Nobody should think they can tell how a big diaphragm headphone sounds by looking at the measurements/CSD alone, especially above ~1000 Hz... (though there have been claims here and on other sites, too). You need both ears and measurements, but the latter nowadays tend to be good enough. I'd say just focus on the sound (says the one with multiple measurement rigs). These are not amps, DACs etc. But comparative measurements on the same gear and conditions can be relevant, IF the seal can be made the same as on your own head... So these in-ear-mike measurements are interesting... but then mainly for the person in question. Approximating from other measurements + your HRTF has some error margins, too.
Unit variations can also be pretty big, mainly because of the ear pads quality control (or lack of), but also the regular error factors.
Of course, one can say that the error margin in subjective opinions is even higher - that's how forums are. But no one expects absolute rankings from opinions.
The human auditory system is amazing, so I think that comparative reviews, experiences combined with statistics and reputation IMHO are better bets than measurements, however good they may be.
Of course, measurements will not evince one of the experience of something as huge as HiFiMan eggs, but I'd say once you've experienced those, it isn't hard to extrapolate, whereby I've found that I do prefer to maximize the amount of space around my ears. Now, "sounds" can be a term with semantic contention that could be reduced to a frequency domain transfer function, but I suppose people do use that term to include a plethora of contributors to the experience beyond tonality. My main purpose of sharing magnitude responses is an explanation of why something sounded "agreeable" to me (as opposed to "perfected" in EQ), and to show how "easy" a given headphone is to EQ on my head, frequency response smoothness being a sign of exceptionality. Tonal differences are otherwise things I find easy to transparently mold with proper EQ (I've found stuff above 1 kHz (unless you were missing a zero) to actually be quite important, whereby poor ear gain levels can be a deal breaker for my ears, and treble peaks can "dirty" the sound), however much some individuals' hearing may amplify the subjective effects such as imparting increased or collapsed soundstage. I then focus on CSD and distortion measurements for theoretical peak cleanness of sound, albeit somewhat at a level of splitting hairs in identifying what possibly inaudible but at least objective improvements our thousands are buying us (e.g. the HE1000se indeed has lower distortion than the Arya Stealth, and a bit smoother of a frequency response, and other than better build, those were the only accolades I could assign). Otherwise, of course, what sparse frequency response measurements of the X9000 would have never told me how poorly they unfortunately fit on my own head, saving me thousands from what would have been foolish to purchase blind, mind that I preferred the "presentation" of the Meze Elite and HiFiMan eggs.
Anyways, my stance at least on the HE1000se thread (page 320 and on) is of the form, "I happen to not hear the hype, and my personal measurements tell me exactly why [e.g. very similar frequency and step responses between the HE1000se and Arya Stealth despite "unit variations", and a bit of a few dB better distortion performance; or someone believing the HE1000se has "a whole lot more bass" when it should be possible to achieve an identical seal between both headphones, and they may have not volume matched]." I know what has
actually made a "day and night" difference for my ears (while maintaining the presentation from similar pad and driver size), and that has been EQ and binaural head-tracking. Unless certain headphone frequency responses or individual HRTFs are actually incurring "magical" psychoacoustic effects on certain individuals, I err on the side of being more critical of how we A/B gear, such as measurably establishing fair volume matching between different headphones and being able to switch between said headphones within 10 seconds, always going back to confirm whether a notable difference was actually heard while being aware of what factors or controls could have influenced that (e.g. pad size or transient response influencing the sense of imaging, or volume differences influencing soundstaging or detail impressions).