrim for the expected price, the Noir was definitely more to my liking.
MidnightSun
100+ Head-Fier
The Fiio FA19 is a 10 KNOWLES BA IEM.
Very comfortable, easy to drive, with no amplification requirements.
Accessories are fit for a king.
It has 1 tuning switch. In stock form (with the bass switch turned off), the FA19 sounds warm neutral. Very studio monitor-like, in furnishing a pleasant soundscape. Extremely technical, massive soundstage beyond the ears, with pinpoint imaging. And this is without needing to resort to a steroid boosted treble to garner "fake clarity".
Bass is nicely textured and clean with no bleed. Upper mids are only 6 dB - ie no shout - which was a complaint of the previous FX15 predecessor. Smooth treble, with minimal sibilance, but still very resolving.
Interestingly, the FA19 has a vented sub-woofer, so the bass sounds quite close to a DD bass. It isn't exactly 100% similar to a DD bass as there's just a slight lack of decay in the final tail of bass notes, but this improves on the vast majority of unvented BA bass drivers that sound unnatural in terms of movement of air.
For folks that want a bit more "fun" in the signature, toggling the switch converts the FA19 to a bass boost mode, as seen from the graphs. This is a bit warmer than the stock tuning, but the bass is more impactful. Sub-bass extension is even better with the switch on.
The FA19 does have a tinge of BA timbre, but isn't the worst offender in multi BA sets I've tried. Note weight is just right.
The FA19 uses MMCX but the MMCX seem of high quality and snap on and off without issues. BTW I spoke to a custom maker before, and MMCX comes in a variety of grades, from cheap ones seen in ultra budget CHIFI that give a bad rep to the connector type due to being too tight or spinning like a wind-vane, whereas we have higher quality ones that are rated for thousands of swaps.
I bought the FA19 at a discounted price from Fiio, but I think the full retail price is around $1K USD. This pure BA set is well suited for stage monitoring in view of the solid ergonomics and technical chops, and I do think it competes with other TOTL multi driver transducers. Think of something that has good layering and soundstage but not being overly fatiguing.
Will do some A/B testing against other pure BA sets like the Sony M9 etc and report back. Will also test out the QC of the MMCX.
Fantastic all-rounder tuning (relatively speaking), especially compared to their previous, discontinued BA sets.
- Joined
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The Fiio FA19 is a 10 KNOWLES BA IEM.
Very comfortable, easy to drive, with no amplification requirements.
Accessories are fit for a king.
It has 1 tuning switch. In stock form (with the bass switch turned off), the FA19 sounds warm neutral. Very studio monitor-like, in furnishing a pleasant soundscape. Extremely technical, massive soundstage beyond the ears, with pinpoint imaging. And this is without needing to resort to a steroid boosted treble to garner "fake clarity".
Bass is nicely textured and clean with no bleed. Upper mids are only 6 dB - ie no shout - which was a complaint of the previous FX15 predecessor. Smooth treble, with minimal sibilance, but still very resolving.
Interestingly, the FA19 has a vented sub-woofer, so the bass sounds quite close to a DD bass. It isn't exactly 100% similar to a DD bass as there's just a slight lack of decay in the final tail of bass notes, but this improves on the vast majority of unvented BA bass drivers that sound unnatural in terms of movement of air.
For folks that want a bit more "fun" in the signature, toggling the switch converts the FA19 to a bass boost mode, as seen from the graphs. This is a bit warmer than the stock tuning, but the bass is more impactful. Sub-bass extension is even better with the switch on.
The FA19 does have a tinge of BA timbre, but isn't the worst offender in multi BA sets I've tried. Note weight is just right.
The FA19 uses MMCX but the MMCX seem of high quality and snap on and off without issues. BTW I spoke to a custom maker before, and MMCX comes in a variety of grades, from cheap ones seen in ultra budget CHIFI that give a bad rep to the connector type due to being too tight or spinning like a wind-vane, whereas we have higher quality ones that are rated for thousands of swaps.
I bought the FA19 at a discounted price from Fiio, but I think the full retail price is around $1K USD. This pure BA set is well suited for stage monitoring in view of the solid ergonomics and technical chops, and I do think it competes with other TOTL multi driver transducers. Think of something that has good layering and soundstage but not being overly fatiguing.
Will do some A/B testing against other pure BA sets like the Sony M9 etc and report back. Will also test out the QC of the MMCX.
So far, I'm loving the FiiO FA19. To my ears, it is, without a doubt, the best IEM FiiO has yet released -- by a margin. And, as I said in the CanJam Singapore Preview Video, this is one that high-end IEM shoppers should listen to, regardless of what price bracket you're shopping in. Even if you choose something else, I think most will agree FiiO put themselves in the high-end IEM candidate pool with the FA19.
