Quote:
Originally posted by Mike Scarpitti
HUH? The voice coil is what requires the suspension! It's the suspension that softens up, according to the reply from Sennheiser- Willett. Now electrostatics may indeed need a break-in period, but clearly not for the same reasons. |
Modern hard loudspeaker membranes (metal, keramics, fiberglass...) are designed to vibrate uniformly over the whole surface in their usable frequency areas. The suspension nominally is the only part which is physically streched and bended, at least theoretically. The voice coil sits in the middle and applies the force to the membrane. There's a slight partial vibration or bending even in the usable frequency range though. Now there are still other designs with softer membranes (e.g. polypropylene), acting as partial vibrators, at least with mids and highs. That means, the higher the frequency, the smaller the vibrating area.
Headphones belong to the second category (with at least one exception I know: the AKG K 1000), even more so than typical speakers: only low frequencies move the membrane uniformly, the rest is (controlled, damped) partial vibrations. But still there's a division between membrane and suspension area; if not by a different material (rare, if at all), then by a different structure. So you can't speak of a voice coil suspended by a suspension. But actually it doesn't really matter.
Electrostatics have no voice coil; their diaphragm is driven by a force evenly distributed over the whole surface. But the diaphragm is very thin, soft and elastic. It is streched and destretched and even bended (e.g. also by partial vibrations), so it's in its whole shape kind of suspension itself, thus affected by mechanical stress. Break-in has at least a similar effect as with dynamic speakers/headphones.
Yes, it's really well known from all foil transducers; my main source is the German hi-fi press. It's been reported since many years, and from Martin Logans, e.g., not long ago.