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Never said it was the best sounding with the HD800 now did I?.
I like the GS-X mkII with the HD800s myself.
FYI: All B22s has a chance to be unique. They start out as a blank PCB / circuit board, from there the sky's the limed - maybe you didn't know that.
Then why did you say that your b22 stomps the Phonitor in response to my post where I said to the other user the "assuming the Auditor has the same guts as the Phonitor, it is easily one of the best combos right there for the HD800". Not to mention we are discussing about amp recommendations for the HD800's, not amp's for x, y and z headphones - HD800's. Did you feel satisfied that you had to object your opinion with a overused hyperbole term such as "stomps" in your post? Seriously.
All b22's have a BOM list that it follows and you can't just drop in any fancy part for every component to make it sound night and day different to other b22's, all the differences are miniscule and subtle. Parts that can be changed on the PCB to the sky's limit substituting the resistors for better ones, cap's for boutique ones which in most cases in the design of the b22 have little or no sound differences at all and using WIMA mkp caps rather than stock Vishay or any other ones and finally a better pot or using the digital attenuator Ti Kan designed himself. These are about the only things you can change for better ones, even if you changed everything on the PCB for the best out there, the sound between the b22's are not great at all, I know this because I have build 3 b22's to play around, compared 4 - 5 other b22 builds by other people and the only times I found great sound differences was the case of a different source used.
So you can't exactly say the sky's the limit with populating the PCB only. Yeah the sky's the limit when you start counting in things such as the brand of the tranny used, whether or not you want use the dc offset relay system Ti made, using expensive premium pots, enclosure, wiring etc.
@rawr. The b22 is a good amp, but in my opinion not that good with the HD800. It is sometimes too uncalled for for being bright, attenuating that treble peak of the HD800's especially for vocal and classic pieces. It took me less than 5 minutes from auditioning the Phonitor at Jabens to notice the depth and supreme neutrality the Phonitor exhibited that my b22 did not. It was balanced hooked up to some Denon transport playing some demo sample cd's that come with McIntosh amp's. I listen to one of the classical tracks I was familiar with and I noticed the HD800 was very neutral sounding, no brightness in the treble and there was this depth to the piece being played - all this in under 5 minutes of listen time.
The b22 is very good for dark/warm headphones.