DrGonzo
100+ Head-Fier
- Joined
- May 13, 2011
- Posts
- 474
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- 55
So like the cable won't work at all? like no audio through it because it has an inline mic?
sound is very mixed up and the volume is barely discernable.
So like the cable won't work at all? like no audio through it because it has an inline mic?
I'm glad you got good. I needed to replace a jack.Mine arrived. It works better than the original. And i can say that the sound is improved in every way. From an es100 these are the reference of the dynamics for me. the sound is enormous and make me feel like i’m in front of a 20000 watts system. It is very recommendable to not raise the volume too much. While the sound pressure is very impressive and every frequency is present and vibrant, a lot of people would judge the sound too sculpted because of the ease of the drivers to manage such a movement. The best with that type of current through the drivers is to enjoy the swing at medium volume, the sound become super defined and the wall of sound remain punchy and never toomuch in your face. The bass is more controlled and the proverbial speed is there.
I ordered that one. You have not come yet. But I'll tell you how it works.Anyone know where I can get a standard 3.5mm (no inline remote) for the MDR-1AM2? I just got the ibasso DX120 today and the cable with the inline remote won't work with the DAP. Read on the DX120 thread that the DAP will only work with select cables that have inline remotes, apparently Sony isn't one of them. And the balanced cable won't work, as the DX120 takes a 2.5mm connection. Thanks for any help.
Man if you dislike them that much I don’t think a new source or amplification will fix it. I honestly can see some truth in what you’re saying although I just think they’re so fun. Which is why I enjoy them so much. I think they compliment my Z7M2 perfectly. Both cans have more of a fun non serious sound.I got the MDR-1AM2 today and have been listening to them for hours now and I am rather disappointed.
They sound almost exactly like the Beyerdynamic Custom Studio Pro to me, except they're just a bit more chilled and, unlike the Beyers, they are quite claustrophobic with the stock pads (no soundstage, plus my ears barely fit in) and very 2D with just a little bit of depth. Imaging is not bad, but could be better. It's much better with cheap pads for Shure 840 I got from eBay, but that still just puts them about on par with the Beyers. I think I'll return them.
What I've been looking for was more detail, tightness and intensity than they provide, possibly with somewhat elevated treble, while keeping staging at least a bit outside of the earcups and some depth to the stage, too. The Echobox Finder X1 (in-ear) is pretty close to what I'd like to get in around-ear form.
I'm running them from SMSL M3 and I don't have anything balanced to use them with at the moment.
Would you reckon that I need to upgrade my DAC/AMP combo or get a different pair? I'm considering the Audio Technica MSR7 (I already have the AR5BT, though I'm unsure about the differences between the two as I couldn't really find anything on them) and Yamaha HPH-MT8. I could also save up and get something higher up the ladder, but I haven't explored those options much.
The Panasonic RP-HD10 were almost it, except for the vast hollowness they lent to vocals, which is why I have returned those.
Man if you dislike them that much I don’t think a new source or amplification will fix it. I honestly can see some truth in what you’re saying although I just think they’re so fun. Which is why I enjoy them so much. I think they compliment my Z7M2 perfectly. Both cans have more of a fun non serious sound.
I have to ask, after seeing what you’re looking for, what even made you purchase the 1AM2? I think the Z7M2 is closer to what you’re looking for but an open back will probably suit you best. Closed backs always suffer in the soundstage department, although the Z7M2 is still quite good for a closed back.
I’ve come to appreciate the intimate in your face presentation of the 1AM2 though. But there’s no doubt that the Z7M2 has more depth and width in the soundstage department. Much much more. Much more spacious too, like each instrument has more space around it than on the 1AM2.
The Yamaha mt-8 is an instrument. Analitical and cold. This thread should specify that a guy who haven't money limits and wants a bigger non portable headphone, can easily ignore tha 1 series. Mdr-1xx exists in order to humiliate every beats lover in the same ground: the extension in the lower register and the dynamics, without sacrificing the detail and the mids presence. This is almost an impossible thing to do, and only a driver with incredible characteristic can do it. It remains the enclosure that must be very tiny to appeal a classy user. Sony had made a miracle, but the goal wasn't to let the 1 sound correct, but to have a robust bass, a tonal correct mid and a shimmery, exciting highs, at the expense of control. While the hp sounds very agile, it's a little too resonant in the bass, with a very fast attack but a slow decay. Things go better partially coveng the bass holes, but you are searching for something different, and a mdr-7506 does this job at a lower price. And yes, the dramatically bulky and expensive mdr-z7m2 laso does...
And please, don't compare light headphones to use on the go to big hifi cans amp driven only. It's like complaining the ferrari beacause their cars in offroad are a totally sheet.
Thanks for the tips and apologies for any offence caused by my posts.
However, how would you know that it's time for non-portables without a comparison? It seems inevitable it has to happen at some point.
You don't have to apologize. But I think that the 1am2 is the most capable hp between the portables, and if you choice to use it in you hifi studio you will be obviously disappointed unless you are a severe basshead. In that case you have to think that It's not on par with fostex wooden higher offers (the only hifi basshead cans), but it cost a lot less. And if you pair it with a es100 with a balanced cable the magic happens. The soundstage is on par with the senn hd6 series, the mids vecomes velvety nuanced and the bass gain a lot of control. You will have the 80% of an z7 at a fraction of the price. I'd really want to let you try it, but remember, it is a wonderful live rock concert, but it's overwhelming only if you go high on volume
i think it's more like a dt880 from distance. I'm comparing the two. The beyer is my reference, the sony is the sport version like amg is for mercedes