MAHLER, SYMPHONY N.8, ABBADO / BERLINER PHYLARMONIKER / DG
I begin to understand this new headphone. As before, compared to the HD600, the HD660S is the one that sounds with the most powerful frequency extremes, fuller and cleaner. There is a somehow attenuated mid-high frequency area compared to the 600, balanced by a rise slightly above it. This contributes to the feeling of a cleaner sound, but in direct comparison the voices seem timbrically a bit "muted". But if one get used to the 660S' sound, it seems that maybe the 660S is right, while the 600 emphasizes some harmonic components perhaps a little more than the necessary (but very pleasantly). Nevertheless, some chorus lines seem slightly better outlined with the 600, while on the other hand the 660S has better positioning of the orchestra and chorus sections. Overall the 600 seems timbrically more "phoney" sounding than the 660S.
SIBELIUS - LEMMINKAINEN AND THE MAIDENS OF THE ISLAND, STEIN / SUISSE ROMANDE / DECCA
At circa 6:30 minutes of this movement there is a beautiful effect of rubbing of the violins, which (live) gives an exceptional emotional experience, it seems to feel the freezing northern winds on the skin. It's a very difficult part to reproduce (I think it's basically impossible to reproduce the experience that you feel in the live concert hall). Given the somewhat discontinuous performance of the 660S around the mid-high frequencies, I did not expect to hear the newcomer reproducing better the breath of this magnificent moment. It is not clearer, but it's better placed in the soundstage, it has more breath, where the 600 loses room sensation (maybe for the lower bass presence). The 660S is a really good headphone.
RODRIGO - FANTASIA PARA UN GENTILHOMBRE, SEGOVIA / DG
How close is the guitar with the 660S! It's exciting but there's less sense of distance of the stage. Nevertheless, the timbre of the strings are exciting, albeit slightly resonant on the lower end, while the 600 has a more "acid" sound. The reverb of the recording venue is more evident in the 660s.
BIBER - SONATA A 10, REQUIEM A 15, SAVALL / ALTAVOX
With this recording the perspective difference between the two headphones is clear. The 600 sounds more distant, while with the 660S we are virtually in the middle of the stage. It's not very realistic, but the introspection in the harmonic structure of the instruments is exciting. The 660S has the best harmonic resolution: yes, this time the 600 loses harmonic content in comparison.
But the 600 renders magnificently the voices in the indescribable Introitus of the Requiem A 15, while the 660S seems to lose some expressive nuances.
PAT METHENY GROUP - IMAGINARY DAY
The performance of the 660S is really remarkable: it's punchier, more contrasted and extended than the HD600. (the sound of the cymbals is timbrically almost "suffocated" in the 600, while it's exceptionally harmonically resolved in the 660s, in absolute terms). The "on-stage" feeling of the 660S does a good job here. The 600 is very nice, but can't really compete with the 660S here.
[HINTS TO HD700 and HD800S COMPARISON:
- The HD700 is less correct and less timbrically competent, but its soundstage, warmness and the particular high frequency detail gives to this headphone a somewhat special status (which you can love or hate). If you like its sound perspective, the Hd660S can't compete. Instead, if strict timbrical accuracy is what you seek, the 700 will have some difficulties to compete with the HD660S.
- The HD800S is the flagship one and has another approach. A/B compared after getting used to the 660S it seems almost too light; 660S instead seems to be too closed and dense if you get used to the sound of the 800S. Without the "ear habitude" bias, there is no match for expressiveness, elegance and rendering capabilities of at least all the acoustic situations, in favor of the 800S, not to mention the huge difference in the soundstage, which gives the necessary breath to the symphonic orchestra, something the 660S has some difficulties to deal with.]