The diary entries of a little girl nearing 30!
Feb 8, 2012 at 5:43 AM Post #1,006 of 15,119
I don't recall reloading a shipper's tracking page as frequently for anything as I have been for these IEMs.
 
Somewhat frustrating because while UPS's has improved in the past couple years, it's still not as good as FedEx's from the infoporn standpoint. FedEx will report every time a package moves between points, whether from a warehouse to a vehicle or between vehicles, as well as the next check-in point. UPS only reports the last location a package was checked.
 
Which, in this case, is "China".
 
Feb 8, 2012 at 5:46 AM Post #1,008 of 15,119


Quote:
I don't recall reloading a shipper's tracking page as frequently for anything as I have been for these IEMs.
 
Somewhat frustrating because while UPS's has improved in the past couple years, it's still not as good as FedEx's from the infoporn standpoint. FedEx will report every time a package moves between points, whether from a warehouse to a vehicle or between vehicles, as well as the next check-in point. UPS only reports the last location a package was checked.
 
Which, in this case, is "China".


Reminds me of my L3000 that magically vanished between Austria and the US for five weeks.
 
Austria: "We shipped your package"
US: "Origin country is preparing to ship your package."
 
 
Feb 8, 2012 at 5:52 AM Post #1,009 of 15,119
Sorry about that Muppet I'll know better next time and not mention any drama going on in the other threads. My apologies about that. By the way any idea when you're going to get your HE400? You seemed pretty excited about that headphone when it was first announced.

 
Feb 8, 2012 at 5:55 AM Post #1,010 of 15,119


Quote:
Sorry about that Muppet I'll know better next time and not mention any drama going on in the other threads. My apologies about that. By the way any idea when you're going to get your HE400? You seemed pretty excited about that headphone when it was first announced.



No worries : p
 
I think the rest of the pre-orders are shipping on or around the 11th.
 
Feb 8, 2012 at 6:02 AM Post #1,011 of 15,119
Our upstairs neighbors have this really old persian cat that likes to hang out on their balcony. It's kind of senile though, so it'll see a butterfly or something go by, and then lean out too far and fall off the balcony. It usually lands by our back door, and subsequently tries to come inside our apartment by pawing at the door and making a fuss.
 
Since our back door looks just like the upstairs neighbors', it doesn't seem to realize it moved ten feet in the downward direction and is, in fact, somewhere entirely different. Its owner will be standing right there calling to it, but it'll just look confused, like "Why are you over there and not inside?"
 
It keeps doing it too, and I keep trying to get them to put up chicken wire or something to keep it from falling off. Or just keep it inside if it's that damn senile. Sheesh.
 
Feb 8, 2012 at 6:59 AM Post #1,013 of 15,119
Quote:
Originally Posted by MuppetFace /img/forum/go_quote.gif
 
The LCD-2 rev. 1 LCD-3 LCD-2 rev. 1 ties into my fascination with estheticism. There's just something to this business of wearing uncomfortable headphones. How far do you go for listening enjoyment? How much comfort are you willing to sacrifice? Maybe there's an intersection of pain and pleasure here too, and it can be rewarding, perhaps, so long as you don't forget the safe word. I truly think Final Audio is on to something with their upcoming fetish headgear.
 ​
Everything else just seems pedestrian by comparison. Sure, it's made out of the stuff angel's harps are made from, bent into shape by Hephaestus himself on his forge atop Mount Olympus. Yeah it's exclusive, and the top businessmen in Hong Kong will be required by law to purchase it. But those select descriptors could be applied to much of what Final Audio has done lately. What makes this concept special--what truly sets it apart---is what it demands. Of you. If Final Audio can make this thing sound half as good as it should, then it will be a genius move. I say genius because they would have, in effect, created a beautiful work of art that entices you to listen, but punishes you at the same time. It would be something requiring personal sacrifice to experience. If that's the case, then it will truly be worth while. If they can pull it off.



 
 
I like the conceit of orthos (and similarly physically unwieldy things) as being a dare: How much are you willing to suffer... not even for your music, but merely for how well the music sounds.
 
It is the headphonist equivalent to home stereos that take over the family room with massive, delicate, space-heating equipment that requires one to sit just so, and then get up every 20 minutes to reset the record player. In parts of the country where real estate is dear and utilities are expensive, it's not only a personal sacrifice but also an inconvenience to everybody else in the house, especially if they don't share in the interest.
 
