Maybe OP could better define what he means by "recorded well," since he gave examples of bands rather than recordings. More and more for me it means primarily, "not dynamically crushed" (i.e., brickwalled, loudness wars, all that), and otherwise having great imaging, dynamics and presence. When I first started looking myself for well-recorded music, I hit upon the recommendation of Nirvana's Unplugged. I had it but hadn't listened to it for years, long before getting turned on to head-fi. I popped it in, cranked it up through my modest Envy>Caffeine>Grado 60 rig at work, and was immediately floored. Live albums often are some of the best sounding.
For studio albums, for both recording quality and the music, just lately I've loved:
Jenny Lewis - Acid Tongue
Melody Gardot - Worrisome Heart & My One And Only Thrill
Esperanza Spalding - Esperanza
Grizzly Bear - Veckatimest
Iron & Wine - The Shepherd's Dog
For older things, I think (e.g.) all of Fiona Apple's albums are exceptionally good recordings. Much older jazz, especially good remasters, can be astonishingly good. I own the Verve Master Edition of Getz/Gilberto. When Getz comes in on The Girl From Ipanema, you about jump out of your chair. It sounds like he's right next to you. Of course, of the three Grammys it won, one was for Best Engineering.
hk