I'm not sure what those measurements (quoted above) were done on (I'm assuming 711 or 711'ish), so I'm including one-pass 5128 measurements of each setting. Keep in mind that we received the FA19 without stock cables or stock tips. While we recently received the stock cables and tips, these measurements were done with SednaEarfit Short eartips:
Caveat: These were only one seating, one pass each -- not averaged multi-seatings. That said, I feel reasonably confident we have a fair representation here of the FiiO FA19 with the SednaEarfit Short eartips. If/when I do multiple seatings -- and especially with stock eartips -- I'll post them.
Fig.1 (above): Frequency responses of FiiO FA19 with SednaEarfit Short eartips, in switch-off setting (solid black line) and switch-on setting (dotted gray line).
For the above switch-on/switch-off comparison, that was with the same seating. I was as careful as I could be to manipulate only the switches while the earpieces remained mounted.
For something to compare that to, below is a comparison of the switch-off FiiO FA19 (again, with SednaEarfit Short eartips) to the Subtonic Storm (with its stock eartips). Why this one? Because it's interesting -- and because the Subtonic Storm is perhaps the very best sounding IEM I've ever heard. Am I saying the FiiO FA19 sounds like the Subtonic Storm? No I'm not. What I will say (again) is that even if you're shopping for a Subtonic Storm (or a Vision Ears VE10 or an Elysian Annihilator or the 64 Audio Volür or the Canpur CP622B -- some of my other favorite IEMs), you should at least try to get your ears on the FA19, too.
Caveat -- again: These were only one seating, one pass each -- not averaged multi-seatings. That said, I feel reasonably confident we have a fair representation here of the FiiO FA19 with the SednaEarfit Short eartips, and the Subtonic Storm with stock eartips. If/when I do multiple seatings, I'll post them.
Fig.2 (above): Frequency responses of FiiO FA19 with SednaEarfit Short eartips, in switch-off setting (solid black line) and Subtonic Storm with its stock eartips (dotted gray line)
So until I have multi-seat averaged plots (with stock eartips for the FA19), these single-pass measurements are for entertainment and basic informational purposes only.
These measurements were made using:
- Brüel & Kjær High-frequency Head and Torso Simulator (HATS) Type 5128
- Audio Precision APx555 Audio Analyzer
- Audio Precision APx1701 Transducer Test Interface
- Benchmark HPA4 Headphone Amplifier
- Herzan custom-designed acoustic & vibration isolation enclosure
2024-04-22 1509 EDT NOTE: "Demo Mode" (in the background of each of the measurements) just means the Audio Precision analyzer hardware was not powered-up when I loaded up the measurement project file(s).
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MidnightSun
100+ Head-Fier
I always had the impression that the only thing holding back FiiO from beating everybody in the categories they enter into was "just" the tuning. They have the accessories, the design, the price, the QC and CS, and just to let it all slip at the finish line because of tuning... damn it. But this looks like redemption.
Got in some loan IEMs from a friend to play with, Canpur CPBA7 and qdc 8PRO.
They sound quite similar, both have what I would call a warm tilt with a slightly dark treble.
The 8PRO reminds me of a darker SA6/Neon Pro, and as usual the qdc ergonomics is excellent. I wonder if it sound close to the qdc V14, perhaps a baby version without EST.
The CPBA7 follow a similar tuning as 8PRO but is thicker sounding, not going to say to much yet as its my first day with both.
Also got an R2R DAC for my desktop. Denafrips Ares 12th-1, still early but love it so far. Been many years since I had a more analogue sounding desktop setup, its like a missing link has been added to the audio.
They sound quite similar, both have what I would call a warm tilt with a slightly dark treble.
The 8PRO reminds me of a darker SA6/Neon Pro, and as usual the qdc ergonomics is excellent. I wonder if it sound close to the qdc V14, perhaps a baby version without EST.
The CPBA7 follow a similar tuning as 8PRO but is thicker sounding, not going to say to much yet as its my first day with both.
Also got an R2R DAC for my desktop. Denafrips Ares 12th-1, still early but love it so far. Been many years since I had a more analogue sounding desktop setup, its like a missing link has been added to the audio.
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I'm a big fan of R2R DACs and it looks like the Ares 12th-1 and A90D were made to pair up with each other. Perfect dimensions for a stack.Got in some loan IEMs from a friend to play with, Canpur CPBA7 and qdc 8PRO.
They sound quite similar, both have what I would call a warm tilt with a slightly dark treble.
The 8PRO reminds me of a darker SA6/Neon Pro, and as usual the qdc ergonomics is excellent. I wonder if it sound close to the qdc V14, perhaps a baby version without EST.
The CPBA7 follow a similar tuning as 8PRO but is thicker sounding, not going to say to much yet as its my first day with both.
Also got an R2R DAC for my desktop. Denafrips Ares 12th-1, still early but love it so far. Been many years since I had a more analoge soudning desktop setup, its like a missing link has been added to the audio.
Pure luck that they fit on top each otherI'm a big fan of R2R DACs and it looks like the Ares 12th-1 and A90D were made to pair up with each other. Perfect dimensions for a stack.
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