 
Quote:
Originally Posted by MuppetFace /img/forum/go_quote.gif
My partner and I are planning on a very audio-centric St. Valentine's Day. She's ordered the Heaven S for me, and in turn I've procured a pair of Miles Davis Trumpets. I plan on swiping them and having a listen when backs are turned of course. Why do I feel vaguely like Fred Flinstone when he got Wilma a bowling ball for their anniversary? I suppose I'm so used to buying IEMs for myself, that when someone requests one in turn, I invariably feel like I'm really buying it for my own satisfaction.
 
* * * * * * *
 
The UHA-6S is such a nice little amp. As I've already noted, most IEMs are on their best behavior when paired with it. No hissing, better control, and in some cases the sound evens out a bit. The RE-272 for instance stops gibbering and swinging its liver-spotted old man hands at me; it mellows right out, smiling and holding a jello cup in one hand, the other one in the air jazz-hands style. Look, it's happy. It's even dancing a bit.
 
I'm already obsessively into IEMs right now. Having a nice portable amp just fuels the obsession further.



 
My partner and I each buy our own things as suit our own hobbies. We're each too particular about them for the other to make satisfying gifts. "Oh, you bought me... an M50... thanks."
 
Glad you like the UHA-6S. I think it's a little treasure, and kind of striking that it seems to be garnering more attention as a cult item than a new one. If whatever Leckerton ships next is everything the UHA-6 is, plus better and more things, I'm going to find it hard to not ask him if there's a way to exchange and upgrade.
 
Not meaning to disrupt your obsessions further, but I'm finding myself listening mostly to the TF 10 through the Porta Corda III, despite the static; it gives the midrange more tightness and presence than the Leckerton does. It will be interesting to see how it compares to the UHA-6S with a more highly resolving and balanced headphone like the 4.A; I have a feeling the PC III might sound too middy or even bright by comparison, but the difference should be small and possibly appreciable.
 
Collecting portable amps is much easier than collecting non-portable amps. TOTL portable amps are still considerably cheaper, for the most part, than the best-regarded IEMs currently, too. This is not an obsession I should be considering pursuing, to be honest.

 
Quote:
Pretty much all of my writing these days is academic, and while dryness is certainly encouraged in my field, it doesn't carry with it quite that level of commitment to suppressing style and a sense of individuality. [....] You have to use a very narrowly defined set of agreed-upon words for describing certain phenomena, which makes sense when writing for a science, but can be a bit maddening if you prefer florid expression.


Until fairly recently most of my writing was for business, and I can do the dryly dry dry thing yah. Proofreading academic writing, even abstruse papers, can be enjoyable if I can find some interest in the topic, but that can be quashed if the author does not have a clear agenda and purpose to what they're doing. In fact, some researchers have a crystalline clarity to their thought and authorial voice that, even though they toe the marks regarding writing style, they are pleasures to read, just to watch a problem be dissected and resolved. I enjoy writing creatively but I don't have the discipline to control the solecisms and rambliness and my own grammatical foibles.


Quote:
Going back to the tirades about Chinese manufacturing, in a way I can't help but think of those politicians who are anti this and anti that but then suddenly have a change of heart and become invested in an issue because a family member suddenly fits that demographic. In this case it's just the opposite, but the same mechanism. I can't help but wonder what the responses would have been like from certain people had a spinning of chance's wheel resulted in their getting a non-defective unit. 


As you say, these things happen; at the limited-production/bespoke end of the market, problems are going to be more prominent. A boutique manufacturer's products will be tracked, critiqued and compared avidly, while a mass manufacturer of appliances will have most of its products sold and used, unremarked-on, lacking avid user forums discussing them.
 
This is germane to amp problems I'm having, but I don't see the point to getting irate. As you say, these things happen, and they can be resolved without putting anybody out.
 
Part of my low stress, though, can come from having the means to afford the loss. If I had to take on a second job and save for months to afford my first piece of high-quality gear, I'd be much more upset if it failed quickly. Warranty or no warranty.
 
Treat your equipment purchases as gambles (regardless of how safe the bet is), and don't gamble more money than you can afford to walk away from.
 
Feb 8, 2012 at 7:40 AM Post #1,014 of 15,119
Some Notes:
 
So, there's two different ways that UE creates their acrylic shells --- the first way is the traditional way of making the negative mold and then pouring the acrylic in; the second way is doing a 3D scan and then prototyping the cast from a laser stereo lithography (SLA) machine. Most companies, I assume, do it the traditional way. I've been scouring through videos online and all the labs I've come across make their customs in the traditional manner.
 
