Here is my comparison of the DT48A (pink/light blue) from 2001 to the DT48E-200 from 2012
These are my own impressions, others might experience it differently, and I don't know if there are production variances. Many of the sound descriptions of the 48E in the 274 previous pages, I can only hear comprehensibly in my DT48A with oval E pads.
The original clamping force was way too strong for me, so I reduced it by over-bending the steel head band, so that the distance between the pads is now ~3cm when it's not on my head. I also should admit that my own hearing above 12kHz is rolled off, which I think can have an effect on my perception of airiness in sound.
DT48E-200:
With the 48E I mostly have the impression that something is not right with the soundstage. At times, I find it too extreme left/right and depth is lacking = only 2D. However, this varies with the recordings. Really good ones can also shine, but never reach the effortlessness, spaciousness and clarity as with the DT48A (oval).
DT48A with round rubber earpads:
The rubber pads weren't that uncomfortable as I feared, I could even get a perfect seal after some minutes. The strange effect I'm sometimes feeling with the oval pads were gone, that I can hear and feel my own heart beat.
The bass was there but very weak and gone below ~80Hz (roughly). The still audible bass was very dry and precise though. The highs were cut off from ~10kHz up. So, the frequency extremes were essentially rolled off in comparison to the 48E.
But these mids... ! Unparalleled by anything else I've ever heard, extremely clear and detailed, above the resolution of the 48E, which sound a little veiled by comparison, and yes, also above of the Sigma Pro, I had not expected this. To some extend, this transparency may have been enhanced by a psycho-acoustic effect, i.e. there were no "distractions" from the mids by the higher highs and the lower lows. The overall experience was more that of an acoustic microscope (someone already previously mentioned this), rather than listening to a music piece as a whole.
The soundstage however, was 3D vs 2D on the 48E. On the DT48A, there was depth and a pin point focus of the instruments and voices. In an opera, I could even hear when the singer on the stage turned sideways, never heard that before.
However, these sound characteristica were only possible with perfect seal and perfect placement over the ear canal (only 3mm could make a noticable difference). During the first minutes I always needed placement corrections until it was right. This was the annoying part and since it is possible to also use the oval pads, I gave them a try.
DT48A now with new oval ear pads:
To me, all positive properties of the 48A with rubber pads described above, are retained and the not so good ones are 'fixed'. I found that the frequency response is now similar, if not more extending than on the 48E. Yes, I also sometimes would like to have a more extended (sub)bass, but not at the price of detail loss or other drawbacks. I have accustomed to the bass in a way that I find the bass on other headphones sometimes too dominant, like on the DT150, which in direct comparison are fun headphones and the Sigma Pro sound even bloated...
The DT48A with oval pads sound sooo right in most aspects (other than subbass), with excellent recordings they disappear. They don't add anything, no color, no artificial soundstage (like with solo instruments on the HD800, which I had for a weekend when it came out, so this is just from my memory). It all depends on the recording, if it has spaciousness, it is delivered on the DT48A, it makes me feel being there, on stage with the singers and musicians. I think, the best thing is a live recording anyway.
In a nutshell, if I could only have one, the DT48A with oval pads would be it. It feels like coming home meanwhile. I don't need the 48E anymore...
thodo