Biggarthomas
New Head-Fier
- Joined
- Jan 31, 2015
- Posts
- 9
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- 10
I actually have a Hugo on loan from my dealer. I really want to know whether I'm just jumping on the Hugo bandwagon or whether the sound that I perceive is being experienced by others with good systems.
I've been using an Aubiolab M-DAC for the past two years. The Audiolab was my first serious DAC and I'm very used to its sound. The Hugo out performs the Audiolab by a wide margin. The Hugo lifts more detail off music files. I'll give some examples. In Sympathy for the Devil, one hears the sound of maracas fairly early in the track. The Audiolab rendered them audible but the Hugo renders them more musical and more present. I know the Moody Blues albums very well the Hugo renders the ambient sounds that the band includes extremely well. In fact, I now have the satisfaction of knowing that I'm not just imagining some of those sounds - they really are there. Listening to Albinoni, Concerti a Cinque Op 10 sounds richer than ever, the violins rendered in a way that you can hear that they are wooden stringed instruments and not just digital sounds. Coltrane's Blue Trane is spectacular with adepth that I have never before experienced.
One of the things that I was very interested in was the effect of Hugo on the excellent sound staging and imagery of the Ayre amp and preamp. I'm hugely happy to report that, as I sit here now listening to Robert Plant sing Babe I'm Gonna Leave You, the Hugo keeps him right in my living room.
I've been using an Aubiolab M-DAC for the past two years. The Audiolab was my first serious DAC and I'm very used to its sound. The Hugo out performs the Audiolab by a wide margin. The Hugo lifts more detail off music files. I'll give some examples. In Sympathy for the Devil, one hears the sound of maracas fairly early in the track. The Audiolab rendered them audible but the Hugo renders them more musical and more present. I know the Moody Blues albums very well the Hugo renders the ambient sounds that the band includes extremely well. In fact, I now have the satisfaction of knowing that I'm not just imagining some of those sounds - they really are there. Listening to Albinoni, Concerti a Cinque Op 10 sounds richer than ever, the violins rendered in a way that you can hear that they are wooden stringed instruments and not just digital sounds. Coltrane's Blue Trane is spectacular with adepth that I have never before experienced.
One of the things that I was very interested in was the effect of Hugo on the excellent sound staging and imagery of the Ayre amp and preamp. I'm hugely happy to report that, as I sit here now listening to Robert Plant sing Babe I'm Gonna Leave You, the Hugo keeps him right in my living room.