(If memory serves me correct I think I may have said something you didn't get in another thread; maybe a "Metrum" thread as
I had an Octave, now a Hex)
Maybe. I don't remember sorry. Forgive my english , it is indeed not my native language and I struggle sometimes ( may I say often ) to understand what people write , especially where technical language, slang or connotations are used.
I understand what you 're saying,. what i don't achieve to understand is to link what you said wit the transparency/grado/HD 800 debate ;à)
Aha ! I thought that it might have been interruption to the "ongoing" transparency debate ! (which I had a little time to think about; so
I'll comment on that also)
Everyone assigns different qualities to what they call "transparent". The real problem begins with where the "transparency" really
starts. Does it go all the way back to how something was recorded or are somethings changing as the music passes through each piece of equipment before you hear what's coming out of your headphones ?
The real truth is we all prefer the way certain things sound more than we do others. He, he, he... everyone really has to decide for
themselves because things like "brightness, darkness, openness,sibilance etc" are not musical qualities but "mechanical" properties
that were added during the recording or being created as the signal passes from one component to the next.
"Transparency" is only important to what you're listening to ,it's really not a transferable value between other people ! You may feel
that something is or isn't "more" transparent, but this is not a measurable degree of value, only an individual value.
& that's it ! Debate solved !