Nosgis,
I'm still in the process of evaluating my WA7 and it hasn't completed its burn in period yet. But so far I really like how it sounds with the HE-500. Bass reproduction is very impressive and the mids and highs are very smooth and the WA7 comes across as doing the job effortlessly and without any sense of strain. Articulation and separation of instruments are very good in my opinion and I hope to see even better results when the unit is burned in.
I've compared it a little to the Schitt Lyr. Initial impressions are improved imaging with the WA7 (it seems to have more three dimensional character to me) and a hint of more bass, though again, the WA7 is still being burned in. The WA7 sounds more natural (euphonic?) to me and is easily able to drive the HE-500s (just as the Lyr). The Lyr seems drier (less liquid?) and almost restrained or distant by comparison, though I'm still evaluating things.
I've been listening to female vocals the last few days - Linda Ronstadt, Carole King, and Roberta Flack. But that has only been with the WA7 and not with the Lyr. Roberta Flack's pristine, delicate voice on 192/24 sounds just about perfect on the WA7 (although I have to admit that I haven't listened to her on the Woo WES, the Liquid Lightning, or the BHSE with a pair of Stax SR-009s...
). I'm going to listen to the three on the Lyr this weekend and will have some relative comparisons soon.
I just purchased the Schitt Mjolnir and it should arrive tomorrow, so I'll have another amp to compare it with. The audio bug has definitely bitten me.
I still haven't received my LCD-3s so I can't do the comparison with the HE-500 yet.
I'm really enjoying the WA7 so far, to the extent that I've been neglecting the Lyr. But don't get me wrong, I think the Lyr is very good and I do like it. For about one third the price of the WA7, I think it's a tremendous bang for the buck.
All the best.