I wonder what prompts UE to have to do it in the new way? I've known for some time now that SLA is the 'way to go' for prototyping things straight from CAD, and they've been working on scaling it to be field-able in mass production (not that customs are really mass produced). Is the SLA method more precise? More cost effective? Is UE just piloting the system to see if it works well?
 
FitEar really has the most unique driver setups in the industry. They often employ a mid/high mixed driver in addition to standalone mid and high drivers for their five-driver setups. I wonder what their rationale for that is, especially when all the other companies try to sequester the different bands to their respective sound tubes?
 
And one last question to ask today: where are the x-Jays?
 
 
Feb 8, 2012 at 7:44 AM Post #1,015 of 15,119
Quote:
I wonder what prompts UE to have to do it in the new way? I've known for some time now that SLA is the 'way to go' for prototyping things straight from CAD, and they've been working on scaling it to be field-able in mass production (not that customs are really mass produced). Is the SLA method more precise? More cost effective? Is UE just piloting the system to see if it works well?


To answer my own question (haha), I quote Felix Yau (aka MaoDi) in his review of the UE11 (http://www.compudio.ca/2010/01/ultimate-ears-ue-11-pro-basshead.html):
 
 
Quote:
Ultimate Ears has a second method, which is the more advanced SLA process, or stereo lithography. This option is usually used when clients send in a pair of their currently owned custom monitors, where Ultimate Ears then puts this pair of custom monitor through the 3D laser scanner creating a ultra high resolution 3D digital impression. The SLA machine is then able to cure acrylic resin to the exact shape of the scanned monitor, to allow a absolute perfect fit. Unfortunately though, the SLA process will only cure and create clear shells. Meaning to use this the SLA machine to create colour, the scanned digital 3D impression is used to create a negative mold, where the traditional method could then be applied.

UE11-91.jpg
UE11-92.jpg

[size=78%]Left and Right Ear Fit[/size]

For this specific pair of UE11’s, I decided to send in one of m currently owned pair of custom monitors for the SLA scanning process, as I know then I will not be requiring a fit. Ultimate Ears can managed to not just create a perfect fit for me, but has also managed to make the monitors slightly more flush and comfortable while still retaining that necessary seal for deep, rich lows and crisp clear highs. Overall, the fit of the UE11 is fairly close to fantastic. I prefer, and think that a slightly tighter fit for both sides would be easier to use, as then you don’t have to get the monitors in that exact spot to have a perfect seal. Despite my opinions though, the monitors seal well and feel comfortable. That is all that matters in the end.

 
 
Feb 8, 2012 at 7:47 AM Post #1,016 of 15,119
I'm in a chatty mood this morning. My partner had to go in early to work, so I didn't get to talk with her over breakfast like I normally do, and as a result I'm a bit lonely. : (
 
It has given me an opportunity to try out the EX800ST though. These are merely rough and ready impressions, so I'm going to say preemptively that they're subject to change and should be taken with a bit more salt than normal.
 
Definitely a monitor device, no doubt. The packaging is awesome: a white box with the product info crammed into the corner in small print, basically the same "professional no nonsense" packaging that was used on the CD900ST. Makes sense, given that these are about STudio products. Those of you who find the EX700, and even the EX1000, to be a bit too bright may do well to check out the EX800ST. The treble is very well behaved, imparting no sibilance or sharpness. Now I don't hear sibilance with the EX1000 either, but given that to my ears the EX800ST sounds darker than the EX1000, I'm assuming it would be less of an issue to those sensitive to peaks.
 
The most immanently describable characteristics of the EX800ST are plentiful detail and amiability. These are truly Japanese biz-nizz, extremely polite and well mannered. I could swear they bowed somehow when I put them in my ears. They're also quite hard working, relating micro details and getting into those nooks and crannies of a given track. It's a wonderful combination, eschewing that harshness that typically cited "analytical" devices can bring along for the ride.
 
Honestly, if it weren't for the EX1000, I'd say this was Sony's masterpiece. In some ways and to some people it may still be. They seem more refined than the EX1000, but also slightly less impressive and engaging as a result. They're a little too well mannered. Still, a fantastic effort.
 
Feb 8, 2012 at 7:50 AM Post #1,017 of 15,119


Quote:
FitEar really has the most unique driver setups in the industry. They often employ a mid/high mixed driver in addition to standalone mid and high drivers for their five-driver setups. I wonder what their rationale for that is, especially when all the other companies try to sequester the different bands to their respective sound tubes?
 


I'm still determined to explore FitEar, darn it.
 
As for rationale, it seems to me on first blush, that a mixed driver might lead to smoother and more effortless transitions across the frequency band. A more unified and coherent means of handling complex passages, perhaps? Or a smoother means of transition.
 
