chadbang
Headphoneus Supremus
- Joined
- Aug 2, 2001
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I was looking for a review on the Shanling CD T-100 CD Player, and I found this review by Thorsten Loesch at enjoythemusic (Why do I know that name, Thorsten Loesch, hmm?). Here's the article:
http://www.enjoythemusic.com/magazin...2/shanling.htm
In the end, the part that intriqued me most were his comments about upsampling. Now, I have never heard an upsampling player, although I'm excited about the prospect of getting more out of my redbook cds. My question has always been: HOW will upsampling get more out of them? If this reviewer's observation is correct, then I might want to pass on upsampling altogether.
This quote is extracted from the review:
"This player sounds so drastically different depending upon the specific use and connection that it is hard to say, “This player sounds like that and only like that!”. I will start by covering (and getting out of the way) the upsampling section. I have again and again tried it, it is easily switched on from the remote control. The changes in sound are hardly subtle and broadly mirror those I noted with other upsampler DAC’s and external upsamplers, including the dCS Purcell. I can understand why some Audiophiles like the effect of upsampling, I do not. What some hear as great detail I hear as excessive brightness and edginess. The soundstage gains loads of fake depth but narrows considerably and instruments appear to have smeared along a gradient in the depth. I found the upsampling to work just like all the other “upsamplers” I came across and to me PERSONALLY this feature could have been left out. It is nice of Shanling to give you the choice though. If you like what upsampling does, enjoy it, if you don’t, just switch it off as I did."
If upsampling lends "excessive brightness and edginess" to a cd, then I, too, would not enjoy upsampling. Does his observation concur with anyone else's experience with upsampling players?
http://www.enjoythemusic.com/magazin...2/shanling.htm
In the end, the part that intriqued me most were his comments about upsampling. Now, I have never heard an upsampling player, although I'm excited about the prospect of getting more out of my redbook cds. My question has always been: HOW will upsampling get more out of them? If this reviewer's observation is correct, then I might want to pass on upsampling altogether.
This quote is extracted from the review:
"This player sounds so drastically different depending upon the specific use and connection that it is hard to say, “This player sounds like that and only like that!”. I will start by covering (and getting out of the way) the upsampling section. I have again and again tried it, it is easily switched on from the remote control. The changes in sound are hardly subtle and broadly mirror those I noted with other upsampler DAC’s and external upsamplers, including the dCS Purcell. I can understand why some Audiophiles like the effect of upsampling, I do not. What some hear as great detail I hear as excessive brightness and edginess. The soundstage gains loads of fake depth but narrows considerably and instruments appear to have smeared along a gradient in the depth. I found the upsampling to work just like all the other “upsamplers” I came across and to me PERSONALLY this feature could have been left out. It is nice of Shanling to give you the choice though. If you like what upsampling does, enjoy it, if you don’t, just switch it off as I did."
If upsampling lends "excessive brightness and edginess" to a cd, then I, too, would not enjoy upsampling. Does his observation concur with anyone else's experience with upsampling players?