INTRODUCTION
Unboxing the Eclipse TD-M1 conjures up comparisons to Focal, B&W, and Bang & Olufsen. The fit, finish and tactile presentation of this product is superlative. The heft, smoothness, and general feel of the product is something that you would expect from a speaker that retails for $1300.00. The overall presentation of the product is quite refined, with its rich, modern appearance.
These are speakers that look appropriate placed atop the desk of any tech industry vice president or CEO anywhere in the world. Upon seeing them heads will tilt, "oohs" and "ahs" will emit, and conversations ensue. They are packed well, presented well, and move into the user environment with class and grace.
SETUP
Setting up the Eclipse TD-M1 is encumbered by a few surmountable obstacles. The speaker that controls all of the functionality is stealthily marked. Power, volume and input selections are not easily detected, even in adequate lighting. I found myself popping on a light switch, or reaching for my smart phone flashlight application to make minor adjustments and inpu changes throughout the process. This detracted from the intimacy of experiencing the TD-M1s without the need for disruption.
The user manual, while comprehensive, is prone to taking liberties with assuming the technical prowess of the end-user. Some tweaks to the detailing of the sequencing for Wi-Fi, Bluetooth and USB set up would be useful prior to full release. These issues aside, I was successful in setting up the speakers via USB and through Wireless options.
NOTE: The listening experience from wired to wireless changes as in most cases, and with most products.
LISTENING
I auditioned the speakers in a wireless format first. This was accomplished through the Wi-Fi option. I used a variety of source material that serves as my stable of reference music. This included:
Lover's Rock - Sade
The Stone - Phillip Phillips
Someone Like You - Adele
Motivation - Kelly Rowland (Diplo Remix)
J.S. Bach Cello Suite #1 Prelude - Yo-Yo Ma
The Cold In You - Phaeleh (Khan Remix)
Breaking Me (Live) - Jonny Lang
Giorgio by Moroder - Daft Punk
These selections present a variety of vocal types, styles, musical complications and simplicities. I find that I can assess top-to-bottom what a speaker or headphone can do, allowing me to comment on more than just bass, midrange and treble profiles. So, how did they sound?
One word: underwhelming.
The Eclipse TD-M1, comes to the party all dressed up, red carpet ready, but with nowhere to go. The constricted sound signature of these speakers belie their finish, presentation and price-point.
One particular concern was how touchy they are about placement. Overtly so. Canted, not canted, tilted upward or downward, the sonic signature of these pretty little darlings swings all over the place. And that is not necessarily a good thing at all.
The general note presentation of the TD-M1 is thin. Allow me to deal with the ambiguity of that statement in a more reconcilable way.
With quality home speakers, of which I've owned my fair share, grill material is a potentially critical factor. Some great speakers throughout audiophile history have been critically proven to sound better with their grill covers off, and in some instances even on. Speaking to the former, more often than not, the reason "off" was the choice would be about veiling the sound of the upper mids or treble. The concern with the audio presentation of the TD-M1 is that metal mesh grills on or off, the problem of veiling persists.
These speakers simply lack character. They sound like something that could have just as easily come form iHome or Memorex. As I listened to them, while reading about the technology packed into them, as I simultaneously stroked their highly polished encasements, I was completely disconnected from my own music. That simply shouldn't happen. Turning my attentions analytical, I noticed several glaring areas of opportunity.
First, the soundstage is fragmented and moves about. This is likely due to the finickiness of positioning the TD-M1s. Breaking out a measuring tape in order to adjust for spacing, distance front-to-back, tilt etc, I was able to get the TD-M1s to provide a more stable image. It was much like the day the Mission speaker rep from Europe came into Rabson's on 57th and 6th and miraculously cleaned up imaging issues on their display units by placing hard coated aspirins at the four corners of their speakers. Seems someone had place their speakers on third-party stands whose surfaces were not even. By preventing the rocking of the actual speaker as it projected sound, the image simply stabilized. Same thing in this case, just with more precise placement as the method to settle down the wandering soundstage.
With that out of the way, I began putting them through my paces. Varying volumes, varying songs, varying my position in front of the speakers etc. What I found, in a nutshell, was that too much information that I know is in the music wasn't being transferred to me by the speakers. And what elements I could hear, that I am intimately familiar with, were sometimes delivered colored and made less musical.
Because I've been in the audio game along time, I have managed to pair down my collection of equipment to only the things that I actually use the most. My home speakers are Definitive Technology BP 7002s. They are driven by a Parasound Halo A21 two channel amplifier. I have three pairs of headphones in my collection; the Sony MDR-1-R, Martin Logan Mikros 90 and the Yamaha EPH-100 (an IEM). Ray Samuels is my portable amp vendor of choice.
Moreover, and more germane to this topic, my last desktop speakers were the absolutely fabulous Level 9 Monsoon PlanarMedia 14, which I gave to my namesake (Fabian IV aka. Q) a couple years back. I simply had to thwart his need to blow college money on AudioEngines that couldn't come close to sounding as revealing, detailed and punchy—not to mention the sub-bass heft so generously provided by the accompanying subwoofer. That shared, I can say with reasonable assuredness that packing audiophile sound into the audiophile pricing and presentation of the Eclipse TD-M1 is the next evolution of a great start—at least aesthetically.
The sound just isn't there. The bass is lacking and just sounds wrong—as if it's coming from a toothpaste tube. Sub-bass is a non-starter. Mid and upper bass experience problems with speed, detail, and resolution.
The lack of any semblance of adequate bass signature should allow the entire midrange to breathe and perform openly and unveiled. That is simply not the case. While,listening you get this niggling sense that there's an invisible screen right in front of the drivers—diffusing the sound, breaking it up into parts that are neither synergistic nor organic. This wreaks some particular havoc on female vocals like Sade and on a more laid back Adele, as if they simply can't cut through. Jonny Lang manages to fair better, but he too is compromised by TD-M1s seeming inability to break free of the ties that bind.
Yo-Yo Ma's cello holds its own, because it's slowly rendered, albeit with the signs of having a touch of a head-cold, and Phillip (who I can't stand) Phillips' amazingly recorded take on Dave Matthews'
The Stone, gets gobbled up with the bass lines and drumming simply proving too fast for the little TD-M1 drivers.
CONCLUSION
I had high hopes for these speakers, and I certainly cannot count down and out any company that can produce something this aesthetically brilliant. If Eclipse can shift some of the R&D dollars from the design gurus to the audio engineering side of the house—managing to bridge the gap between form and function—the final or next iteration of the TD-M series may finally have a black tie party to throw that's worthy of its Tom Ford tuxedo great looks!
They Eclipse TD-M1 desktop wireless (AirPlay enabled) speakers.
That finish is pretty spectacular. Reminds me of the old Pioneer Elite Urushi line with its stellar fit and finish.
Tolerances on edges and flush points are very exacting. A real testament to the visual refinement the developers sought and ultimately achieved.
I decided to switch up the grills for fun.
The black grill on the white speaker is a very classy look. Not so much so when done the other way around.
