Quote:
Originally Posted by valkolton /img/forum/go_quote.gif
Although is this L/R all for nothing, I guess no songs really say "coming on your left", "coming on your right" - I think its a placebo more than anything. I think a beastie boys song says something about "stereo" and left/right but thats all I can think of
. But I always love to hear music the way it was intended in the recording nonetheless.
edit - L/R is necessary of course for movies and games
|
Allow me to disagree with you, Val. If you listen to classical music or if - like myself - you are a musician/conductor/composer, you have a pretty exact "spatial image" in your head, meaning: violins should be heard on the left (1st violins more to the left than 2nd violins), violas almost at the center but a little to the right, cellos to the right, double-basses behind the cellos, a little more to the right. Woodwinds should be behind the strings, brass behind woodwinds, percussion behind brass. Pianos (if part of the orchestral percussion, like most modern compositions) are usually to the right to the listener together with percussion, but if played as a solo instrument they are in front, centered.
Some orchestras, mostly in Russia, have different seating positions: 1st violins extreme left, 2nd violins extreme right, cellos left, violas right, etc. The actual place where the recording takes place also helps determine the seating positions. When a musician listens to a recording of this orchestra he will be able to notice where the instruments are. If you see a live orchestra, that is how it is supposed to sound when listening to a recording, and most recordings give you this exact spatial feeling.
You are even able to listen to a recording and comment about some personal preferences of the conductor regarding a particular piece, comparing to other conductors.
Most piano solo recordings (in studio) usually have a "spatial" mixing: lower keys are to the left and high keys are to the right, because most piano recordings use two or more microphones and they are mastered taking into account what you should hear if you were seated in front of the piano, like the pianist.
Most people wouldn't even bother, but to those who care about classical music, L/R is very important and it is this way I mix my own (classical) compositions.
If you are interested, take a look:
http://www.northernsounds.com/forum/...ad.php?t=45372
www.mti.dmu.ac.uk/%7Eahugill/manual/seating.html