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Because I have the stock pads on, and a thin piece of paper I just did this test in reverse, put the stock pads on top.
And the sound was pretty bad, There was a big loss on detail and volume, especially in the upper regions, but it was way sibilant nonetheless.
It also sounded really artificial, and metallic. If I would stack the pads in reverse I'm sure the sound wouldn't sound much better.
So, what was the hypothesis and goal of this experiment?
I see...
Since I'm interested in the 8.35D, I just wanted to know if doublepadding it would improve the sound the same way it does on the GMP 450 Pro, on which I've tried. Seems like it doesn't...
It should be done
without the piece of paper on (nor any other prior mod), but I think that it wouldn't change to much anyway.
The drop in volume was expected, but I'm surprised that you didn't found a huge bass bloominess and mudiness (assuming that you actually achieved a good fit and seal between the earpads which is critical, doublesided adhesive tape could help).
Oh well, they're simply different headphones acoustically, I guess...
I didn't say what should be the sonic goal of the experiment because I just wanted to hear your raw unbiased impressions and because I didn't really know how the 8.35D would deal with it...
It must be as good as it can in stock form then.
Thanks for trying!
Another question to the GMP 8.35D owners, does this headphone have the typical echo and reverb of most closed headphones?
Can you hear the box/enclosures? I find these kind of detrimental sonic artifacts very annoying...
The major sonic benefit of doublepadding the GMP 450 Pro is precisely cleaning up the sound from these distortions resulting in a much more transparent and clean sonic experience.
I've read that the M50 doesn't have this kind of artifacts because the interiors of it's enclosures are acoustically well treated but I never heard it... I would like to know how the GMP 8.35D fares in this regard...
Acix, could you give me a word here? You've heard the M50 haven't you?
Thanks!