Quote:
Originally Posted by iponderous /img/forum/go_quote.gif
....Despite the assurances that Jerry Harvey has given, having been to the site, read the blurb and the specs, the JH16 PRO does for all intents and purposes look like an advancement in custom IEM technology over the JH13 PRO to me....
....However, I am dubious about the distinction that the JH13 PRO is more appropriate for audiophile listening, whereas the JH16 PRO is aimed at musicians for monitoring purposes. That sounds like an attempt on Jerry Harvey's part to placate those JH13 PRO owners, who might feel aggrieved by the surprisingly early announcement of its successor ....
|
I know Jerry to be a straight shooter. I don't think he's trying to placate anyone here.
I, for one, am not enamored of the current naming convention with some of these top-notch IEMs--that said, I have been able to wrap my mind and ears around the notion that the higher number isn't always better for everyone. When the Ultimate Ears UE11 Pro came out, it seemed to me that there was no uncertain acknowledgment by UE that some (maybe even many) in the audiophile set might prefer the UE10 Pro for its neutrality.
Not too many companies apologize for coming out with new stuff, and, in almost every case (including this one), they shouldn't.
Quote:
Originally Posted by iponderous /img/forum/go_quote.gif
....How this translates into audio performance remains to be heard. However, if I was considering buying the JH13 PRO, the introduction of the JH16 PRO would now have to enter into my thinking as well.
|
True on both points. Just due to the cost of the things, I don't think you're going to have a glut of people able to describe what they're hearing, as far as differences between the two. I am getting a production sample of the JH16 Pro (I'd guess at least a bit before the first full production units are shipping), and I do have a JH13 Pro and UE18 Pro to compare it to, which I'll do, at least briefly, after I've had some time enough with it to form first impressions. (And, of course, my sonic impressions are my own--as my ears hear, and as my preferences dig--so they may be of limited or no value to others of you.)
I get the impression from Jerry so far (again, not having heard the JH16 Pro yet) that the difference between the 13 and 16 won't be as noticeable for most audiophiles (given their type of use and listening) as with some pros. Here's what JH Audio posted from Jerry on Facebook (which I think was posted here earlier, but is probably worth posting again):
Quote:
Originally Posted by Jerry Harvey
The JH16 is not necessarily a better sounding earpiece than the 13. The JH13 is a killer sounding earpiece and audio-wise it is hard to improve upon. Regarding the sound signature, the 13 and 16 are very similar. The JH16 offers more bottom end capacity and therefore will take more low-end input.
You will notice the difference more in a live setting than a mastered recording. In a live situation the mix is not as controlled. The dynamic range and transient peaks are much more dramatic live. For example, in a live setting, an artist may want to hear a full mix plus a kick drum with a large 50hz boost (more than you would ever hear on a recording) and at a much louder volume than most people would listen. The earpiece needs to have more headroom and capacity so as not to distort at that volume level. This is when the 16 shines. Hope this clears things up a little.
Jerry
|
I think what he's saying is that there will be differences, but it's going to be close enough for audiophiles that preferences will come into play, so he can't choose for you.
The 16 does have a slightly higher price, but that's not at all surprising, given that there are a total of four more drivers in a pair.