bangraman
Headphoneus Supremus
- Joined
- Oct 3, 2002
- Posts
- 10,305
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- 65
"I agree with Bangraman that a device should measure well first, then made to sound good."
All right, let me try and get my original point across once again (to the likes of vranswer too), and I'm out of here.
Because I don't believe in measurements only (everything I've noticed, I've noticed with my ears first, after which I go to measurements to confirm) what halcyon said is kind of a roundbout way of saying what I wanted to say, which is that the HD5 upsets the level playing field inhabited by all the other players out there for no good reason. If it had a better audio stage than the competition, it wouldn't be an issue. But it has inferior sound quality to many of the rest.
You might say it's not a big issue. If you were to press me, I'd say in isolation it isn't. But what this boils down to the fact is that if Sony uses manipulative principles to mask a slightly poorer audio stage with a subtle shift in flavour, enough for it to be picked up as slightly better, whose to say others won't adopt the same approach? After all, fooling the inexperienced is a lot easier than engineering new fabric and a great audio stage. You're on a slippery slope and we Head-Fi members may really have to go back to our Discmen for sound quality.
All right, maybe I'm exaggerating but this could be the start of a retrograde step in the DAP world.
Other players which measure flat (either as is or with an optimum load) don't sound the same, even if you compare with headphones which bypasses any bass fall-off problems which certain players might have. There are codec differences, there are also differences in sonic resolution, noise, etc. These are what players should be compared on, not on the basis of optimal euphonics on a 'sorta-kinda-flat' EQ test, especially as all portables have the scope to adjust that flavour.
All right, let me try and get my original point across once again (to the likes of vranswer too), and I'm out of here.
Because I don't believe in measurements only (everything I've noticed, I've noticed with my ears first, after which I go to measurements to confirm) what halcyon said is kind of a roundbout way of saying what I wanted to say, which is that the HD5 upsets the level playing field inhabited by all the other players out there for no good reason. If it had a better audio stage than the competition, it wouldn't be an issue. But it has inferior sound quality to many of the rest.
You might say it's not a big issue. If you were to press me, I'd say in isolation it isn't. But what this boils down to the fact is that if Sony uses manipulative principles to mask a slightly poorer audio stage with a subtle shift in flavour, enough for it to be picked up as slightly better, whose to say others won't adopt the same approach? After all, fooling the inexperienced is a lot easier than engineering new fabric and a great audio stage. You're on a slippery slope and we Head-Fi members may really have to go back to our Discmen for sound quality.
All right, maybe I'm exaggerating but this could be the start of a retrograde step in the DAP world.
Other players which measure flat (either as is or with an optimum load) don't sound the same, even if you compare with headphones which bypasses any bass fall-off problems which certain players might have. There are codec differences, there are also differences in sonic resolution, noise, etc. These are what players should be compared on, not on the basis of optimal euphonics on a 'sorta-kinda-flat' EQ test, especially as all portables have the scope to adjust that flavour.