Thanks, but I don't know what "tight" means exactly
It means what should sound like a solid and tight "THUD!THUD!THUD!THUD!THUD!THUD!THUD!THUD!THUD!THUD!THUD!THUD!" on the bass drum sounds more like a "thWUUUUUUthWUUUUUUthWUUUUUUthWUUUUUUthWUUUUUUthWUUUUUUthWUUUUUUthWUUUUUUthWUUUUUUthWUUUUUUddd."
A series of plucks on the double bass that should like tight "dwuu, dwuu, dwuudwuuudwuuududwwuuudwwuudwwuumm" sounds more like "DWUUUUUDWUUUUUDWUUUUUDWUUUUUDWUUUUUDWUUUUUDWUUUUUDWUUUUUDWUUUUUDWUUUUUDWUUUUUDWUUUUUDWUUUUMMMM."
Basically it's like when describing a body. Tight is like Scottie Pippen or David Robinson's muscle definition with atheletic capabilities. Loose and flabby bass is like loose and flabby "Im all about tha bass, 'bout tha bass, no treble" or why loud bass music comes with similar lyrics, like "bubble butt, bubble bubble bubble butt" and somebody's rear vibrating like Jell-O.
the bass from what I've tested so far for the last couple hours is there, definitely there, maybe, just maybe a little bit bloated, but I'm not sure how to tweak it to be flat for every song, I might decrease 120Hz band by like 4dB and it will sound great on one song, but not so much on another...
If someone knows some equation for this it will be great, if not, thanks for the help anyways
I might have to start EQ'ing.
There's no clear equation on that. Absolute best you can do is set up measurements and try to EQ to flatten everything. Problem with that is:
1. EQ isn't exactly going to get you adjustments that will be a negative image of whatever irregularities are there
2. The cost of using a ballistic dummy head with ear canals, the mic, and all other equipment would only be worth it if you're going to use it the Inner Fidelity does it. Otherwise you might as well just buy a different headphone, if not also an amp.
Second best option: generate some sine waves using the same logarithmic scale used by headphone response graphs (ie 10s until 100hz, 100s until 1000hz), and then compare every frequency sine wave to how loud 1000hz is and EQ from there.
Note again that having them as even as possible is no guarantee since what is even to human hearing might not necessarily be absolutely equal since the brain tends to have a bias for midrange (the eardrums are otherwise fine) the same way the brain ignores the fact that your nose is in your FOV, on top of which, the damping factor is still low, which is why when the opposite effect happens the bass gets weaker but it's still loose.