 
Feb 8, 2012 at 8:04 AM Post #1,018 of 15,119
Quote:
I'm still determined to explore FitEar, darn it.
 
As for rationale, it seems to me on first blush, that a mixed driver might lead to smoother and more effortless transitions across the frequency band. A more unified and coherent means of handling complex passages, perhaps? Or a smoother means of transition.


The problem is that making things more coherent effectively negatives the benefit of having standalone drivers. They could just employ dual TWFKs, for example, instead of tasking one FK for highs and one TEC for mids, and then tasking another TEC for mids/highs. It also makes impedance and phase matching a lot more difficult, at least from the outside looking in.
 
 
Feb 8, 2012 at 8:24 AM Post #1,019 of 15,119
Laszlo Krasznahorkai's monolithic Satantango is finally getting a proper English translation in print soon! Which reminds me, Bela Tarr's cinematic adaptation of The Man From London seems to finally be out on non-bootlegged DVD in the US as well. Now if they'd only release The Turin Horse.
 
The Turin Horse is truly one of the most existentially bleak films ever made.
 
In many ways Enter the Void was the opposite in its presentation, though there's a similarity in the ultimate outcome. With Tarr we get a practically static mode of existence, time slowed to the point of feeling the earth's rotations beneath us, but that large whole is comprised of so many self-same seconds. It's repetition for Tarr, the endless circles that The Devil traces through hell. Always returning with no progression. When we reach the end of the film, there is no growth or development, and it circles back into itself like an ouroboros. Satantango. The Devil's Tango.
 
Enter the Void was all about reincarnation, though it went about it in such a hideous way it became hell as well. The eternal return... to what? Those seconds were all varied and frenzied, a kaleidoscopic acid trip comprised of microcosm after microcosm. This potentiality was arrayed into a singular blur though, all the colors of the rainbow bleeding into white. Blinding, incomprehensible white light.
 
Black and white. Absence and everything. Are they truly as opposite as me might think?
 
Blarg.
 
Feb 8, 2012 at 9:12 AM Post #1,020 of 15,119


Quote:
 
Honestly, if it weren't for the EX1000, I'd say this was Sony's masterpiece. In some ways and to some people it may still be. They seem more refined than the EX1000, but also slightly less impressive and engaging as a result. They're a little too well mannered. Still, a fantastic effort.


Just when I find out I can now order the 800's from Accessoryjack. When I was in Hong Kong last year I tried the 800's for a few minutes, and I was impressed. Overall they sounded better to me then the leaner EX1000's. However with my GR07s on hand to compare I found them a little unengaging. It's entirely possible that if I had a longer time to compare the two I would have picked out the nuances of the 800's.. but how would you compare them?
 
Actually, how would you compare the GR07s with the EX1000's also, considering that they are both use some form of exotic Sony driver tech? :3
 
Quote:
Laszlo Krasznahorkai's monolithic Satantango is finally getting a proper English translation in print soon! Which reminds me, Bela Tarr's cinematic adaptation of The Man From London seems to finally be out on non-bootlegged DVD in the US as well. Now if they'd only release The Turin Horse.
 
The Turin Horse is truly one of the most existentially bleak films ever made.
 
In many ways Enter the Void was the opposite in its presentation, though there's a similarity in the ultimate outcome. With Tarr we get a practically static mode of existence, time slowed to the point of feeling the earth's rotations beneath us, but that large whole is comprised of so many self-same seconds. It's repetition for Tarr, the endless circles that The Devil traces through hell. Always returning with no progression. When we reach the end of the film, there is no growth or development, and it circles back into itself like an ouroboros. Satantango. The Devil's Tango.
 
Enter the Void was all about reincarnation, though it went about it in such a hideous way it became hell as well. The eternal return... to what? Those seconds were all varied and frenzied, a kaleidoscopic acid trip comprised of microcosm after microcosm. This potentiality was arrayed into a singular blur though, all the colors of the rainbow bleeding into white. Blinding, incomprehensible white light.
 
Black and white. Absence and everything. Are they truly as opposite as me might think?
 
Blarg.


 
I have watched neither of these films, and I'm going to assume the answer to this is yes, but have you ever read the writings of Jorge Luis Borges? Your comments strike me as similar.
 
Myself, I just finished watching Apocalypse Now again. Such a dizzyingly ambitious and haunting film.
 
I find myself wishing I had that Sony visor to watch it in, immersed in my own little world.
 
 

Users who are viewing this thread

Back
Top