marcoarment
100+ Head-Fier
- Joined
- Feb 15, 2014
- Posts
- 181
- Likes
- 213
The rest of the box was immaculate. I'm guessing it got stabbed by a forklift's fork — it's roughly the right size.
Anyway, back to the actual Ragnarok. So far, I'm really enjoying it. Initial impression is that it seems a bit more crisp, with faster transients, than the Mjolnir. I'm not enough of an expert to explain that further or guess why.
The relay-stepped volume control is weird, but very well done. The knob moves without "notches", like any other analog volume knob, but anyone in the room hears a bunch of clicks as you turn it, about the volume of an old "clicky" mechanical PC keyboard. Here's a video: https://www.dropbox.com/s/s3tpj2od3kvvyqo/IMG_6973.MOV?dl=0
The clicks aren't audible in the headphones if you're at moderate volume or louder, but any normal people in the room will probably make fun of your crazy huge clicky amp.
The volume intervals are so close that you can forget that it's switching between discrete steps. And you rarely hear silent gaps as they switch unless you quickly jump pretty far. It's extremely well done — far better than the coarse, chunky stepped attenuators I've seen on other high-end amps like the EF-6.
Anyway, back to the actual Ragnarok. So far, I'm really enjoying it. Initial impression is that it seems a bit more crisp, with faster transients, than the Mjolnir. I'm not enough of an expert to explain that further or guess why.
The relay-stepped volume control is weird, but very well done. The knob moves without "notches", like any other analog volume knob, but anyone in the room hears a bunch of clicks as you turn it, about the volume of an old "clicky" mechanical PC keyboard. Here's a video: https://www.dropbox.com/s/s3tpj2od3kvvyqo/IMG_6973.MOV?dl=0
The clicks aren't audible in the headphones if you're at moderate volume or louder, but any normal people in the room will probably make fun of your crazy huge clicky amp.
The volume intervals are so close that you can forget that it's switching between discrete steps. And you rarely hear silent gaps as they switch unless you quickly jump pretty far. It's extremely well done — far better than the coarse, chunky stepped attenuators I've seen on other high-end amps like the EF-6.