Davey
Headphoneus Supremus
- Joined
- Nov 5, 2002
- Posts
- 1,574
- Likes
- 13
Recently been listening to a lot of early Morphine ... Good, Cure For Pain, and Yes. What a great band, and a trio of very nice records, especially that bluesy first one. Not very recent, in fact almost 15 years old now, but ya gotta go back aways to get any pop or rock that is well recorded and mastered because the industry has been taken over by the idiots, and it's almost all severely compressed, and then maximized, and then repeated, until there is no life, no nuance, no texture, just a constant barrage of sound....
OK, rant over, but these were all recorded by Paul Q. Kolderie at Fort Apache, a pretty well known studio, and engineer. He also did records like Radiohead's The Bends and the Pixies debut EP and some Uncle Tupelo and a bunch of others. If you like sax with your rock, these records kick some ass, sometimes hot and smoldering, but sometimes bursting into flames. Here's an excerpt from the SoundStage! audiophile ezine about Cure For Pain, which might be my favorite on most days ...
Morphine – Cure for Pain [Rykodisc RCD 10262]
Walking around audio shows as a member of the press occasionally yields temptation from the manufacturers. When I first met the guys from Blue Circle and Merlin at HI-FI '97, they offered me Morphine. And you thought Roy Hall's scotch was addictive. Cure for Pain is a really catchy, upbeat release that's hard to classify. It's definitely rock, but with influences from jazz to funk. One of the most unique parts of the sound is the saxophone playing of Dana Colley. It used to drive me crazy trying to figure out how the hell he got some of the weird blends of sound he was producing. One of my musician friends who'd seen the band live clued me in -- he plays two saxophones at the same time! You won't easily confuse these guys with anybody else, I tell you that much. Morphine is lots of fun to listen to, and the recording deserves playback on a show-quality system. Just don't expect it to be covered by your HMO. -- Greg Smith
OK, rant over, but these were all recorded by Paul Q. Kolderie at Fort Apache, a pretty well known studio, and engineer. He also did records like Radiohead's The Bends and the Pixies debut EP and some Uncle Tupelo and a bunch of others. If you like sax with your rock, these records kick some ass, sometimes hot and smoldering, but sometimes bursting into flames. Here's an excerpt from the SoundStage! audiophile ezine about Cure For Pain, which might be my favorite on most days ...
Morphine – Cure for Pain [Rykodisc RCD 10262]
Walking around audio shows as a member of the press occasionally yields temptation from the manufacturers. When I first met the guys from Blue Circle and Merlin at HI-FI '97, they offered me Morphine. And you thought Roy Hall's scotch was addictive. Cure for Pain is a really catchy, upbeat release that's hard to classify. It's definitely rock, but with influences from jazz to funk. One of the most unique parts of the sound is the saxophone playing of Dana Colley. It used to drive me crazy trying to figure out how the hell he got some of the weird blends of sound he was producing. One of my musician friends who'd seen the band live clued me in -- he plays two saxophones at the same time! You won't easily confuse these guys with anybody else, I tell you that much. Morphine is lots of fun to listen to, and the recording deserves playback on a show-quality system. Just don't expect it to be covered by your HMO. -- Greg Smith