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Hmm. Mike said why he felt that the HD800 was still better in specific technical areas though; claiming that it wasn't as large in sound stage size and didn't layer as well.
I can't help but wonder what "layering" actually means in this case, or sounds like from headphone to headphone. I see that everyone is applying there own meanings to them but it doesn't explain much. Mike even has a glossary explaining what these terms generally mean on his website if I remember. His article only serves to point out how difficult it is to write a headphone review properly...actually, what is a "proper" headphone review?
Layering is not a word I'm comfortable with seeing used as standardized vocabulary. I've always inferred it meant layers of depth, but I don't know whether that's what the author meant; they might mean how joint/disjoint instruments are from each other in the performance space, for example.
For that matter, I feel kind of ambivalent about discussions of soundstage, since headphones don't really do that (sometimes I see the word "headstage", which makes more sense to me). Soundstaging on speakers in a room, when well set-up, present the illusion of an actual stage, with instruments, in front or around you. Sound/headstaging on headphones, at best, create a different kind of spacial illusion. Not necessarily better or worse, but it's nothing like speaker soundstaging.
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Man, I always find myself gravitated toward hangout threads like this.
Mind if I ask for some advice here? While I'm mostly content with the gear I've got now, I'm really curious as to what I'm missing out on in the realm of soundstaging. Muppet, as someone who owns the HD800's along with a million other quality cans, is their soundstaging really as above and beyond everything else as some have said? Would anyone else in this thread have a strong opinion on this?
The HD 800 is a champ, to be sure. As much as I love orthos, I've never found them to be all that great in recreating space, especially when put up against the HD 800. You might do better with electrostats, but as discussed, you trade off certain qualities of sound that might be important to you. There's a certain investment required in the rest of the sound chain, since electrostats (and piezos and electrets) require dedicated amps (or transformer boxes) while dynamic/ortho/etc. headphones can run off any conventional amplifier with greater or lesser success.
I've never been able to have a good, sustained listening session with stats, though, so I can't be of much use regarding them.
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The HD800 has a huge soundstage, yeah. I actually touched on the problem this creates for me at times in the SRH1840 impressions I just posted. It can cause certain compositions to seem disjointed. The Qualia exhibits this effect more, though. It doesn't have a soundstage quite as expansive, but it has more air between notes.
I find the Stax Lambdas to have a really pleasing, open sort of presentation. It's more cohesive too. However the shortcoming there is that it lacks weight. On the other hand, it gives music a vaporous quality that is pleasing in its own right.
I've sometimes wondered to what extent the Stax house sound is predicated on the assumption that the buyer will be listening primarily to small ensemble acoustic music: chamber music, jazz trio, lieder, folk singing, etc.