mordy
Headphoneus Supremus
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I know a young man who took a summer job in a distillery that produced vodka. The vodka was bottled in eight different bottles one fancier than the next, and sold at eight different price points.Hi 6SN7 thread folks!
I just replied to a PM asking for a comparison of the LinLai Elite-series 6SN7 vs the LinLai Grant Fidelity Special Edition 6SN7 globe. After realizing that I had just written a small essay on the two, I figured I should put it out there for anyone else who might be interested, as I found it very difficult to find info when I was considering buying a pair. I hope this is a good place to put this, but please feel free to let me know if it would fit better elsewhere. For reference, these impressions come from listening on a Woo Audio WA22 with Focal Clear, Sennheiser HD 600, Audeze LCD-X 2021, and Focal Celestee.
The good news is that they’re both very good and honestly pretty similar to one another. Both are quiet in terms of static / hum. They have great dynamics and are tonally rich, but quite detailed. As with all audiophile things, I am exaggerating the differences to try to help you contrast between 2 very high quality options.
The difference to me seems to be in frequency response. The GF SE globes seem slightly more ”U-shaped” - definitely not sucked out in the mids, but they strike me as bass-boosted and very slightly boosted on the very top end sparkle. They might both be a bit bass-boosted, but the globes a bit more so. Still, with the globes, because of that top end sparkle, they also come across as a bit more detailed / agile in the right situation. Interestingly, they seem to add a characteristic that I don’t have the right words for on cymbals, triangles, other metallic sounds. It seems like they make these more tonally dense, and not louder exactly, but exaggerated in a way that is musical and pleasant - kind of like a comic book drawing of the sounds in this metallic transient range using a thicker marker / pen. To be clear, the top end boost is high enough that it misses the sibilant range. I cannot stand sibilance, and I hear absolutely none with either of these sets of tubes. The globes are also the most microphonic tube I have ever dealt with. In this situation it probably doesn’t matter much - as we’re listening through headphones, but it if I touch them, or even tap or bump the housing of the amp, I hear a clearly audible ring. This doesn’t really show up when not bumping things on the amp, but just wanted to point out that quirk. One other thing to mention, many of the better modern production 6SN7s I have tried haven’t seemed to need much time to run in, they just sound how they sound from the beginning to my ear. With the globes, I thought they sounded really odd and just “off” at first. After about 10 hours of run-in, they seem to have evolved and stabilized into what I was describing above, so don’t be alarmed if you get them and think they sound bad at first.
The Elites are a bit more neutral. Again, maybe slightly bass-boosted, but very slightly so. They are still very clear and detailed. They remind me of the Psvane CV-181 TII, but with good quality control like they used to have. They’re a very highly competent and well-rounded performer. I don’t want my having less to say about them to imply that they are less special, but their biggest advantage is that they just give the 6SN7 goodness without adding any major coloration.
I think the choice is going to come down to synergy. For the WA22 I have a couple of pairs of 421a Western Electric power tubes, and those strike me as running the amp hard, with a bit of a bass boost of their own and generally aggressive and lush. It’s a great sound to my ear most of the time, though I do think it they can be prone to breakup on really complex, loud passages. For those I clearly prefer the Elite series, as the bass boost of the globes seems to cause a little bloating. I think this combo is an excellent choice for the classic rock and blues, but maybe not as much for more of the loudness-boosted modern rock and pop. As I type this, however, I have been rocking the 7236 power tubes, which are a bit more of a technical choice, similar (to my ear) to the stock 6080 with just a bit more authority in the bass, but a very neutral overall presentation with priority on speed and technicality. With them, I really like the slight extra bass boost of the globe and the additional musicality to the metallic sounds without getting in the way of the speed or making them piercing or harsh. The globes add a nice little something special in a couple of spots to what would otherwise be a neutral, but enjoyable experience.
So, to summarize, both sets are very good - no noise, quality seems to be on point. The globes have some unique sonic characteristics to my ear, and in some pairings seem magical, but in others might be a little less ideal - it will depend on your taste. With that being said, the difference is going to be subtle, and I don’t want to give the impression that the globes wouldn’t be good in all situations, they just have their own voice which must be taken into account in the overall synergy. The Elites are more of a neutral all-rounder, and if I were just going to have one set of 6SN7s but could roll the other tubes and headphones, I think it would be those. Overall, you can’t go wrong, but I hope this helps with making the decision!
Problem was that all bottles contained the exact same vodka.
Every time I see a Chinese company selling a 6SN7 tube with different shapes, different print and packaging , and different prices, I think of that story.
In the history of tube making we do not find factories simultaneously producing several different variants of the same tube. The only difference were some tubes meeting more exact tolerances for military use (sometimes pulled separately from the production line) and long life tubes.
IMHO to take a tube and dress it up in different print and packaging and charge prices all over the map is a marketing ploy.