Aldem
New Head-Fier
- Joined
- Apr 26, 2013
- Posts
- 26
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- 10
The default tubes aren't good ?
the Siemens are epic...the telefunken's are OUT OF THIS WORLD EPIC! take the Siemens, and add better bass, better treble extension, better soundstage, etc, and you have what's called the telefunken 6ak5w....I just got a pair of Siemens 6AK5W tubes and they're blowing my mind compared to my Sylvania gold brand 5654 tubes. How do the Telefunken 6AK5W compare to the Siemens?
This may not be exactly the best thread for this but it pertains to the HD650's so here goes.
I've been looking at cable options for these cans and keep seeing the option of "balanced" cables. Obviously I'd need an amp with the same facility but putting that to one side - What do balanced cables bring to the party?
You will need also a DAC that is capable of balanced output, to fully enjoy "balanced" sound. Apart from my failings to understand what people mean by "push/pull configurations", balanced set-ups are supposedly the top of the crop in terms of noise reduction / isolation from interference. Some claim to have found their haven of sound through balanced set-ups, whereas others have said it doesn't make a single difference at all.
What I do know, is that Sennheiser's balanced cables are overpriced for what it is, and you may be better off re-terminating a replacement HD650 cable with a 4 pin XLR end.
......
I had read [Benchmark engineer] Elias Gwinn's debate with AMB on the balanced issue a while back and found Gwinn's position very persuasive. (http://www.amb.org/forum/benchmark-engineer-on-balanced-v-unbalanced-headphone-amps-t326.html) .... with the exception of Pass Lab's recently expired SuSy patent, it seems like there is a lot of truth backing up the argument that balanced amps have more cons than pros. To recap: unless you need the extra power to drive an inefficient transducer, push-pull or, alternatively, bridged amps generally add noise and distortion (excluding, in push-pulls, common mode distortion - which is really only relevant to long cable runs). They also raise output impedance/reducing damping (theoretically bad but which may or may not be to the tastes of the user at issue). Most notably, they cost about twice as much to build. On the flip side, you get double the voltage and double the slew rate, but the latter is believed by most to be inaudible in the context of any competent amplifier.
I don't have the technical background necessary to fully appreciate the why of it, but if you look at Pass Lab's technical summary article, you will note that Pass essentially agrees with the Benchmark guys in so far as suggesting that the 3 traditional balanced approaches either perform worse than, or at best, equal to, ordinary 2 channel single ended designs. https://passlabs.com/articles/super-symmetric-amplification SuSy amps, as discussed in the link, are evidently a different matter. [But there aren't any commercial SuSy headphone amps currently on the market.]